The Yiddish Art Theatre in Paris after the Holocaust, 1944–1950
| العنوان: | The Yiddish Art Theatre in Paris after the Holocaust, 1944–1950 |
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| المؤلفون: | Nick Underwood |
| المصدر: | Theatre Survey. 61:351-371 |
| بيانات النشر: | Cambridge University Press (CUP), 2020. |
| سنة النشر: | 2020 |
| مصطلحات موضوعية: | Visual Arts and Performing Arts, media_common.quotation_subject, Art history, Yiddish, Nazism, 06 humanities and the arts, Art, language.human_language, The Holocaust, 060402 drama & theater, language, Yiddish theatre, 0604 arts, media_common |
| الوصف: | Almost as soon as Paris was liberated from Nazi Occupation on 25 August 1944, Yiddish actors took back the stages on which they had once performed. In fact, on 20 December 1944, while war and the Holocaust still raged, a small cohort of actors produced what they advertised in the Naye prese as the “first grand performance by the ‘Yiddish folks-bine.’” This performance was to take place at the four-hundred-seat Théâtre Lancry, a performance space located in Paris's 10th arrondissement, not far from the Place de la République and the Marais. “Lancry,” as it was known, had played host to Yiddish theatre as early as 1903 and, during the interwar years, it was the center of Parisian Yiddish cultural activity: dozens of theatre performances occurred there and it was where the Kultur-lige pariz was based, among other institutions. During the postwar years, it also went by the name Théâtre de la République after 1947 and Théâtre du Nouveau-Lancry after 1951, but many still referred to it simply as “Lancry.” |
| تدمد: | 1475-4533 0040-5574 |
| DOI: | 10.1017/s0040557420000277 |
| URL الوصول: | https://explore.openaire.eu/search/publication?articleId=doi_________::26cf8e3de9467d662b82442602f572d5 https://doi.org/10.1017/s0040557420000277 |
| Rights: | CLOSED |
| رقم الانضمام: | edsair.doi...........26cf8e3de9467d662b82442602f572d5 |
| قاعدة البيانات: | OpenAIRE |
| تدمد: | 14754533 00405574 |
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| DOI: | 10.1017/s0040557420000277 |