Academic Journal
Lethe Atlas
| العنوان: | Lethe Atlas |
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| المؤلفون: | Lah, Nataša |
| المصدر: | Ars & Humanitas; Vol. 12 No. 2 (2018): Memory, I; 285-298 ; Ars & Humanitas; Letn. 12 Št. 2 (2018): Spomin, I; 285-298 ; 2350-4218 ; 1854-9632 ; 10.4312/ars.12.2 |
| بيانات النشر: | Založba Univerze v Ljubljani / University of Ljubljana Press |
| سنة النشر: | 2018 |
| مصطلحات موضوعية: | Aby Warburg, Allan McCollum, Mnemosyne Atlas, Plaster Surrogates, the visual form of un-forgetfulness, the visual form of forgetfulness, vizualna oblika nepozabe, vizualna oblika pozabe |
| الوصف: | Forgetfulness erases the border between the sign and its meaning. In a visual form, the notional structure of forgetfulness is manifested as a connotatively blind image. By formalizing his Mnemosyne Atlas, Warburg gave importance to the historical un-forgetfulness. A comparison between this paradigmatic work and McCollum's Plaster Surrogates, dating from 1982, allows us to observe an identical principle, one of a preferentially selected set of picture formats, within a layout which presents a multitude of connotatively blind images. Through its manner of formalization, the latter work becomes a more recent apostrophising of fragmentariness, and a counterpart to Mnemosyne Atlas. However, Plaster Surrogates is delivered in a fresh key of the new paradigmatic representational regime, all within a procedural context of deriving historical forgetfulness. McCollum's work could also be named Lethe Atlas, as a form which denies the clear borders between the sign and its representation. Mnemosyne Atlas remembers, says its form, since each of its fragments is filled with something. Plaster Surrogates forgets, because each of its fragments is filled with nothing. In this manner, something and nothing appear as the form's rhetorical effects, while two similar formalizations sketch the conceptual fullness of un-forgetfulness i.e. the contentual emptiness of forgetfulness. By the early 20th century, along with the rise of abstract art, forgetfulness was articulated as the non-connotativity of the sign (contentual emptiness). On the other hand neo-avantgarde, particularly one endowed with a conceptual mark, radically expanded the media space of forgetfulness. ; Pozaba briše meje med znamenjem in njegovim pomenom. V vizualni obliki je teoretska struktura pozabe izražena kot konotativno slepa podoba. Aby Warburg je s tem, ko je formaliziral svoj Mnemosyne Atlas, izrazil pomen zgodovinskega nepozabljenja. Primerjava med paradigmatičnim Warburgovim delom in McCollumovimi Plaster Surrogates iz leta 1982 nam omogoča opazovati ... |
| نوع الوثيقة: | article in journal/newspaper |
| اللغة: | English |
| Relation: | https://journals.uni-lj.si/arshumanitas/article/view/8267/8386 |
| DOI: | 10.4312/ars.12.2.285-298 |
| الاتاحة: | https://journals.uni-lj.si/arshumanitas/article/view/8267 https://doi.org/10.4312/ars.12.2.285-298 |
| رقم الانضمام: | edsbas.A26AAE12 |
| قاعدة البيانات: | BASE |
| DOI: | 10.4312/ars.12.2.285-298 |
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