التفاصيل البيبلوغرافية
| العنوان: |
PULSKO RAZDOBLJE FRANZA LEHÁRA (1894-1896). |
| Alternate Title: |
THE PERIOD OF FRANZ LEHÁR IN PULA (1894-1896). |
| المؤلفون: |
DURAKOVIĆ, LADA1, MARKOVIĆ, MARIJANA KOKANOVIĆ2 |
| المصدر: |
Croatian Musicological Review / Arti Musices. 2019, Vol. 50 Issue 1/2, p301-320. 20p. |
| مصطلحات موضوعية: |
*SONGS, *NINETEENTH century, *DANCE, *COMPOSERS, *ORCHESTRA |
| People: |
LEHAR, Franz, 1870-1948 |
| Abstract (English): |
The subject of research in this paper is related to the lesser known period of the artistic activity of Kapellmeister and composer Franz Lehár in Pula, as the authors' contribution to the near 150th anniversary of composer's birth. Today primarily recognized as a composer of successful operett as, Lehár began his career as a military musician in Barmen/Elberfeld and Lučenec. He worked in Pula from 1894 to 1896 as Kapellmeister of the Naval Orchestra and as composer. The authors first highlight Lehár's work as Kapellmeister in the context of the socio-cultural milieu in Pula in the last decade of the 19th century. Following a detailed examination of the contemporary press in Pula, and above all into the Eco di Pola gazette, the repertoire of the orchestra under Lehár's guidance was reconstructed. Special attention has been devoted to Lehár's works composed in Pula. In addition to the repertoire typical for the oeuvre of a military Kapellmeister (marches, dances, potpourris), in this period, Lehár also composed in more demanding genres. Lehár's acquaintance with the opera composer from Pula Antonio Smareglia, with whom he spent much time talking about music, was of critical importance to Lehár as a composer, as was his acquaintence with naval offi cer and poet Felix Falzari. His new friends encouraged Lehár in his compositional work. Falzari wrote lyrics for his art song cycle Weidmannsliebe Op. 26, as well as the libretto for the opera Kukuschka. [ABSTRACT FROM AUTHOR] |
| Abstract (Croatian): |
Franz Lehár, danas poznat prije svega kao skladatelj uspjelih opereta, svoju je karijeru započeo kao vojni kapelnik. Nakon nekoliko godina provedenih u Barmenu/Eberfeldu i Lučenecu, od ožujka 1894. do listopada 1896. službovao je u Puli, gdje je vodio orkestar Austro-Ugarske ratne mornarice (Mornarički orkestar) i djelovao kao skladatelj. Članak donosi dosad nepoznate detalje iz tog perioda umjetnikova života i rekonstrukciju njegova kapelničkog angažmana te nudi uvid u pojedine skladbe nastale u Puli, smještajući ih u kontekst sociokulturnog ozračja grada koncem 19. stoljeća. [ABSTRACT FROM AUTHOR] |
| قاعدة البيانات: |
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