Academic Journal
Modernybės filosofijos, istorijos pabaiga ir postmodernybės istorija Jono Meko literatūroje ir kine ; Jonas Mekas on the philosophy of modernity, the end of history, and the history of postmodernity
| العنوان: | Modernybės filosofijos, istorijos pabaiga ir postmodernybės istorija Jono Meko literatūroje ir kine ; Jonas Mekas on the philosophy of modernity, the end of history, and the history of postmodernity |
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| المؤلفون: | Čičelis, Ramūnas |
| المصدر: | Darbai ir dienos, Kaunas : Vytauto Didžiojo universitetas, 2014, 61, p. 67-99 ; ISSN 1392-0588 |
| سنة النشر: | 2014 |
| المجموعة: | LSRC VL (Lithuanian Social Research Centre Virtual Library) / LSTC VB (Lietuvos socialinių tyrimų centras virtualią biblioteką) |
| مصطلحات موضوعية: | Mekas, Jonas, Philotopy, Chronotope of the road, Chronotope of the idyll, History of modernity, Histority of postmodernity, info:eu-repo/classification/udc/92.47, info:eu-repo/classification/udc/791, info:eu-repo/classification/udc/1, info:eu-repo/classification/udc/93 |
| الوصف: | This article analyzes the end of modern philosophy and of history in the books and films of Jonas Mekas as well as the influence of postmodern history specifically on his films. Starting with the poetry collection Pavieniai žodžiai (Solitary Words) and ending with WTC Haikus, one of his most recent films, the analysis shows how modern history, with its conception of history as constantly progressing and explicable by logic in terms of causes and effects, transmutes into postmodern history, with its emphasis on the irrational and the accidental. The end of modern philosophy and of history is associated with the Second World War and its consequences. Postmodern history is personally important to Mekas only insofar as it becomes the dustbin of modern history: living in peace and tranquility, Mekas can afford to forget about the history of the community. In conclusion the author of this article argues that the end of the history of modernity shows up in Mekas‘s films as a switch from the chronotope of the road to that of the idyll: the latter chronotope no longer shows a travel-induced change in space and time but a pastoral way of being here and now. The literary work of Jonas Mekas reveals how a human being who has lost his home due to the events at the end of modernity – the Second World War – regains it by philotopically falling in love with the place where he finds himself. |
| نوع الوثيقة: | article in journal/newspaper |
| وصف الملف: | application/pdf |
| اللغة: | Lithuanian English |
| Relation: | http://vdu.oai.elaba.lt/documents/6120322.pdf; http://vdu.lvb.lt/VDU:ELABAPDB6120322&prefLang=en_US |
| الاتاحة: | http://vdu.oai.elaba.lt/documents/6120322.pdf http://vdu.lvb.lt/VDU:ELABAPDB6120322&prefLang=en_US |
| Rights: | info:eu-repo/semantics/openAccess |
| رقم الانضمام: | edsbas.60787295 |
| قاعدة البيانات: | BASE |
| الوصف غير متاح. |