التفاصيل البيبلوغرافية
| العنوان: |
《文心雕龍》「道」與修辭關係之研究 ; Study on Dao in Wenxin diaolong and its Connection to Rhetoric |
| المؤلفون: |
謝義欽, CHIA, NGEE-TSING |
| المساهمون: |
中國文學系, 王三慶, Wang, San-Ching |
| سنة النشر: |
2014 |
| مصطلحات موضوعية: |
《文心雕龍》, 道, 修辭, 自然, 宗經, 通變, Dao of Wenxin diaolong, Rhetoric, Nature(ZI RAN), Zong jing(Elevating the Classics), Change(Tong bian), hisphilso, litt |
| الوصف: |
〈原道〉之道體在概念上主要是本體論的論述、自然的論述、本質的論述，是一多元組合的理論體系。《文心雕龍》文原論之〈原道〉、〈徵聖〉、〈宗經〉、〈正緯〉、〈辨騷〉，都是構成其道體理論的重要篇目。綜合而論，首先，道體的意含具有自然之特性。其二，劉勰之道體含有濃厚的人文色彩。其三，經典與聖人是道體作用於人文的關鍵所在。最後，劉勰也通過〈正緯〉、〈辨騷〉來強調會通適變的立場。 道體理論落實於文筆運用的修辭方法，主要是自然原則、權威指導性質，以及會通適變。自然性質，是指一種「由內而外」、「為文用心」、「情質相符」的創作方法、立場。修辭的運用也受到權威指導的制約，這種權威指的就是聖人與經典，謂為「徵聖」、「宗經」精神。通變性原則指文學發展一種必然的趨勢，在強調自然之道、經典權威之餘，凸顯創作與修辭通變的合理性及必然性。修辭的運用受到自然原則、宗經原則與通變原則的規範。 文類的體要原則在文類的建立過程，都符應於「為情而造文」的規律，使得作家的情志在文類的修辭運用，可以貼緊著文類的體要，符合創作的自然原則。而各文類的淵源與五經關係密切，讓文類的使用需要扣緊與經典的這層關係上，這當中有六個文類系列，分別與五經和屈騷做淵源的結合，以致文辭風格應合。最後是文類體貌的修辭營造，必須通過作者在文辭的通變來完成，使表達形式擁有更多的可能。 ; SUMMARY “Yuan Dao” the dao body mainly for the ontology elaboration, the natural elaboration, the essential elaboration, is a multi-dimensional combination theory system.Its content: （1） has characteristic of the nature.（2） includes the strong humanities.（3） emphasis classics and sage's function.4, advocated can pass the standpoint which changes suitably. The meaning of dao essence theory has an effect in the creation of rhetoric using and is primarily based upon the quality of nature, the quality of authoritativeuidance, and the principle of change. Furthermore, he does not separate literary genre and dao essence theory, but combines both concepts, to allow dao essence theory to be placed into the writing of literary genre. This allows the author’s feeling and aspirations to congeal with the essence of literary genre and conform with the natural principle of creativity. The origin of each literary genre is interrelated with the Five Classics, allowing the use of literary genre to conform with the Classics.Last is the rhetorical conception of literary genre and form, which must undergo the author’s change of literary diction to complete. INTRODUCTION “Yuan Dao” in Wenxin diaolong (Literary Mind and the Carving of Dragons) is an important metaphysical concept in Liu Xie’s theoretical and interpretive process, thus acting as a core for the support of theoretical structures. This metaphysical concept allows his literary theory to be investigated more deeply. . |
| نوع الوثيقة: |
thesis |
| اللغة: |
unknown |
| Relation: |
http://ir.lib.ncku.edu.tw/handle/987654321/209355 |
| الاتاحة: |
http://ir.lib.ncku.edu.tw/handle/987654321/209355 |
| Rights: |
undefined |
| رقم الانضمام: |
edsbas.252D80A1 |
| قاعدة البيانات: |
BASE |