Electronic Resource

»Misere miser sum«. Die sprachliche Darstellung von Affekt und Emotionen junger Männer auf der Bühne der Palliata (“Misere miser sum”. The Linguistic Representation of Affect and Emotions of Young Men on the Stage of Roman Palliata)

التفاصيل البيبلوغرافية
العنوان: »Misere miser sum«. Die sprachliche Darstellung von Affekt und Emotionen junger Männer auf der Bühne der Palliata (“Misere miser sum”. The Linguistic Representation of Affect and Emotions of Young Men on the Stage of Roman Palliata)
Additional Titles: »Misere miser sum«. Die sprachliche Darstellung von Affekt und Emotionen junger Männer auf der Bühne der Palliata
المؤلفون: Seibert, Felix
المصدر: Symbolae Philologorum Posnaniensium Graecae et Latinae; Vol. 33 No. 2 (2023); 121-138; Symbolae Philologorum Posnaniensium Graecae et Latinae; Tom 33 Nr 2 (2023); 121-138; 2720-2305; 0302-7384
بيانات النشر: Adam Mickiewicz University Poznan 2023-12-21
نوع الوثيقة: Electronic Resource
مستخلص: This article examines the linguistic representation of strong emotions within Roman comedy using the character of the adulescens. The detailed linguistic analysis of scenes of the three young men Calidorus (Pseudolus), Diniarchus (Truculentus), and Lysiteles (Trinummus) focuses on lexicon, syntax, morphology, prosody, and imagery. As a rule, the characters name their feelings in the beginning and explain them in detail by means of metaphors. In addition, they make use of polymetric verse and typical stylistic elements that serve to increase the pathos of the expression, such as anaphoric enumerations, amplification, rhetorical questions etc. The analysis suggests that a specific combination of these features is used to represent emotions such as miseria, ira or desperatio within the text. A final look at Terence’s Andria and Adelphoe supports the results.
This article examines the linguistic representation of strong emotions within Roman comedy using the character of the adulescens. The detailed linguistic analysis of scenes of the three young men Calidorus (Pseudolus), Diniarchus (Truculentus), and Lysiteles (Trinummus) focuses on lexicon, syntax, morphology, prosody, and imagery. As a rule, the characters name their feelings in the beginning and explain them in detail by means of metaphors. In addition, they make use of polymetric verse and typical stylistic elements that serve to increase the pathos of the expression, such as anaphoric enumerations, amplification, rhetorical questions etc. The analysis suggests that a specific combination of these features is used to represent emotions such as miseria, ira or desperatio within the text. A final look at Terence’s Andria and Adelphoe supports the results.
مصطلحات الفهرس: Plautus, Terence, comedy, emotions, affects, adulescens, young men, ethopoiia, pathopoiia, rhetoric, info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Artykuł naukowy
URL: http://pressto.amu.edu.pl/index.php/sppgl/article/view/40662
http://pressto.amu.edu.pl/index.php/sppgl/article/view/40662/34040
http://pressto.amu.edu.pl/index.php/sppgl/article/view/40662/34040
الاتاحة: Open access content. Open access content
Prawa autorskie (c) 2023 Felix Seibert
https://creativecommons.org/licenses/by/4.0
ملاحظة: application/pdf
German
Other Numbers: PLAMU oai:ojs.pressto.amu.edu.pl:article/40662
10.14746/sppgl.2023.XXXIII.2.7
1416027057
المصدر المساهم: ADAM MICKIEWICZ UNIV
From OAIster®, provided by the OCLC Cooperative.
رقم الانضمام: edsoai.on1416027057
قاعدة البيانات: OAIster