Academic Journal

The Role of Photography in the Transfers of Architectural Ideas of the 1950s and 1960s in the Architectural Magazines: From Documents to Socially Engaged Criticism ; Uloga fotografije u transferima arhitektonskih ideja 1950-ih i 1960-ih na primjeru arhitektonskih časopisa: od dokumenta do društveno angažirane kritike (Sažetak)

التفاصيل البيبلوغرافية
العنوان: The Role of Photography in the Transfers of Architectural Ideas of the 1950s and 1960s in the Architectural Magazines: From Documents to Socially Engaged Criticism ; Uloga fotografije u transferima arhitektonskih ideja 1950-ih i 1960-ih na primjeru arhitektonskih časopisa: od dokumenta do društveno angažirane kritike (Sažetak)
المؤلفون: Galjer, Jasna
المصدر: Studia ethnologica Croatica ; ISSN 1330-3627 (Print) ; ISSN 1848-9532 (Online) ; Volume 34 ; Issue 1
سنة النشر: 2022
مصطلحات موضوعية: architectural photography, architectural magazines, mediatization of architecture, cultural production, visual culture, criticism, 1950s, 1960s, arhitektonska fotografija, arhitektonski časopisi, medijalizacija arhitekture, kulturna proizvodnja, vizualna kultura, kritika, 1950-e, 1960-e, archi, art
الوصف: The article examines the role of photography in architectural magazines during the 1950s and 1960s, with special focus on the transfers of architectural ideas. By applying an interdisciplinary method that includes a contextual model of visual studies, art, architecture and design history, the article analyzes selected examples to gain insight into the theoretical and cultural-historical foundations and circumstances of the creation and transformation of the visual language of photography in architectural magazines published in the specified period. Instead of (re)constructing the narrative, the roles of photography in the representation of architectural production are studied as a field of complex relations in the field of cultural production. Special attention is paid to specific ways of establishing visual codes of communicating architectural ideas based on photography, created during the 1950s and 1960s in different political and cultural contexts. The aim of this paper is to contribute to the interpretation of architectural photography, from documenting to socially and politically engaged criticism, as well as relativizing the boundaries between architecture and popular culture in the sphere of visual, aesthetic, spatial and ideological aspects of the representational discourse of architectural magazines. ; U tekstu se razmatra udio fotografije u arhitektonskim časopisima 1950-ih i 1960-ih godina, s posebnim osvrtom na transfere arhitektonskih ideja. Primjenom interdisciplinarne metode koja uključuje kontekstualni model vizualnih studija, povijesti umjetnosti, arhitekture i dizajna, na odabranim primjerima analiziraju se teorijske i kulturnopovijesne osnove, okolnosti nastanka i transformacije vizualnog jezika fotografije u arhitektonskim časopisima navedenog razdoblja. Umjesto (re)konstruiranja narativa, uloge fotografije u prikazivanju arhitektonske produkcije proučavaju se kao polje složenih odnosa u području proizvodnje kulture. Stoga se posebna pažnja posvećuje specifičnim načinima uspostavljanja .
نوع الوثيقة: article in journal/newspaper
اللغة: English
Relation: https://hrcak.srce.hr/288356
الاتاحة: https://hrcak.srce.hr/288356
Rights: undefined
رقم الانضمام: edsbas.48F62D04
قاعدة البيانات: BASE