The Emergence of the Korean Art Collector and the Korean Art Market

التفاصيل البيبلوغرافية
العنوان: The Emergence of the Korean Art Collector and the Korean Art Market
المؤلفون: Horlyck, Charlotte
بيانات النشر: Oxford: Taylor & Francis; Routledge, 2025.
سنة النشر: 2025
المجموعة: Books
Imported or submitted locally
Original Material: 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb
مصطلحات موضوعية: Korea, Asia, art history, collecting, art market, ceramics, America, United States, Britain, England, United Kingdom, Goryeo, museum studies, collectors, celadon, Hermit Kingdom, art buyers, colonial period, thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art, thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies, thema EDItEUR::N History and Archaeology::NH History::NHF Asian history, thema EDItEUR::N History and Archaeology::NH History::NHD European history, thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas, thema EDItEUR::J Society and Social Sciences::JP Politics and government, thema EDItEUR::A The Arts::AB The arts: general topics, thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies
Time: nineteenth century, twentieth century
الوصف: Articulating the shifting interests in Korean art and offering new ways of conceiving the biases that initiated and impacted its collecting, this book traces the rise of the modern Korean art market from its formative period in the 1870s through to its peak and subsequent decline in the 1930s. The discussion centres on the collecting of Koryŏ celadon ceramics as they formed the focal point of commercial exchanges of Korean artefacts and explores how their acquisition and ownership formed part of the complex power relationship that played out between the Koreans, Japanese, Americans, and Europeans. Drawing on a wide range of primary sources, the volume analyses collectors’ acquisition practices, arguing that their fascination with ceramics from the Koryŏ kingdom (918–1392) was shaped not only by the aesthetic appeal of the objects but also by biased perceptions of the Korean peninsula, its history, and people. The book will be of interest to scholars working in art history, social history, cultural history, Korean studies, collection studies, museum studies, Korean history, and Asian studies.
نوع الوثيقة: book
وصف الملف: application/pdf
اللغة: English
ردمك: 978-1-04-011760-6
978-1-04-011764-4
978-1-00-301656-4
978-0-367-86039-4
1-04-011760-0
1-04-011764-3
1-00-301656-1
0-367-86039-2
DOI: 10.4324/9781003016564
URL الوصول: https://library.oapen.org/handle/20.500.12657/93130
Rights: URL: https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
ملاحظات: ONIX_20240909_9781040117606_68

https://www.taylorfrancis.com/books/9781003016564
رقم الانضمام: edsoap.20.500.12657.93130
قاعدة البيانات: OAPEN Library
الوصف
ردمك:9781040117606
9781040117644
9781003016564
9780367860394
1040117600
1040117643
1003016561
0367860392
DOI:10.4324/9781003016564