التفاصيل البيبلوغرافية
| العنوان: |
Underwater, cosmic, spiritual. Russian cities in Scandinavian documentaries ; Podwodne, kosmiczne, duchowe. Miasta rosyjskie a sfera publiczna w filmach skandynawskich dokumentalistów |
| المؤلفون: |
Mrozewicz, Anna Estera |
| المصدر: |
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Vol. 12 No. 21 (2013): Cinema and City Life; 173-192 ; Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Tom 12 Nr 21 (2013): Cinema and City Life; 173-192 ; 2720-040X ; 1731-450X |
| بيانات النشر: |
Adam Mickiewicz University Poznan |
| سنة النشر: |
2013 |
| المجموعة: |
Adam Mickiewicz University in Poznań: PRESSto / Uniwersytet im. Adama Mickiewicza w Poznaniu |
| مصطلحات موضوعية: |
Scandinavian documentary films, Russia, Russian soul, cosmic imaginary, place, city, heterotopia, private/public, ecology, Marja Pensala, Boris Bertram, Ada Bligaard Søby |
| الوصف: |
The article discusses three documentaries made since 2000 by Scandinavian filmmakers: the Finnish director Marja Pensala’s The Eclipse of the Soul (2000) and two films by Danish authors: Boris Bertram’s Tankograd (2010) and Ada Bligaard Søby’s The Naked of Saint Petersburg (2010). All the films are portraits of Russian cities and their residents. In my study, I draw on concepts such as the “Russian soul”, private/public and bytie (the spiritual being)/byt (the daily grind), which, as I argue, are important aspects of all three films, and at the same time, useful tools for their analysis. Common to these documentaries is the fact that the authors direct their attention to the asymmetrical relation between the state’s position of power and its largely powerless citizens. The constitutive element of a city as such – being a public space, i.e. a space to which all people should have equal access and rights – appears largely distorted. As a consequence, the residents escape from their stark reality to create alternative, imaginary spaces – be it a lost paradise, like the underwater city of Mologa in Pensala’s film, a cosmic heterotopia, like the space of art in Bertram’s Tankograd, or a spiritual universe, like in Søby’s short documentary. In all these films, the directors’ point of reference – their cultural perspective – is emphasized as a filter, through which the Russian reality is perceived. ; Underwater, cosmic, spiritual. Russian cities in Scandinavian documentaries The article discusses three documentaries made since 2000 by Scandinavian filmmakers: the Finnish director Marja Pensala’s The Eclipse of the Soul (2000) and two films by Danish authors: Boris Bertram’s Tankograd (2010) and Ada Bligaard Søby’s The Naked of Saint Petersburg (2010). All the films are portraits of Russian cities and their residents. In my study, I draw on concepts such as the “Russian soul”, private/public and bytie (the spiritual being)/byt (the daily grind), which, as I argue, are important aspects of all three films, and at the ... |
| نوع الوثيقة: |
article in journal/newspaper |
| وصف الملف: |
application/pdf |
| اللغة: |
Polish |
| Relation: |
http://pressto.amu.edu.pl/index.php/i/article/view/3655/3686; http://pressto.amu.edu.pl/index.php/i/article/view/3655 |
| الاتاحة: |
http://pressto.amu.edu.pl/index.php/i/article/view/3655 |
| رقم الانضمام: |
edsbas.4D9836F |
| قاعدة البيانات: |
BASE |