التفاصيل البيبلوغرافية
العنوان: |
Is It Art? Effects of Framing Images as Art versus Non-Art on Gaze Behavior and Aesthetic Judgments. |
المؤلفون: |
Papenmeier, Frank1 (AUTHOR) frank.papenmeier@uni-tuebingen.de, Dagit, Gerald2 (AUTHOR), Wagner, Christoph2 (AUTHOR), Schwan, Stephan3 (AUTHOR) |
المصدر: |
Psychology of Aesthetics, Creativity & the Arts. Aug2024, Vol. 18 Issue 4, p642-653. 12p. |
مصطلحات موضوعية: |
*GAZE, *AESTHETIC judgment, *FRAMES (Social sciences) |
مستخلص: |
The perception and evaluation of art might be governed by both stimulus-driven aspects and expectations of the observer. By framing actual artwork and actual scientific depictions as being either artwork or scientific depictions, we were able to investigate the individual contributions of both factors on viewers' gaze behavior and aesthetic judgments. With Experiment 1, we identified a set of images that were equally likely classified as being either artwork or scientific depiction by art laypersons. In Experiment 2, we measured art laypersons' eye-movements as well as their aesthetic judgments regarding those images (half being actual artwork and half being actual scientific depictions). We told one group of participants that all images were artwork, whereas we told another group of participants that all images were scientific depictions. Our results indicate that gaze behavior was influenced by the actual image type but not by framing. Actual artwork led to fewer and longer fixations, a shorter scanpath, a shorter distance of fixations to the screen center, and a lower similarity of viewing patterns across participants. Further, actual artwork was rated as being more complex but less meaningful than scientific depictions, with no differences regarding perceived structuredness and liking. Framing the images as artwork led to no changes in perceived meaningfulness, complexity, or structuredness but to lower ratings on liking. We conclude that while the dichotomy between art and non-art influenced art laypersons' gaze behavior and aesthetic judgments, this influence was primarily driven by bottom–up factors rather than a specific cognitive art schema. [ABSTRACT FROM AUTHOR] |
قاعدة البيانات: |
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