Academic Journal
From Canvas to Fabric ; Dalla tela alla stoffa
| العنوان: | From Canvas to Fabric ; Dalla tela alla stoffa |
|---|---|
| المؤلفون: | Fabbri, Fabriano |
| المصدر: | piano b. Arti e culture visive; V. 7 N. 2 (2022): Il computer nelle arti visive e nella cultura visuale in Italia nella information age; 45-65 ; piano b. Arti e culture visive; Vol. 7 No. 2 (2022): Computer in visual arts and visual culture in Italy in the information age; 45-65 ; 2531-9876 |
| بيانات النشر: | Dipartimento delle Arti, Alma Mater Studiorum - Università di Bologna |
| سنة النشر: | 2023 |
| المجموعة: | University of Bologna: AlmaDL Journals |
| مصطلحات موضوعية: | Arte Programmata, Op Art, Sixties Fashion, Performance, moda anni Sessanta |
| الوصف: | In the early 1960s, artistic research and fashion research went hand in hand in developing an expressive system capable of suggesting new optical-perceptive effects. At the time, the most authoritative case of collaboration between artist and stylist was that of Germana Marucelli, who turned to Paolo Scheggi and Getulio Alviani for the creation of various style lines. All this happens when Bruno Munari, with the theoretical support of Umberto Eco, starts the well-known parenthesis of Arte Programmata, which in turn is inspired by the set of suggestions coming from research conducted in the computer field. Similarly, the coeval vein of Op Art relaunched the geometric shapes of the historical avant-gardes, with the caveat of enriching them with a surplus of movement that nevertheless remained on the pictorial canvas, still subjected to the limits of an optical-illusory fruition. On the contrary, Marucelli’s clothes worn by the wearer allowed the execution of real movements and consequently opened up to the prospects of a corporality capable of recalling certain performance effects. On this path, Missoni’s fashion appeared even more convincing; his fabric patterns, deliberately resolved with “low-resolution” textures, lent themselves well to representing the textile version of the electronic age, as if the designer handled and weaved balls of pixels. ; Nei primi anni Sessanta la ricerca artistica e la ricerca in moda procedono di pari passo nel mettere a punto un sistema espressivo capace di suggerire nuovi effetti ottico-percettivi. Al tempo, il caso più autorevole di collaborazione tra artista e stilista è quello di Germana Marucelli, che si rivolge a Paolo Scheggi e Getulio Alviani per la realizzazione di diverse linee di stile. Tutto ciò avviene quando Bruno Munari, con il supporto teorico di Umberto Eco, dà avvio alla nota parentesi dell’Arte Programmata, a sua volta ispirata dall’insieme di suggestioni provenienti dalle ricerche condotte in campo informatico. Analogamente, il filone coevo della Op Art ... |
| نوع الوثيقة: | article in journal/newspaper |
| وصف الملف: | application/pdf |
| اللغة: | Italian |
| Relation: | https://pianob.unibo.it/article/view/16342/15480; https://pianob.unibo.it/article/view/16342 |
| DOI: | 10.6092/issn.2531-9876/16342 |
| الاتاحة: | https://pianob.unibo.it/article/view/16342 https://doi.org/10.6092/issn.2531-9876/16342 |
| Rights: | Copyright (c) 2022 Fabriano Fabbri ; http://creativecommons.org/licenses/by-nc-sa/3.0 |
| رقم الانضمام: | edsbas.A96CAF1B |
| قاعدة البيانات: | BASE |
| DOI: | 10.6092/issn.2531-9876/16342 |
|---|