التفاصيل البيبلوغرافية
| العنوان: |
Sole e Ombra: A Study of Sixteenth-Century Humourism and Grotesque Through the Works of Antonfrancesco Grazzini, l’Accademia degli Humidi, and l’Accademia degli Infiammati |
| المؤلفون: |
Zampini, Tania |
| المساهمون: |
Stephens, Walter E., Celenza, Christopher S., McLucas, John, McGarry, Jean |
| بيانات النشر: |
Johns Hopkins University |
| سنة النشر: |
2013 |
| المجموعة: |
Johns Hopkins University, Baltimore: JScholarship |
| مصطلحات موضوعية: |
theatre, novelle, humourism, humours, history of medicine, Florence, Padua, Antonfrancesco Grazzini, Benedetto Varchi, Sperone Speroni, Alfonse de' Pazzi, Cosimo I de' Medici, Accademia degli Humidi, Accademia degli Infiammati, Accademia Fiorentina, Luigi Pirandello, teatro del grottesco |
| Time: |
sixteenth-century |
| الوصف: |
This doctoral dissertation is an interdisciplinary engagement with two intellectual circles of the early to mid-sixteenth century - the Accademia degli Umidi in Florence and the Accademia degli Infiammati in Padua - that examines the historical and literary interaction of these groups’ key members in an increasingly tense cultural climate. It is primarily a literary exercise in textual interpretation and intertextual analysis to three ends. The first is the identification of the intellectual trends common to both groups, which contribute to the creation of a literary genre related to the larger traditions of realism and the grotesque. The second is the relation of this literary genre to the history of medical discourse. The last is the examination of these trends as anticipations of the sentimento del contrario at the heart of Luigi Pirandello’s early twentieth century theory of humourism and the teatro del grottesco. The main point of interest across my analysis is Antonfrancesco Grazzini. As one of the founding members of the Accademia degli umidi, his works – poetic, prosaic, and dramatic - speak to both the environment of rivalry inherent to artistic production of his time, and to a growing engagement with discourse on the four bodily humours and earthly elements. The latter of these, I argue, both signals a shift, in Italian literature, from the introspective and lyrical to the social, prosaic, and performative, and provides a more substantial link to the twentieth century and Pirandello’s humourism. |
| نوع الوثيقة: |
thesis |
| وصف الملف: |
application/pdf |
| اللغة: |
English |
| Relation: |
http://jhir.library.jhu.edu/handle/1774.2/37017 |
| الاتاحة: |
http://jhir.library.jhu.edu/handle/1774.2/37017 |
| رقم الانضمام: |
edsbas.8CB58F38 |
| قاعدة البيانات: |
BASE |