التفاصيل البيبلوغرافية
| العنوان: |
Roda and Terreiro: The Historiography of Brazil’s Visual Arts at the Crossroads of Globalization |
| المؤلفون: |
Roberto Conduru |
| المصدر: |
Arts; Volume 12; Issue 3; Pages: 103 |
| بيانات النشر: |
Multidisciplinary Digital Publishing Institute |
| سنة النشر: |
2023 |
| المجموعة: |
MDPI Open Access Publishing |
| مصطلحات موضوعية: |
historiography of Brazil’s visual arts, Brazil’s visual arts, Afro-Brazilian art, art historiography |
| الوصف: |
The article focuses on Brazil’s visual arts historiography from the 1990s onwards when institutions in Europe and the U.S. began to present Brazil’s art more frequently amid the growing globalization of the art system. Edge cases are highlighted to demonstrate how scholars based outside Brazil are helping to build a canon of that country’s visual arts that contrasts and surpasses the canon of Brazil’s visual arts outlined in Brazil’s collections, exhibitions, publications, and scholarly production. The image of roda (circle) in Ronald Duarte’s Nimbo/Oxalá and Ricardo Basbaum’s image/idea of “terreiro de encontros” (terrace of encounters) are proposed as Afro-Brazilian references with which to face the challenges of these historiographic crossroads. |
| نوع الوثيقة: |
text |
| وصف الملف: |
application/pdf |
| اللغة: |
English |
| Relation: |
Visual Arts; https://dx.doi.org/10.3390/arts12030103 |
| DOI: |
10.3390/arts12030103 |
| الاتاحة: |
https://doi.org/10.3390/arts12030103 |
| Rights: |
https://creativecommons.org/licenses/by/4.0/ |
| رقم الانضمام: |
edsbas.6DBEE214 |
| قاعدة البيانات: |
BASE |