A new chorasmian wall painting from akchakhan-kala

التفاصيل البيبلوغرافية
العنوان: A new chorasmian wall painting from akchakhan-kala
المؤلفون: Minardi, Michele, Betts, Alison, V G, Grenet, Frantz, Khashimov, Stanislav, Khodzhaniyazov, Ghairat
المساهمون: Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge, Université Bordeaux Montaigne (UBM)-Centre National de la Recherche Scientifique (CNRS), The University of Sydney, Archéologie et Philologie d'Orient et d'Occident (AOROC), École Pratique des Hautes Études (EPHE), Université Paris Sciences et Lettres (PSL)-Université Paris Sciences et Lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-Département des Sciences de l'Antiquité - ENS-PSL (DSA ENS-PSL), École normale supérieure - Paris (ENS-PSL), Université Paris Sciences et Lettres (PSL)-Université Paris Sciences et Lettres (PSL)-École normale supérieure - Paris (ENS-PSL), Université Paris Sciences et Lettres (PSL), Collège de France - Chaire Histoire et cultures de l'Asie centrale préislamique, Collège de France (CdF (institution)), Hellénismes d’Asie et civilisations orientales, Université Paris Sciences et Lettres (PSL)-École Pratique des Hautes Études (EPHE)
المصدر: L'Orient est son jardin: hommage à Rémy Boucharlat ; https://hal.science/hal-04033086 ; L'Orient est son jardin: hommage à Rémy Boucharlat, 58, Peeters, pp.306-324, 2018, Acta Iranica, 978-90-429-3450-4
بيانات النشر: CCSD
Peeters
سنة النشر: 2018
مصطلحات موضوعية: Ancient Chorasmia Akchakhan-kala wall paintings conservation Achaemenid legacy Avesta Wahrām, Ancient Chorasmia, Akchakhan-kala, wall paintings, conservation, Achaemenid legacy, Avesta, Wahrām, [SHS.HIST]Humanities and Social Sciences/History
الوصف: International audience ; Akchakhan-kala, a major royal centre of Ancient Chorasmia, is now well known for its remarkable wall paintings. This paper discusses a wholly new form of image, that of a well-preserved and finely rendered recumbent ibex found in Area 10, the "Ceremonial Complex" of the site. Other recently discovered wall paintings in Area 10 are of clearly Zoroastrian character, and the ibex should now also be considered in this light. It is suggested that it may represent Verethraghna/Wahrām, the Avestan god of Victory. The image finds its best parallels in Achaemenid art, looking back to a much earlier artistic legacy.
نوع الوثيقة: book part
اللغة: English
الاتاحة: https://hal.science/hal-04033086
https://hal.science/hal-04033086v1/document
https://hal.science/hal-04033086v1/file/AI58_Minardi_etal.pdf
Rights: info:eu-repo/semantics/OpenAccess
رقم الانضمام: edsbas.9EED85A4
قاعدة البيانات: BASE