Academic Journal
The beauty of the elements of the universe - natural forms of minerals in jewelery ; Красота стихий миростроения — природные формы минералов в ювелирном искусстве ; Краса стихій світобудови – необроблені форми мінералів у ювелірному мистецтві
| العنوان: | The beauty of the elements of the universe - natural forms of minerals in jewelery ; Красота стихий миростроения — природные формы минералов в ювелирном искусстве ; Краса стихій світобудови – необроблені форми мінералів у ювелірному мистецтві |
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| المؤلفون: | Триколенко, Софія Тарасівна |
| المصدر: | Theory and practice of design; No. 23 (2021); 115-124 ; Теория и практика дизайна; № 23 (2021); 115-124 ; Теорія та практика дизайну; № 23 (2021); 115-124 ; 2786-8664 ; 2415-8151 |
| بيانات النشر: | National Aviation University |
| سنة النشر: | 2021 |
| المجموعة: | Science Journals of National Aviation University, Ukraine |
| مصطلحات موضوعية: | мінерали, камені, оправа, ювелірне мистецтво, прикраси, гальваніка, техніка, концепція розвитку розумних міст, вироби, філігрань, філософія, візуальне виявлення, мистецтво, minerals, stones, rim, jewelry, decorations, electroplating, machinery, concept, ware, filigree, philosophy, visual detection, art |
| الوصف: | One of the most interesting currents of modern jewelry art is the use of natural forms in mineral products - unprocessed in general or partially processed. For the most part, such techniques are used by independent artists and small jewelry workshops, while mass production of jewelry is based on established trends of equally faceted stones. The appeal to minerals of natural forms demonstrates a change in the worldview of artists - from the desire to adapt the natural material to their needs to the ability to find an artistic concept of the product that would reveal the beauty of materials without artificial interference with their shape and texture. This article analyzes the principles of using minerals of natural forms in jewelry. The outbreak of passion for raw minerals instantly covers artists-jewelers around the world, and in different countries at the same time there are collections of jewelry, which emphasizes the beauty of natural form. Such visual concepts embody a powerful meaningful layer: the ideas of greening, awareness of the power of the elements and, at the same time, the insecurity of nature, are becoming more widespread in the civilized world. Barbaric consumption of natural resources is slowly giving way to recovery. Issues such as the educational function of jewelry art are covered. The art of making jewelry, as one of the most common and most in demand around the world, has absorbed a kind of educational function — a demonstration of the beauty of nature in its wild, untamed state. It is worth noting that the principles of making frames have also changed and the arsenal of accompanying materials has been updated. In Western Europe and America, artists often use base metals, leather, wood, and acrylic resins for frames. Galvanic jewelry is very popular. The direction of making bead frames is becoming widespread. In Ukraine, the progress of attracting minerals of natural forms and inexpensive materials as frames began belatedly, but now it has become extremely widespread. This article offers to ... |
| نوع الوثيقة: | article in journal/newspaper |
| وصف الملف: | application/pdf |
| اللغة: | Ukrainian |
| Relation: | https://jrnl.nau.edu.ua/index.php/Design/article/view/16276/23548; https://jrnl.nau.edu.ua/index.php/Design/article/view/16276 |
| DOI: | 10.18372/2415-8151.23.16276 |
| الاتاحة: | https://jrnl.nau.edu.ua/index.php/Design/article/view/16276 https://doi.org/10.18372/2415-8151.23.16276 |
| Rights: | Авторське право (c) 2021 Теорія та практика дизайну |
| رقم الانضمام: | edsbas.63E855A9 |
| قاعدة البيانات: | BASE |
| DOI: | 10.18372/2415-8151.23.16276 |
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