Academic Journal
Style and Taste of the Era: Menus as a Source of Research on Gastronomic Practices and Visual Culture of the Long Nineteenth Century ; Стиль і смак епохи: меню як джерело дослідження гастрономічних практик та візуальної культури довгого дев’ятнадцятого століття
| العنوان: | Style and Taste of the Era: Menus as a Source of Research on Gastronomic Practices and Visual Culture of the Long Nineteenth Century ; Стиль і смак епохи: меню як джерело дослідження гастрономічних практик та візуальної культури довгого дев’ятнадцятого століття |
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| المؤلفون: | Kazakevych, Olga, Казакевич, Ольга |
| المصدر: | Text and Image: Essential Problems in Art History; Vol. 2 No. 16 (2023) ; Текст і образ: Актуальні проблеми історії мистецтва ; Том 2 № 16 (2023) ; 2519-4801 ; 10.17721/2519-4801.2023.2 |
| بيانات النشر: | Taras Shevchenko National University of Kyiv |
| سنة النشر: | 2024 |
| مصطلحات موضوعية: | visual culture, menus, design, gastronomic culture, eating behavior, culinary traditions, globalization, national cuisine, довге дев’ятнадцяте століття, візуальна культура, меню, дизайн, гастрономічна культура, харчова поведінка, кулінарні традиції, глобалізація, національна кухня |
| Time: | long nineteenth century |
| الوصف: | The investigation into the development of plots within the realm of artistic expression remains an enduringly pertinent subject. The distinctive backdrop of Ancient Greece offers a unique perspective for elucidating this evolutionary process, particularly through the medium of vase painting. The author specifically aimed at tracing the progression of a specific narrative type, centred around the depiction of the afterlife realm of Hades. This study also encompasses broader implications that can be inferred from the chronological evolution of this thematic construct. The intellectual landscape of the Greeks underwent a noticeable phase of desacralisation, characterised by a palpable shift in attitude. Narratives and figures that once commanded reverence started to be portrayed with reduced deference. The transformation of depictions related to Hades, spanning from the archaic to the classical period, is substantial. This transformation includes not only the iconography of Hades himself but also extends to his surrounding environment and accompanying characters. The very configuration of the underworld underwent a metamorphosis, and the personas within it underwent alterations. This process of desacralisation is not confined to vase painting alone; it extends into literature, a facet that will be detailed further. Significant changes in eschatological concepts find explicit expression in the works of notable contemporaries such as Plato, Euripides, Aristotle, and others. The evolution is particularly evident in relation to mythologies, with a noticeable surge in scepticism and critical scrutiny directed towards previously venerated myths. This critical perspective on myths was a relatively novel phenomenon in the literary domain until a certain epoch. Moreover, an exploration of the evolution of myths and the fluctuating popularity of specific narratives offers a lens through which to gauge the prevailing sentiments among the citizens of Greek city-states. Through a comprehensive analysis of diverse sources, the ... |
| نوع الوثيقة: | article in journal/newspaper |
| وصف الملف: | application/pdf |
| اللغة: | Ukrainian |
| Relation: | https://txim.history.knu.ua/article/view/1734/1572; https://txim.history.knu.ua/article/view/1734 |
| DOI: | 10.17721/2519-4801.2023.2.02 |
| الاتاحة: | https://txim.history.knu.ua/article/view/1734 https://doi.org/10.17721/2519-4801.2023.2.02 |
| Rights: | Copyright (c) 2024 Text and Image: Essential Problems in Art History ; https://creativecommons.org/licenses/by/4.0/deed.en |
| رقم الانضمام: | edsbas.6747A1BC |
| قاعدة البيانات: | BASE |
| DOI: | 10.17721/2519-4801.2023.2.02 |
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