التفاصيل البيبلوغرافية
| العنوان: |
BUILDING BRIDGES BETWEEN FORM AND TECHNOLOGY: TOWARDS A CHARACTERIZATION OF THE STYLISTIC HORIZONS FROM THE SPANISH LEVANTINE ROCK ART |
| المؤلفون: |
López-Montalvo, Esther, Mauran, Guilhem, Roldán, Clodoaldo, Murcia-Mascarós, Sonia, Carballo, Jorgelina |
| المساهمون: |
Travaux et recherches archéologiques sur les cultures, les espaces et les sociétés (TRACES), École des hautes études en sciences sociales (EHESS)-Université Toulouse - Jean Jaurès (UT2J), Université de Toulouse (UT)-Université de Toulouse (UT)-Ministère de la Culture et de la Communication (MCC)-Institut national de recherches archéologiques préventives (Inrap)-Centre National de la Recherche Scientifique (CNRS), Centre National de la Recherche Scientifique (CNRS), Universitat de València = University of Valencia (UV), Asociación de Arqueometría Ibérica, ANR-22-CE27-0021,HOLOGRAM,L'art pariétal Holocène du bassin méditerranéen ibérique : comment vous peignez, qui vous êtes(2022) |
| المصدر: |
XV Congresso Ibérico de Arqueometria / Iberian Archeometry Congress ; https://hal.science/hal-04843318 ; XV Congresso Ibérico de Arqueometria / Iberian Archeometry Congress, Asociación de Arqueometría Ibérica, Oct 2024, Aveiro (Portugal), Portugal |
| بيانات النشر: |
CCSD |
| سنة النشر: |
2024 |
| المجموعة: |
Université Toulouse 2 - Jean Jaurès: HAL |
| مصطلحات موضوعية: |
Spanish Levantine rock art, Neolithic, Iberian Peninsula, Pigments, MEB-EDS microscopie électronique à balayage couplée à la spectroscopie de rayons X à dispersion d'énergie, Chaîne opératoire, [SHS]Humanities and Social Sciences, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, [SHS.STAT]Humanities and Social Sciences/Methods and statistics |
| جغرافية الموضوع: |
Aveiro (Portugal), Portugal |
| الوصف: |
International audience ; Spanish Levantine rock art is a unique form of pictorial expression in Holocene Prehistoric Europe, whose cultural complexity and chronology remain uncertain. The more than 1,500 rock shelters identified so far extend across the inland regions of the Iberian Mediterranean basin, over an extensive territory of around 80,000 km2.The potential of information treasured by this graphic tradition is impressive: its territorial boundaries must be read in terms of social and economic dynamics, while its outstanding formal diversity, the figurative nature of its depictions and the strong narrative component of its scenes make this graphic tradition an open-air archive, which allows us to investigate the cultural dynamics, social and economic activities and a wide spectrum of material culture. Despite this potential as a source of information, the lack of reliable methods to date kept Spanish Levantine rock art out of mainstream archaeology, while its characterization has been based solely on formal and thematic features. Technological traits- techniques and sequences of gestures- have been completely disregarded from stylistic approaches, especially as far as the early stages of the graphic operational sequence are concerned. There are several reasons underlying this gap, the main ones being: on the one hand, attention has been focused on the identification of the minerals that make up the pigments, but the size and morphology of the crystals, which is intimately related to the processing gestures, has been neglected. On the other hand, mainstream researches have focused on the isolated study of rock art shelters, completely detached from the cultural debates revolving around this horizon and with a scale of analysis restricted to the panel, so that the sampling strategy of pigments has been completely random. These traditional approaches thus prevent a regional focus on both chaînes opératoires characterizing technical traditions and the mechanisms governing the transmission of the know-how. ... |
| نوع الوثيقة: |
conference object |
| اللغة: |
English |
| الاتاحة: |
https://hal.science/hal-04843318 |
| رقم الانضمام: |
edsbas.47234424 |
| قاعدة البيانات: |
BASE |