المؤلفون: Suárez de la Torre, Emilio

المصدر: Cuadernos de Filología Clásica. Estudios griegos e indoeuropeos; Vol. 33 (2023): Número especial: Κοινὰ τὰ τῶν φίλων. Estudios en homenaje a Luis Gil Fernández; 77-90 ; 1988-2637 ; 1131-9070

مصطلحات موضوعية: epinicion, historical context, gnome, function, reperformance, epinicio, contexto histórico, gnôme, función, ‘reperformance’

وصف الملف: application/pdf

Relation: https://revistas.ucm.es/index.php/CFCG/article/view/88769/4564456567979; Andrewes, A. (1936-37), «Athens and Aegina 510-480 B.C.», The Annual of the British School at Athens 37: 1-7.; Bieler, L. (1933), “ΣΚΙΑΣ ΟΝΑΡ ΑΝΘΡΩΠΟΣ”, WS 51: 143-145 (reeditado en W.M. Calder III & J. Stern [eds.], Pindaros und Bakchylides, Darmstadt, WB, 1970: 191-193).; Bowra, C.M. (1964, reimpr. 1971), Pindar, Oxford, University Press.; Brillante, C. (1987), «La rappresentazione del sogno nel frammento di un threnos pindarico», QUCC 54: 35-51.; Brown, N.O. (1951), «Pindar, Sophocles and the Thirty Years Peace», TAPhA 82: 1-28.; Budelman, F. (2017), «Performance, Reperformance, Preperformance: The Paradox of Repeating the Unique in Pindaric Epinician and Beyond», en Hunter & Uhlig (eds.): 42-62.; Bundy, E.L. (1954), Hesychia in Pindar, Diss. Phil. Berkeley, University of California (mecanografiada).; Burnett, A.P. (2005), Pindar’s Songs for young Athletes of Aigina, Oxford, University Press.; Cole, Th. (1992), Pindar’s Feasts and the Music of Power, Roma, Ateneo.; Crotty, K. (1982), Song and Action. The Victory Odes of Pindar, Baltimore/London, The Johns Hopkins University Press.; Currie, B. (2004), «Reperformance Scenarios for Pindar’s Odes», en Mackie (ed.): 49-69.; Currie, B. (2017), «Festival, Symposion, and Epinician Re-performance: The Case of Nemean 4 and Others», en Hunter & Uhlig (eds.): 187-208.; Degani, E. (1961), ΑΙΩΝ da Omero ad Aristotele, Padova, CEDAM.; Dickie, M.W. (1976), «On the Meaning of ἐφήμερος», ICS 1: 7-14.; Dickie, M.W. (1984), «Hêsychia and Hybris in Pindar», en Douglas E. Gerber (ed.), Greek Poetry and Philosophy. Studies in Honour of Leonard Woodbury, Chico, California, Scholars Press: 83-109.; Fearn, D. (2017), Pindar’s Eyes. Visual and Material Culture in Epinician Poetry, Oxford, University Press.; Felson N. & Parmentier, R.J. (2015), «The ‘Savvy Interpreter’: Performance and Interpretation in Pindar’s Victory Odes», Signs and Society, 3,2: 261-305.; Figueira, T.J. (1991), Athens and Aegina in the Age of Imperial Colonization, Baltimore/London, The Johns Hopkins University Press.; Fowler, R.L. (2022), Pindar and the Sublime. Greek Myth, Reception, and Lyric Experience, London/New York/Dublin, Bloomsbury Academic.; Fränkel, H. (1946), «Man’s ‘Ephemeros’ Nature according to Pindar and Others», TAPhA 77: 131-145.; Fränkel, H. (1992), Poesía y filosofía de la Grecia arcaica, Madrid, Visor (trad. de la edición alemana de 1960).; Fröhlich, B. (2013), «Selbsterkenntnis bei Pindar. Zur Traum-Metapher in der Achten Pythie (8, 95-96)», WS 126: 7-24.; Gentili, B. (1984), Poesia e pubblico nella Grecia Antica, Roma/Bari, Laterza.; Gentili, B. (1995), vid. Gentili, Bernardini, Cingano & Giannini.; Gentili, B., Bernardini, P.A., Cingano, E. & Giannini, P. (1995), Pindaro. Le Pitiche, Milán, Arnoldo Mondadori Editore.; Giannini, P. (1982), «“Qualcuno” e “nessuno” in Pind. Pyth. 8, 95», QUCC n.s. 9 (40): 69-76.; Giannini, P. (1990), «Lettura della Pitica 8 di Pindaro», en Lirica greca e latina. Atti del Convegno di studi polacco-italiano (Poznan 2-4 maggio 1990), Roma, EDizioni dell’Ateneo: 167-188.; Giannini, P. (1995), vid. Gentili, Bernardini, Cingano & Giannini.; Gianotti, G.F. (2014), «Gli epinici di Pindaro: Grandezza e fragilità dei vincitori agonali», en S. Casarino & A.A. Raschieri (eds.), Figure e autori della lirica, Roma, Aracne Editrice: 11-42.; Hammond, N.G.L. (1955), «The War between Athens and Aegina, c. 505-481 B.C.», Historia 4: 406-411.; Holton, St. (2022), Sleep and Dreams in Early Greek Thought. Presocratic and Hippocratic Approaches, London/New York, Routledge.; Hornblower, S. (2007), «Dolphins in the Sea (Isthmian 9. 7): Pindar and the Aeginetans», en S. Hornblower & C. Morgan (eds.), Pindar’s Poetry, Patrons and Festivals, Oxford, University Press: 287-308.; Hubbard, Th.K. (1983), «Pindaric Harmonia: Pythian 8, 67-9», Mnemosyne 36: 286-292.; Hunter, R. & Uhlig, A. (eds.) (2017), Imagining Reperformance in Ancient Culture. Studies in the Traditions of Drama and Lyric, Cambridge, University Press.; Jeffery, L.H. (1962), «The Campaign between Athens and Aegina (Herodotus VI, 87-93)», AJPh 83: 44-54.; Krischer, T. (1985), «Pindars achte Pythische Ode in ihrem Verhältnis zur Ersten», WS 98: 115-124.; Lefkowitz, M.L. (1977), «Pindar’s Pythian 8», CJ 72: 209-221.; Lefkowitz, M.L. (1991), First-Person Fictions. Pindar’s Poetic ‘I’, Oxford, Clarendon.; Mackie, C.J. (ed.) (2004), Oral Performance and its Contexts, Leiden/Boston, Brill.; Maslov, B. (2015), Pindar and the Emergency of Literature, Cambridge, University Press.; Martin, R.P. (2004), «Home is the Hero: Deixis and Semantics in Pindar Pythian 8», Arethusa 37.3: 343-363.; Miller, A.M. (1989), «Apolline Ethics and Olympian Victory in Pindar’s Eighth Pythian 67-78», GRBS 30.4: 461-484.; Morrison, A.D. (2007), Performances and Audiences in Pindar’s Sicilian Victory Odes, London, Institute of Classical Studies.; Mullen, W. (1982), Choreia. Pindar and Dance, Princeton, University Press.; Nagy, G. (1990), Pindar's Homer: The Lyric Possession of an Epic Past, Baltimore/London, Johns Hopkins University Press.; Pavese, C.O. (1991), «La Pitica VIII di Pindaro», Studi di filologia classica in onore di Giusto Monaco I, Palermo, Università di Palermo: 145-153.; Pavlou, M. (2015), «Aegina, Epinician Poetry, and the Poetics of Conflict», Phoenix 69: 1-23.; Pfeijffer, I.L. (1999a), «Pindar’s Eighth Pythian: The Relevance on the Historical Setting», Hermes 123: 156-165.; Pfeijffer, I.L. (1999b), Three Aeginetan Odes of Pindar. A Commentary on Nemean V, Nemean III, and Pythian VIII, Leiden/Boston/Köln, Brill.; Phillips, T. (2016), Pindar’s Library. Performance Poetry and Material Texts, Oxford, University Press.; Podlecki, A.J. (1976), «Athens and Aegina», Historia 25.4: 396-413.; Polinskaya, I. (2013), A Local History of Greek Polytheism. Gods, People and the Land of Aegina (800-400 BCE), Leiden/Boston, Brill.; Race, W.H. (1986), Pindar, Boston, Twaney Plublishers.; Race, W.H. (1997), Pindar I, Olympian Odes, Pythian Odes, Harvand, University Press (Loeb Classical Library vol. 56).; Remberg, G.H. (2016), Where Dreams May Come. Incubation Sanctuaries in the Greco-Roman World, Leiden/Boston, Brill: vol. I.; Santamaría Álvarez, M.A. (2008), «Píndaro y el orfismo», en A. Bernabé Pajares & F.J. Casadesús Bordoy (coords.), Orfeo y la tradición órfica: un reencuentro, vol. 2: 1161-1184.; Schlesinger, E. (1960), «Notas a la Pítica VIII de Píndaro», AFC 2 (7): 29-54.; Segal, Ch. (1976), «Pindar, Mimnermus and the “Zeus-given Gleam”: the End of Pythian 8», QUCC 22: 71-76.; Sigelman, A.C. (2016), Pindar’s Poetics of Immortality, Cambridge, University Press.; Silván, A. (2002), «El mito de Tifón y su recepción en Píndaro», CFC (EGI) 12: 145-161.; Slater, W.J. (1981), «Peace, the Symposium and the Poet», ICS 6: 205-214.; Sotiriou, M. (1998), Pindarus Homericus. Homer-Rezeption in Pindars Epinikien, Göttingen, Vandenhoeck & Rupprecht.; Spelman, H. (2018), Pindar and the Poetics of Permanence, Oxford, University Press.; Suárez de la Torre, E. (1988), Píndaro. Obra completa, Madrid, Cátedra.; Suárez de la Torre, E. (1990), «Parole de poète, parole de prophète: les oracles et la mantique chez Pindare», Kernos 3: 347-358.; Suárez de la Torre, E. (2006), «Les mentions généalogiques chez Pindare», Kernos 19: 97-111.; Suárez de la Torre, E. (2014), «El enigma de Alcmeón en Píndaro, Pyth. 8, 55-60», en A. Pérez Jiménez (ed.), Realidad, fantasía, interpretación, funciones y pervivencia del mito griego. Estudios en honor del profesor Carlos García Gual, Málaga, Libros Pórtico, 2014: 553-570.; Suárez de la Torre, E. (2015), «The Apollonian Features of Pindar’s Pythian Odes», en A. Nascimento et alii (eds.), Revisitar o Mito –Myths Revisited, Ribeirâo, Humus: 11-30.; Sullivan, S.D. (2002), «Aspects of the “Fictive I” in Pindar: Address to Psychic Entities», Emerita 70.1: 83-102.; Taillardat, J. (1986), «Sur deux passages de la VIIIe Pythique (v. 67-79 et 77-78)», REG 99: 225-238.; Theunissen, M. (2000), Pindar. Menschenlos und Wende der Zeit, München, Beck.; Toohey, P.G. (1987), «Shades of Meaning in Pindar, Pythian 8, 95-97», QUCC n.s. 26 (55): 73-87.; Verdenius, W.J. (1983), «Pindar, Pythian 8, 67-72», Mnemosyne 36: 267-268.; Vogel, Ch. (2019), Von Naturanlage zur Spitzenleistung. Eine Studie zu Pindars Menschenbild. Berlin, De Gruyter.; Wilamowitz-Moellendorf, U. von (1922), Pindaros, Berlin, Weidmann (reimpr.1966, 1985).; Wout, P.E. van’t (2006), «Amphiaraos as Alkman: Compositional Strategy and Mythological Innovation in Pindar’s Pythian 8.39–60», Mnemosyne 59: 1-18.; https://revistas.ucm.es/index.php/CFCG/article/view/88769

الاتاحة: https://revistas.ucm.es/index.php/CFCG/article/view/88769

المؤلفون: Arft, Justin, author

المصدر: Arete and the Odyssey's Poetics of Interrogation : The Queen and Her Question, 2022, ill.

الاتاحة: https://doi.org/10.1093/oso/9780192847805.003.0008

المؤلفون: Spelman, Henry, author

الاتاحة: https://doi.org/10.1093/oso/9780198821274.001.0001

المؤلفون: Clemons, Eric, Schreieck, Maximilian, Teilmann-Lock, Stina

مصطلحات موضوعية: Strategy, Information, Technology, Economics, and Society (SITES), copyright law, digital reuse of performance, digital transformation, reperformance

وصف الملف: 10 pages; application/pdf

Relation: Proceedings of the 55th Hawaii International Conference on System Sciences; http://hdl.handle.net/10125/80195

الاتاحة: http://hdl.handle.net/10125/80195
https://doi.org/10.24251/HICSS.2022.854

المؤلفون: Freitas, Artur Correia de

المصدر: Urdimento: Revista de Estudos em Artes Cênicas; Vol. 1 No. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-28 ; Urdimento; Vol. 1 Núm. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-28 ; Urdimento: Revista de Estudos em Artes Cênicas; v. 1 n. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-28 ; 2358-6958 ; 10.5965/1414573101432022

مصطلحات موضوعية: Reperformace, Performance, Presença, Arquivo, Marina Abramović, Reperformance, Presence, Archive, Presencia, Archivo

وصف الملف: application/pdf; text/html

Relation: https://www.revistas.udesc.br/index.php/urdimento/article/view/20218/14151; https://www.revistas.udesc.br/index.php/urdimento/article/view/20218/14153; https://www.revistas.udesc.br/index.php/urdimento/article/view/20218

الاتاحة: https://www.revistas.udesc.br/index.php/urdimento/article/view/20218
https://doi.org/10.5965/1414573101432022e0203

المؤلفون: Raposo, P.

مصطلحات موضوعية: Artivismo, Arte, Política, Arquivo, Repertório, Reperformance

وصف الملف: application/pdf

Relation: http://hdl.handle.net/10071/26852; Raposo, P. (2022). Performances políticas e artivismo: Arquivo, repertório e re-performance. Novos Debates: Forum de Antropologia, 8(1): ee8119. http://dx.doi.org/10.48006/2358-0097/V8N1.E8119

الاتاحة: http://hdl.handle.net/10071/26852
https://doi.org/10.48006/2358-0097/V8N1.E8119

المؤلفون: Fernandes, João Carlos Gordilho

مصطلحات موضوعية: Performance Arte, Reperformance, Arte da Acção, Arte Viva, Egídio Álvaro, Domínio/Área Científica::Humanidades::Artes

الاتاحة: https://hdl.handle.net/10316/87559

المؤلفون: Pindor, Radosław

مصطلحات موضوعية: Przemek Branas, sztuki performatywne, reperformans, homo­seksualność, pamięć kulturowa, performance art, reperformance, homosexuality, cultural memory

Relation: Performatyka : poza kanonem, Iwanczewska, Łucja, s. 87-101; https://ruj.uj.edu.pl/xmlui/handle/item/272109; http://www.wiele-kropek.pl/wp-content/uploads/2021/03/PERFORMATYKA1_final.pdf#page=87

الاتاحة: https://ruj.uj.edu.pl/xmlui/handle/item/272109
http://www.wiele-kropek.pl/wp-content/uploads/2021/03/PERFORMATYKA1_final.pdf#page=87

المؤلفون: José Ricardo Goulart

المصدر: Outra Travessia, Vol 0, Iss 24, Pp 127-142 (2017)

مصطلحات موضوعية: reperformance, marina abramović, arte contemporânea, aura, rastro, Literature (General), PN1-6790

وصف الملف: electronic resource

Relation: https://periodicos.ufsc.br/index.php/Outra/article/view/52538; https://doaj.org/toc/1807-5002; https://doaj.org/toc/2176-8552

URL الوصول: https://doaj.org/article/cc4e369421284550a5ee73446e1eeff9

المؤلفون: ANGELA CINALLI

المساهمون: Cinalli, Angela

مصطلحات موضوعية: musical and poetic tradition, hellenistic culture, poeti vaganti, dramatic and lyric reperformance, collective memory, cultural memory

Relation: volume:8; issue:2; firstpage:230; lastpage:253; numberofpages:24; journal:GREEK AND ROMAN MUSICAL STUDIES; info:eu-repo/grantAgreement/EC/H2020/843186; https://hdl.handle.net/11573/1448849; info:eu-repo/semantics/altIdentifier/scopus/2-s2.0-85091449926

الاتاحة: https://hdl.handle.net/11573/1448849
https://doi.org/10.1163/22129758-bja10012

المؤلفون: Dally, Jenny

المساهمون: Widrich, Mechtild, Smith, Shawn Michelle, Jones, Amelia

مصطلحات موضوعية: Antin, Eleanor--Criticism and interpretation, performance art, photography, reperformance, documentation, documentary, Artistic, Conceptual art, Art, Art Institute of Chicago--School--Dissertations, Electronic dissertations, Academic theses

Time: Modern--20th century--History, Modern--21st century--History

Relation: https://digitalcollections.saic.edu/islandora/object/islandora%3A103725

الاتاحة: https://digitalcollections.saic.edu/islandora/object/islandora%3A103725

المؤلفون: Jackson, Lucy C. M. M., author

المصدر: The Chorus of Drama in the Fourth Century BCE : Presence and Representation, 2019.

الاتاحة: https://doi.org/10.1093/oso/9780198844532.003.0004

المؤلفون: Proença, Paulo Jorge de Sousa

المساهمون: Madeira, Cláudia, RUN

مصطلحات موضوعية: Performance, Terrorismo, Tortura, Media, Dispositivo, Teatro Panóptico, Video-retrato, Gift, Hauntology, Reperformance, Terrorism, Torture, Dispositive, Panoptic Theatre, Video-Portrait

وصف الملف: application/pdf

الاتاحة: http://hdl.handle.net/10362/17276

المؤلفون: Caterina A. Stripeikis

المصدر: Circe de Clásicos y Modernos, Vol 22, Iss 2 (2018)

مصطلحات موضوعية: Píndaro, epigrama, epinicio, reperformance, divinidad, Greek language and literature. Latin language and literature, PA

وصف الملف: electronic resource

Relation: https://cerac.unlpam.edu.ar/index.php/circe/article/view/3549; https://doaj.org/toc/1514-3333; https://doaj.org/toc/1851-1724

URL الوصول: https://doaj.org/article/b83a7a6cc5274429bbd2a78fc9343f11

المؤلفون: Spelman, Henry, author

المصدر: Pindar and the Poetics of Permanence, 2018.

الاتاحة: https://doi.org/10.1093/oso/9780198821274.003.0004

المؤلفون: Spelman, Henry, author

المصدر: Pindar and the Poetics of Permanence, 2018.

الاتاحة: https://doi.org/10.1093/oso/9780198821274.003.0002

المؤلفون: Spelman, Henry, author

المصدر: Textual Events : Performance and the Lyric in Early Greece, 2018.

الاتاحة: https://doi.org/10.1093/oso/9780198805823.003.0007

المؤلفون: Stripeikis, Caterina A.

المصدر: Circe de clásicos y modernos; Vol. 22 Núm. 2 (2018): CIRCE de clásicos y modernos; 71-82 ; 1851-1724 ; 1514-3333

مصطلحات موضوعية: Píndaro, epigrama, epinicio, reperformance, divinidad, Pindar, epigram, Epinikion, re-performance, divinity

وصف الملف: application/pdf; text/html

Relation: https://cerac.unlpam.edu.ar/index.php/circe/article/view/3549/3544; https://cerac.unlpam.edu.ar/index.php/circe/article/view/3549/5002; https://cerac.unlpam.edu.ar/index.php/circe/article/view/3549

الاتاحة: https://cerac.unlpam.edu.ar/index.php/circe/article/view/3549

المؤلفون: Gotman, Kélina, author

المصدر: Choreomania : Dance and Disorder, 2018, ill.

الاتاحة: https://doi.org/10.1093/oso/9780190840419.003.0013

المؤلفون: Citroni, Mario

مصطلحات موضوعية: Lirica greca, Lirica latina, Oralità, Occasione, Destinatario, Richard Heinze, Eduard Fraenkel, Philip Buttmann, New Criticism, Pubblico, Performance / Reperformance

Relation: http://journals.openedition.org/dictynna/1430

الاتاحة: http://journals.openedition.org/dictynna/1430