التفاصيل البيبلوغرافية
| العنوان: |
A Critical Reflection on the Impact of String Instruments in Piano Performance:: Insights from the Pianist's Perspective ; Uma Reflexão Crítica sobre o Impacto dos Instrumentos de Corda na Performance de Piano: : Perspectivas do Pianista |
| المؤلفون: |
Oscar Caravaca Gonzalez |
| المصدر: |
MUSICA HODIE; Vol. 24 (2024): Música Hodie ; Música Hodie; Vol. 24 (2024): Música Hodie ; Música Hodie; v. 24 (2024): Música Hodie ; 1676-3939 ; 2317-6776 |
| بيانات النشر: |
Universidade Federal de Goiás |
| سنة النشر: |
2024 |
| المجموعة: |
Universidade Federal de Goiás: The Portal of Journals from UFG |
| مصطلحات موضوعية: |
strings to piano. historical informed practices. cross-disciplinary exploration. performer’s creative space, de cordas para piano, práticas informadas historicamente, exploração interdisciplinar, o espaço criativo do intérprete |
| الوصف: |
This article presents a critical examination from a keyboard performer's viewpoint, focusing on interpreting the score through a lens informed by historical evidence and the insights of string instrumentalists. The author uses Franz Schubert's Impromptu No. 1 Op. 90 as an exploratory platform, examining diverse aspects to inspire pianists to extend beyond conventional boundaries of their instrument. By transcribing solo piano works into various instrumental templates, it encourages pianists to explore unfamiliar domains, drawing on historical insights from string players and unexpected discoveries in string ensemble rehearsals to collectively enrich and reinvigorate creativity in solo piano interpretation. The germ for stimulating such artistic endeavour is rooted in the ground-breaking ideas of Alfred Brendel, whose influential work has significantly sparked the author's creativity and added depth to this cross-disciplinary endeavour. Throughout, this exploration illuminates the intricate dynamic interplay between the composer's authority, the performer's creative freedom, and the enduring influence of tradition, where such an interaction may provide a fertile ground for open-minded interpretations, particularly in “opening new ears” on how contemporary musicians approach scores from the canonical repertoire in present time. ; Este artigo apresenta uma análise crítica do ponto de vista de um intérprete de teclado, focando na interpretação da partitura através de uma lente informada por evidências históricas e pelos insights de instrumentistas de cordas. O autor utiliza o Impromptu No. 1 Op. 90 de Franz Schubert como uma plataforma exploratória, examinando diversos aspectos para inspirar pianistas a se estenderem além dos limites convencionais de seu instrumento. Ao transcrever obras solo para piano em diferentes modelos instrumentais, isso encoraja pianistas a explorar domínios desconhecidos, baseando-se nos insights históricos de instrumentistas de cordas e descobertas inesperadas nos ensaios de conjuntos de ... |
| نوع الوثيقة: |
article in journal/newspaper |
| وصف الملف: |
application/pdf |
| اللغة: |
English |
| Relation: |
https://revistas.ufg.br/musica/article/view/78343/41486; https://revistas.ufg.br/musica/article/view/78343 |
| الاتاحة: |
https://revistas.ufg.br/musica/article/view/78343 |
| Rights: |
Copyright (c) 2024 Música Hodie |
| رقم الانضمام: |
edsbas.5513A46B |
| قاعدة البيانات: |
BASE |