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학위논문(석사) -- 서울대학교대학원 : 음악대학 음악과, 2021.8. 김경아. ; The study analyzed Thomas Osborne's piri solo , commissioned and premiered in 2013, and the results were as follows: First, was Thomas Osborne's first piri solo, based on the medieval church chant, Rorate Caeli. Using the unique tone and technique of the piri, it was intended to create the feeling of chant. Second, the song consists of a total of 13 periodes, intro and A～L, with a total of 252 bars. There are no key signatures on all parts, and the appearance notes allows to infer modes by periode. The entire song is composed of Dorian and Aeolian modes, which are influenced by the original song. Third, it has the characteristics of repeating and transforming a particular melody within each large periode. Similar melody lines appear in paragraphs A and B, and paragraphs J and K. Especially at the beginning and the end of the song, the melody of the chant is emphasized. Major melody types consist of e♭-f introduction melody(㉠melody type), g-e♭-d♭melody(㉡melody type), B♭-f-a♭f-a♭melody(㉢melody type) and b♭-f'-a'♭melody(㉣melody type). Among them, ㉠melody type is also a major melody in the original chants. Fourth, the rhythm also features similar patterns repeated within the large periodes. Similar rhythms appear when similar melodies are repeated within a periode. And during repetition, variations occur in which the rhythms are magnified or reduced or split into short rhythms. Frequent rhythms include hemiola, three-divided rhythm pattern, and a syncopation. Fifth, dynamics and vibrato(nong-eum) appear in conjunction with melody line, emphasizing the feeling of music coming from melody line. It also uses tremolos, portamentos, and bi-cheong to reveal the piri's tone and special technique. The theatrical device presented by the composer expresses the diminuendo, where the music moves away from the eyes and ears at the same time. Thus, incorporates two different cultures into the work by being based on . |