يعرض 1 - 20 نتائج من 2,312 نتيجة بحث عن '"new media art"', وقت الاستعلام: 1.10s تنقيح النتائج
  1. 1
    Academic Journal
  2. 2
    Academic Journal
  3. 3
    Academic Journal
  4. 4
    Academic Journal

    المؤلفون: González Díaz, Paloma

    المصدر: Inmaterial. Diseño, Arte y Sociedad; Vol. 2, Núm. 3 (2017): Cuerpos poliédricos y diseño: Miradas sin límites; p. 60-88

    مصطلحات موضوعية: Body, control, new media art, history, technology, power, Cuerpo, historia, tecnología, poder

    وصف الملف: application/pdf

  5. 5
    Academic Journal
  6. 6
    Academic Journal
  7. 7

    المساهمون: Repositório Aberto

    وصف الملف: application/pdf

    Relation: Cruz, S., Vieira, C., & Bidarra, J. (2024). Interactive Media Arts and Sustainability: the challenges of Human-Nature connections. Digicom - 8th International Conference on Design and Digital Communication, 7-9 de novembro, IPCA, Barcelos, Portugal.

  8. 8
    Academic Journal
  9. 9
    Academic Journal

    المصدر: Pacific Arts: The Journal of the Pacific Arts Association. 22(2)

    وصف الملف: application/pdf

  10. 10
    Academic Journal
  11. 11

    المؤلفون: Travasso, Rui

    المساهمون: Veiga, Pedro Alves da, Gomes, José, Repositório Aberto

    وصف الملف: application/pdf

    Relation: Travasso, Rui Jorge Pereira - Anamorfoses artísticas na música [Em linha]: a mediação transformadora da média-arte digital na perceção do artista e da performance musical. [S.l.]: [s.n.], 2023. 202 p.

  12. 12
    Academic Journal
  13. 13
    Academic Journal

    المؤلفون: Park , Lisa SoYoung

    المصدر: La Tadeo Dearte; Vol. 9 No. 12 (2023): Diseño+Arte+Ciencia; 1-12 ; La Tadeo Dearte; Vol. 9 Núm. 12 (2023): Diseño+Arte+Ciencia; 1-12 ; 2590-6453 ; 2422-3158

    وصف الملف: application/pdf

    Relation: https://revistas.utadeo.edu.co/index.php/ltd/article/view/love-thy-ai-essay-influences-christian-confucian/2177; Bang, Seung Ho. “Thinking of Artificial Intelligence Cyborgization with a Biblical Perspective (Anthropology of the Old Testament).” European Journal of Science and Theology 10, no. 3 (2014): 15-26.; Bjork, Russell C. “Artificial Intelligence and the Soul.” Perspectives on Science and Christian Faith 60, no. 2 (2008): 95-102.; Brook, Timothy. “Rethinking Syncretism: The Unity of the Three Teachings and Their Joint Worship in Late-Imperial China.” Journal of Chinese Religions 21, no. 1 (January 1993): 13-44. https://doi.org/10.1179/073776993805307448; Brunner, Emmil. “Christianity and Civilization: Chapter 10 The Problem of Creativity.” The Gifford Lectures, 1948, https://www.giffordlectures.org/books/christianity-and-civilization-vol-1/x-problem-creativity.; Callicott, J. Baird and Roger T. Ames. Nature in Asian Traditions of Thought: Essays in Environmental Philosophy. SUNY Series in Philosophy and Biology. State University of New York Press, 1989.; Calugareanu, Ilinca. “Meet Erica, the World’s Most Human-like Autonomous Android – Video.” The Guardian, accessed August 24, 2023, http://www.theguardian.com/technology/ng-interactive/2017/apr/07/meet-erica-the-worlds-most-autonomous-android-video.; Domenico Quaranta. Media, new media, postmedia. Milano: Postmedia Books, 2010. https://rhizome.org/editorial/2011/jan/12/the-postmedia-perspective/.; Eisenstadt, Shmuel Noah. “Multiple Modernities.” Daedalus 129, no. 1 (2000): 1-29. http://www.jstor.org/stable/20027613.; Fung, Yu-Lan. “Why China Has No Science–An Interpretation of the History and Consequences of Chinese Philosophy.” International Journal of Ethics 32, no. 3 (1922): 237-63, https://doi.org/10.1086/intejethi.32.3.2377487; Garcia, David and Geert Lovink, “The ABC of Tactical Media,” Nettime mailing list archives, May 16, 1997, https://www.nettime.org/Lists-Archives/nettime-l-9705/msg00096.html.; Harvey, Graham. Animism: Respecting the Living World. New York: Columbia University Press, 2006.; Heidegger, Martin. The Question Concerning Technology, and Other Essays, vol. 12. Harper & Row, 1977.; Hui, Yuk. Art and Cosmotechnics. University of Minnesota Press, 2021. https://doi.org/10.5749/j.ctv1qgnq42.; Hui, Yuk. “Cosmotechnics as Cosmopolitics.” E-Flux 86 (November 2017), https://doi.org/10.5749/j.ctv1qgnq42; Hui, Yuk. The Question Concerning Technology in China: An Essay in Cosmotechnics. Falmouth: Urbanomic, 2016.; Hui, Yuk and Andreas Broeckmann, eds. 30 Years after Les Immatériaux: Art, Science and Theory. Lüneburg: meson press, 2015.; Kim, Yong-ok and Jung-Kyu Kim. The Great Equal Society: Confucianism, China and the 21st Century. New Jersey: World Scientific, 2014. https://doi.org/10.1142/8792; Li, Chenyang. “Confucian Perspectives,” in Encyclopedia of Science, Technology, and Ethics, ed. Carl Mitcham, vol. 1. Detroit, MI: Macmillan Reference USA, 2005.; MacDonald, Keza. “Being Human: How Realistic Do We Want Robots to Be?,” The Guardian, June 27, 2018. https://www.theguardian.com/technology/2018/jun/27/being-human-realistic-robots-google-assistant-androids.; Ni, Peimin. Confucius: The Man and the Way of Gongfu. Lanham: Rowman & Littlefield, 2016.; Paracka Jr., Daniel J. “China’s Three Teachings and the Relationship of Heaven, Earth and Humanity,” Worldviews: Global Religions, Culture & Ecology 16, no. 1 (January 2012): 73-98. https://doi.org/10.1163/156853511X617803; Pop, Susa, Tanya Toft, Nerea Calvillo and Mark Wright. What Urban Media Art Can Do: Why When Where & How. Stuttgart: avedition, 2016.; Shum, Heung-yeung, Xiao-dong He, and Di Li. “From Eliza to XiaoIce: Challenges and Opportunities with Social Chatbots,” Frontiers of Information Technology & Electronic Engineering 19, no. 1 (January 2018): 10-26, https://doi.org/10.1631/FITEE.1700826.; Schuurman, Derek C. “Artificial Intelligence: Discerning a Christian Response”. Perspectives on Science and Christian Faith. (2018); Tu, Weiming. Confucian Thought: Selfhood as Creative Transformation, SUNY Series in Philosophy. Albany: State University of New York Press, 1985.; Tucker, Mary Evelyn. “The Relevance of Chinese Neo-Confucianism for the Reverence of Nature.” In Environmental Philosophy in Asian Traditions of Thought, ed. J. Baird Callicott and James McRae, 2014. https://doi.org/10.1515/9781438452029-010; White, Lynn. “The Historical Roots of Our Ecologic Crisis.” Science, New Series 155, no. 3767 (1967): 1203-7. https://doi.org/10.1126/science.155.3767.1203

  14. 14
    Academic Journal
  15. 15
    Academic Journal

    المؤلفون: Rivero-Moreno, Luis D.

    المصدر: Arte, Individuo y Sociedad; Vol. 36 No. 1 (2024); 25-33 ; Arte, Individuo y Sociedad; Vol. 36 Núm. 1 (2024); 25-33 ; 1988-2408

    وصف الملف: application/pdf

    Relation: https://revistas.ucm.es/index.php/ARIS/article/view/87798/4564456567181; Adorno, T. W. y Horkheimer, M. (2007). Dialéctica de la Ilustración. Akal. Baigorri, L. (2019). "Identidades robadas. Arte, apropiación y extimidad en la vida online”, Arte, Individuo y Sociedad, vol. 31, 3, 605-624, doi: https://doi.org/10.5209/aris.61417 Bauman, Z. (2007). Arte ¿líquido?. Sequitur. Berardi, Franco. (2017). Fenomenología del fin: sensibilidad y mutación conectiva. Caja negra. Berg, M. y Seeber, B. K. (2016). The slow professor: Challenging the culture of speed in the academy. University of Toronto Press. Bogost, I., (2013). “Hyperemployment or the Exhausting Work of the Technology User”, The Atlantic. Chohan, U. W. (2022). “Crypto Winters”. Critical Blockchain Research Initiative. Doi: https://doi.org/10.2139/ssrn.4142885 Comeron, O. (2007). Arte y postfordismo: notas desde la fábrica transparente. Trama Editorial. Comunian, R. y England, L. (2020). “Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy”. Cultural Trends, 29:2, 112-128, doi: http://dx.doi.org/10.1080/09548963.2020.1770577 Crary, J. (2013). 24/7: Late capitalism and the ends of sleep. Verso Books. Crogan, P. y Kinsley, S. (2012). Paying attention: Towards a critique of the attention economy. Culture Machine, 13. Durán, J.M. y PSJM. (2015). Mercado Total/TotalMarket. Aural. Faustino, S., Fâria, I. y Marques, R. (2022). “The myths and legends of King Satoshi and the knights of blockchain”. Journal of Cultural Economy, 15, 1, 67-80, doi: http://dx.doi.org/10.1080/17530350.2021.1921830 Florida, R. (2019). The rise of the creative class. Basic books. Frohne, U. (1999). “Old art and new media: The contemporary museum”. Afterimage, 27(2), 9. Fuchs, C. (2010). “Class, knowledge and new media”. Media, Culture & Society, 32(1), 141-150, doi: http://dx.doi.org/10.1177/0163443709350375 Han, B. C. (2014). Psicopolítica: neoliberalismo y nuevas técnicas de poder. Herder Editorial. Han, B.C. (2015a). The burnout society. Stanford University Press. Han, B.C. (2015b). The transparency society. Stanford University Press. Janssen, S., y Verboord, M. (2015). “Cultural Mediators and Gatekeepers”. En Wright J.D. (ed.). International Encyclopedia of the Social & Behavioral Sciences (pp. 440-446). Elsevier. doi:10.1016/B978-0-08-097086-8.10424-6 Kshetri, N. (2022). “Scams, frauds, and crimes in the nonfungible token market”. Computer, 55(4), 60-64, doi: http://dx.doi.org/10.1109/MC.2022.3144763 Manovich L. (1999). “Database as symbolic form”. Convergence, 5(2), 80-99, doi: http://dx.doi.org/10.1177/135485659900500206 Manovich, L. (2002). The language of new media. MIT press. https://doi.org/10.22230/cjc.2002v27n1a1280 Manovich, L. (2013). Software takes command. Bloomsbury Academic. Morozov, E. (2013). To save everything, click here: The folly of technological solutionism. Public Affairs. Odell, J. (2020). How to do nothing: Resisting the attention economy. Melville House. Pérez ibáñez, M. y López-Aparicio, I., (2018). “Actividad artística y precariedad laboral en España: análisis a partir de un estudio global”. Arte y Políticas de Identidad, 19, 49–66. https://doi.org/10.6018/reapi.359771 Steyerl, H. (2009). "In defense of the poor image." e-flux journal 10, 11 UNESCO (2003). Charter of the Preservation of Digital Heritage. Van Haaften-Shick, L. y Whitaker, A. (2022). “From the artist’s contract to the blockchain ledger: New forms of artists’ funding using equity and resale royalties”. Journal of Cultural Economics, 46 (2), 287-315, doi: http://dx.doi.org/10.1007/s10824-022-09445-8 Velthuis, O. (2005). Imaginary economics: Contemporary artists and the world of big money. NaiUitgevers Pub. Velthuis, O. y Coslor, E. (2012). “The financialization of art”. The Oxford handbook of the sociology of finance (pp. 471-487), doi: http://dx.doi.org/10.1093/oxfordhb/9780199590162.013.0025 Virilio, P. (1998). Estética de la desaparición. Anagrama. Waelder, P. (2012). “An Interview With Carlo Zanni: On Pay-perview Net art”. ETC. Révue de l’art actuel, 95, 45-46. Waelder, P. (2013). “Coleccionar intangibles: estrategias de venta de obras de net art”. Artnodes Revista de Arte, Ciencia y Tecnología, (13), 111-119. Wang, Y., Horky, F., Baals, L. J., Lucey, B. M. y Vigne, S. A. (2022). “Bubbles all the way down? Detecting and date-stamping bubble behaviours in NFT and DeFi markets”. Journal of Chinese Economic and Business Studies, 20(4), 415-436, doi: http://dx.doi.org/10.1080/14765284.2022.2138161 White, M. (2002). “The aesthetic of failure: Net art gone wrong”. Angelaki: Journal of Theoretical Humanities, 7(1), 173-194, doi: http://dx.doi.org/10.1080/09697250220142119 Yúdice, G. (2006). “El recurso de la cultura”. Usos de la cultura en la era global. Gedisa.; https://revistas.ucm.es/index.php/ARIS/article/view/87798

  16. 16
    Academic Journal
  17. 17
    Academic Journal
  18. 18
    Academic Journal
  19. 19
    Academic Journal
  20. 20
    Academic Journal