Academic Journal

City portrait, civic body, and commercial printing in sixteenth-century Ghent

التفاصيل البيبلوغرافية
العنوان: City portrait, civic body, and commercial printing in sixteenth-century Ghent
المؤلفون: Buylaert, Frederik, De Rock, Jelle, Van Bruaene, Anne-Laure
المصدر: RENAISSANCE QUARTERLY ; ISSN: 0034-4338
سنة النشر: 2015
المجموعة: Ghent University Academic Bibliography
مصطلحات موضوعية: History and Archaeology, city view, civic religion, urban iconography, Ghent, printing, URBAN ELITES, MIDDLE-AGES
Time: sixteenth century
الوصف: This article discusses a woodcut series with an elaborate iconographic representation of the Flemish city of Ghent, printed in 1524 by Pieter de Keysere. The three-sheet composition consists of a city view, an image of the allegorical Maiden of Ghent, and an extensive heraldic program with the coat of arms of prominent Ghent families and of the Ghent craft guilds. The print series’ production and consumption are unraveled and framed within the wider debate on civic religion in Renaissance Europe. The main argument is that while in this region of Northern Europe civic ideology was equally strong as in Italy, it was not the exclusive playground of the ruling elites. Pieter de Keysere’s woodcut series was aimed at a socially broad, local audience, most particularly Ghent’s corporate middle groups.
نوع الوثيقة: article in journal/newspaper
وصف الملف: application/pdf
اللغة: English
Relation: https://biblio.ugent.be/publication/6929418; http://hdl.handle.net/1854/LU-6929418; http://dx.doi.org/10.1086/683852; https://biblio.ugent.be/publication/6929418/file/6929433
DOI: 10.1086/683852
الاتاحة: https://biblio.ugent.be/publication/6929418
http://hdl.handle.net/1854/LU-6929418
https://doi.org/10.1086/683852
https://biblio.ugent.be/publication/6929418/file/6929433
Rights: No license (in copyright) ; info:eu-repo/semantics/openAccess
رقم الانضمام: edsbas.3B83997
قاعدة البيانات: BASE