المؤلفون: Bloom, Michelle E.¹

المصدر: Journal of Bisexuality. Jul-Sep2023, Vol. 23 Issue 3, p341-346. 6p.

Reviews & Products: ORANGE Is the New Black (Film)

People: SCHILLING, Taylor, 1984-, PREPON, Laura, 1980-

المؤلفون: DeCarvalho, Lauren J.¹ (AUTHOR) lauren.decarvalho@du.edu

المصدر: Feminist Media Studies. Jun2023, Vol. 23 Issue 4, p1676-1688. 13p.

مصطلحات موضوعية: *IDEOLOGY, *MENTAL illness, *PRISONERS with mental illness, *WOMEN'S mental health, *IMPRISONMENT, *DISABILITY studies, *WOMEN'S writings

Reviews & Products: ORANGE Is the New Black (TV program)

المؤلفون: Judd, Bettina

المصدر: Poetry. Jul/Aug2024, Vol. 224 Issue 4, p326-327. 2p.

Reviews & Products: NEW Black (Poem)

People: JUDD, Bettina

المؤلفون: Fernández-Morales, Marta (AUTHOR), Menéndez-Menéndez, María Isabel (AUTHOR)

المصدر: Frontiers: A Journal of Women Studies. 2022, Vol. 43 Issue 2, p1-33. 33p.

مصطلحات موضوعية: *INTERSECTIONALITY, *FICTIONAL characters, *AGE, *COMEDY films, *BARTER, *GENDER stereotypes, *REVENGE

Reviews & Products: ORANGE Is the New Black (TV program)

المؤلفون: Franklin, Rebecca C.¹ rfranklin@ucsd.edu

المصدر: Ethnic & Racial Studies. Jun2024, Vol. 47 Issue 8, p1711-1713. 3p.

مصطلحات موضوعية: *SOCIOLOGY, *NONFICTION

Reviews & Products: YOUNG, Gifted & Diverse: Origins of the New Black Elite (Book)

People: CHARLES, Camille Z., MASSEY, Douglas S., TORRES, Kimberly C., KRAMER, Rory

المؤلفون: Fields, Jill, 1954-, Fields, Jill, 1954-

المصدر: Journal of Jewish Identities. 13,1 (2020) 17-41

مصطلحات موضوعية: Television -- United States, Jews on television, Jews -- Identity -- United States, Jews -- Cultural assimilation -- United States, Orange is the new black (Television program)

URL الوصول: https://uli.nli.org.il/discovery/search?query=issn,exact,1939-7941&tab=LibraryCatalog&search_scope=MyInstitution&vid=972NNL_ULI_C:MAIN

المؤلفون: Sorett, Josef, author

المصدر: Black is a Church : Christianity and the Contours of African American Life, 2023.

الاتاحة: https://doi.org/10.1093/oso/9780190615130.003.0005

المؤلفون: Ashe, Bertram D.

المصدر: English Faculty Publications

مصطلحات موضوعية: New Black Aesthetic, Hip-Hop, Feminism, civil rights, post-Blackness, English Language and Literature, Hip Hop Studies, Literature in English, North America

Relation: https://scholarship.richmond.edu/english-faculty-publications/197; https://www.cambridge.org/core/books/african-american-literature-in-transition-19801990/trey-ellis-1980s-and-the-discovery-of-an-artistic-school/6B132D6CE6981029C952C30388140595

الاتاحة: https://scholarship.richmond.edu/english-faculty-publications/197
https://doi.org/10.1017/9781009179355.008
https://www.cambridge.org/core/books/african-american-literature-in-transition-19801990/trey-ellis-1980s-and-the-discovery-of-an-artistic-school/6B132D6CE6981029C952C30388140595

المؤلفون: McKeown, Janet K. L.¹ (AUTHOR) j2mckeow@uwaterloo.ca, Parry, Diana C.¹ (AUTHOR)

المصدر: Leisure Sciences. 2017, Vol. 39 Issue 6, p492-505. 14p.

مصطلحات موضوعية: *POWER (Social sciences), LEISURE & society, FEMINIST criticism, WOMEN on television, COLLECTIVE representation, MEDIA consumption, TELEVISION production & direction

Reviews & Products: ORANGE Is the New Black (TV program)

المؤلفون: Ruderman-Looff, Ashley¹ ashley.ruderman@uky.edu

المصدر: Journal of Lesbian Studies. 2019, Vol. 23 Issue 4, p490-503. 14p.

مصطلحات موضوعية: *INTERSECTIONALITY, *LESBIANS, *JUSTICE administration, *SCHOOL-to-prison pipeline

Reviews & Products: ORANGE Is the New Black (TV program)

المؤلفون: Peter Lurie

المصدر: James Baldwin Review, Vol 7, Iss 0, Pp 115-137 (2021)

مصطلحات موضوعية: protest novel, new black cinema, melancholy, romance, "cinema of attractions, african american film, American literature, PS1-3576, Communities. Classes. Races, HT51-1595

وصف الملف: electronic resource

Relation: https://doaj.org/toc/2056-9203; https://doaj.org/toc/2056-9211

URL الوصول: https://doaj.org/article/ee098aadfd374bbeb92c3c19dcc7acd8

المؤلفون: Berman, Judy (AUTHOR)

المصدر: TIME Magazine. 8/5/2019, Vol. 194 Issue 5, p49-51. 3p. 6 Color Photographs.

Reviews & Products: ORANGE Is the New Black (TV program)

People: LYONNE, Natasha, 1979-, WILEY, Samira, 1987-

المؤلفون: Hassler‐Forest, Dan

المصدر: Journal of Popular Culture. Apr2018, Vol. 51 Issue 2, p356-378. 23p. 2 Color Photographs.

مصطلحات موضوعية: *IDENTITY (Psychology) in motion pictures, *IDENTITY (Psychology) on television, *WOMEN on television, *WOMEN in motion pictures, *RACISM in motion pictures, *RACISM on television, *PROGRESSIVISM

Reviews & Products: ZOOTOPIA (Film), ORANGE Is the New Black (TV program)

المؤلفون: Smith, Paul Julian

المصدر: Film Quarterly. Spring2018, Vol. 71 Issue 3, p72-76. 5p.

Reviews & Products: ORANGE Is the New Black (TV program), BREAKING Bad (TV program), BAD Girls (TV program)

People: BUONANNO, Milly, MARTIN, Brett

المؤلفون: Adrià Naranjo

المصدر: Área Abierta, Vol 22, Iss 2 (2022)

مصطلحات موضوعية: Orange Is the New Black, Televisión, mujeres creadoras, representación femenina, narrativa, Communication. Mass media, P87-96

وصف الملف: electronic resource

Relation: https://revistas.ucm.es/index.php/ARAB/article/view/78915; https://doaj.org/toc/1578-8393

URL الوصول: https://doaj.org/article/476c4f69e6a543649ad2f7c676a28cde

المؤلفون: SCOTT, JESSICA^1,2

المصدر: Journal of Appalachian Studies. Fall2017, Vol. 23 Issue 2, preceding p221-238. 19p.

مصطلحات موضوعية: *RACISM, *MODERNITY, *LITERATURE, *VILLAINS in literature

Reviews & Products: ORANGE Is the New Black (TV program)

المؤلفون: Demers, Jason¹

المصدر: Canadian Review of American Studies. 2017, Vol. 47 Issue 3, p403-422. 20p.

مصطلحات موضوعية: *FEMINIST television criticism, *WOMEN prisoners, *IDENTITY politics, *TELEVISION criticism, *FEMINIST films, *FICTION, *FILM criticism

Reviews & Products: ORANGE Is the New Black (TV program)

People: LACLAU, Ernesto, 1935-2014, MOUFFE, Chantal, 1943-

المؤلفون: Jeanne-Marie Viljoen

مصطلحات موضوعية: Black Panther, embodiment, decolonisation, superhero film, Hollywood spectacle, haptic visuality, Hollywood gaze, New Black Cinema, global cinema

Relation: oai:zenodo.org:7193362

الاتاحة: https://doi.org/10.17159/2617-3255/2022/n36a2

المؤلفون: Arruda, Agnes de Sousa, Heidemann, Vanessa

المصدر: ILUMINURAS; v. 23 n. 62 (2022): Gênero e Imagens - vol. 2 ; 1984-1191

مصطلحات موضوعية: Relações de Gênero. Lesbogordofobia. Orange Is The New Black, Representações midiáticas

وصف الملف: application/pdf

Relation: https://seer.ufrgs.br/index.php/iluminuras/article/view/116263/87008; https://seer.ufrgs.br/index.php/iluminuras/article/view/116263

الاتاحة: https://seer.ufrgs.br/index.php/iluminuras/article/view/116263

المؤلفون: Naranjo, Adrià

المصدر: Área Abierta. Revista de comunicación audiovisual y publicitaria; Vol. 22 No. 2 (2022): Monográfico: Mujer(es) e industrias creativas; 255-269 ; Área Abierta. Revista de comunicación audiovisual y publicitaria; Vol. 22 Núm. 2 (2022): Monográfico: Mujer(es) e industrias creativas; 255-269 ; 1578-8393 ; 2530-7592

مصطلحات موضوعية: Orange Is the New Black, Television, women showrunners, femenine representation, narrative, Televisión, mujeres creadoras, representación femenina, narrativa

وصف الملف: application/pdf

Relation: https://revistas.ucm.es/index.php/ARAB/article/view/78915/4564456560675; Bishop, Bryan. (2013). “Netflix wants at least five new shows a year: ‘The goal is to become HBO faster than HBO can become us’”. Recuperado de https://theverge.com (Fecha de acceso: 03/11/2021).; Blakey, Elizabeth. (2017). “Showrunners as Auteur: Bridging the Culture/Economy Binary in Digital Hollywood”. Open Culture Studies, vol. 1, núm. 1, 321-332. https://doi.org/10.1515/culture-2017-0029; Buonanno, Milly. (2018). “Widening landscapes of TV storytelling in the digital media environment of the 21st century”. Anàlisi, vol. 58, 1-12. https://doi.org/10.5565/rev/analisi.3133; Campbell, Joseph. (2015). El héroe de las mil caras. Psiconálisis del mito. Madrid: FCE.; Canet, Fernando, y García-Martínez, Alberto Nahum. (2018). “Ambivalent responses to the ambiguous anti-hero morality: Tony Soprano and Walter White as a case study”. Palabra Clave, vol. 21, núm. 2, 364-386. https://doi.org/10.5294/pacla.2018.21.2.5; Capuzza, Jamie C., y Spencer, Leland G. (2017). “Regressing, Progressing, or Transgressing on the Small Screen? Transgender Characters on U.S. Scripted Television Series”. Communication Quarterly, vol. 65, núm. 2, 214-230. https://doi.org/10.1080/01463373.2016.1221438; Cascajosa-Virino, Concepción. (2005). “Por un drama de calidad en televisión: La segunda edad dorada de la televisión norteamericana”. Comunicar, vol. 13, núm. 25, 121-128.; Cascajosa-Virino, Concepción. (2009). “La nueva edad dorada de la televisión norteamericana”. Secuencias: Revista de historia del cine, núm. 29, 7-31. http://hdl.handle.net/10486/5701; Dunleavy, Trisha. (2018). Complex Serial Drama and Multiplatform Television. New York: Routledge.; Đurić, Dubravka. (2018). “Breaking Bad and Narrative Complexity”. AM Journal, vol. 17, 49–58. https://doi.org/10.25038/am.v0i17.269; Enck, Suzanne M., y Morrissey, Megan E. (2015). “If Orange Is the New Black, I Must Be Color Blind: Comic Framings of Post-Racism in the Prison-Industrial Complex”. Critical Studies in Media Communication, vol. 32, núm. 5, 1-15. https://doi.org/10.1080/15295036.2015.1086489; Galofre-Molero, Pol. (2020). D’assassines a superheroïnes. Anàlisi del canvi de representació trans a les sèries de televisió d’Estats Units. ESCAC. Escola Superior de Cinema i Audiovisuals de Catalunya.; García-Martínez, Alberto Nahum. (2014). “El fenómeno de la serialidad en la tercera edad de oro de la televisión”. En Enrique Fuster (ed.), La figura del padre nella serialità televisiva. Roma: Edsuc, pp. 19-42.; García-Martínez, Alberto Nahum, y Nannicelli, Ted. (2021). “Otro tipo de recompensa narrativa: el concepto de “prolongación temporal” como superación de la serialidad televisiva”. Área Abierta. Revista de Comunicación Audiovisual y Publicitaria, vol. 21, núm. 3, 349–365. https://doi.org/10.5209/arab.75200; GLAAD. (2013). 2013: Where We Are on TV.; GLAAD. (2014). 2014: Where We Are on TV.; Goodlad, Lauren M. E. (2012). “The Mad Men in the Attic: Seriality and Identity in the Narrative of Capitalist Globalization”. Modern Language Quarterly, vol. 73, núm. 2, 201–235. https://doi.org/10.1215/00267929-1589176; Guarinos, Virginia, y Gordillo, Inmaculada. (2011). “‘Kate, we have to go back’ Idas y vueltas de las nuevas estructuras narrativas del género seriado ficcional de la hipertelevisión”. En Miguel A. Pérez-Gómez (ed.), Previously On. Estudios interdisciplinarios sobre la ficción televisiva en la Tercera Edad de Oro de la Televisión. Sevilla: Biblioteca de la Facultad de Comunicación de la Universidad de Sevilla, pp. 367-383.; Havas, Julia, y Sulimma, Maria. (2020). “Through the Gaps of My Fingers: Genre, Femininity, and Cringe Aesthetics in Dramedy Television”. Television & New Media, vol. 21, núm. 1, 1-20. https://doi.org/10.1177/1527476418777838; Jenner, Mareike. (2018). Netflix and the Re-invention of Television. Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-94316-9; Johnson, Derek. (2011). “Devaluing and revaluing seriality: The gendered discourses of media franchising”. Media, Culture and Society, vol. 33, núm. 7, 1077-1093. https://doi.org/10.1177/0163443711415747; Kelly, J. P. (2017). Time, Technology and Narrative Form in Contemporary US Television Drama. Egham: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-63118-9; Köller, Susanne. (2019). “‘I imagined a story where I didn’t have to be the damsel’: Seriality, Reflexivity, and Narratively Complex Women in Westworld”. Zeitschrift Fur Anglistik Und Amerikanistik, vol. 67, núm. 2, 163-180. https://doi.org/10.1515/zaa-2019-0015; Landrum, Jason. (2015). “Say My Name The Fantasy of Liberated Masculinity”. En Jacob Blevins y Dafydd Wood (eds.), The Methods of Breaking Bad: Essays on Narrative, Character and Ethics. Jefferson: McFarland & Company, pp. 94-108.; Lotz, Amanda. (2019). “Teasing apart television industry disruption: consequences of meso-level financing practices before and afte the US multiplatform era”. Media, Culture & Society, vol. 41, núm. 7, 923-938. https://doi.org/10.1177/0163443719863354; Lozano-Maneiro, José María. (2016). “Río, fuga, reloj, materia, espejo: el apogeo de la ficción en serie para televisión en el laberinto del tiempo”. Index.Comunicación, vol. 6, núm. 2, 237-257.; Martin, Brett. (2013). Difficult Men, Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad. New York: The Penguin Press.; Martin Jr., Alfred L. (2015). “Scripting Black Gayness: Television Authorship in Black-Cast Sitcoms”. Television & New Media, vol. 16, núm. 7, 648-663. https://doi.org/10.1177/1527476414560443; Mittell, Jason. (2015). Complex TV: The Poetics of Contemporary Television Storytelling. New York y London: NYU Press.; Naranjo, Adrià, y Fernández-Ramírez, Laura. (2020). “Cambios en la estructura narrativa de las series de Netflix. El caso de Mindhunter”. Paradigmas de La Narrativa Audiovisual. ASRI, núm. 18, 137–153. https://www.eumed.net/rev/asri/18/index.htm; Nelson, Robin. (1997). “Flexi-Narrative from Hill Street to Holby City”. En Robin Nelson (ed.), TV Drama in Transition. London: Palgrave Macmillan, pp. 30–49. https://doi.org/10.1007/978-1-349-25623-5_3; O’Sullivan, Sean. (2019). “Six elements of serial narrative”. Narrative, vol. 27, núm 1, 49-64. https://doi.org/10.1353/nar.2019.0003; Rush, Jeff. (2011). “‘Want to Cook?’: Static and fluid layering in The Sopranos and Breaking Bad”. Journal of Screenwriting, vol. 5, núm. 3, 393-412. https://doi.org/10.1386/josc.5.3.393_1; Russo, Paolo. (2017). “Storylining Engagement with Repulsive Antiheroes: Towards a Cognitive Poetics of TV Serial Drama Narrative: The Case of Gomorrah-The Series”. Journal of Screenwriting, vol. 8, núm. 1, 3-19. https://doi.org/10.1386/josc.8.1.3; Sayeau, Ashley. (2007). “As Seen on TV: Women’s Rights and Quality TV”. En Janet McCabe y Kim Akass (eds.), Quality TV. Contemporary American Television and Beyond. London y New York: I.B. Tauris, pp. 52-61.; Sewell, Philip W. (2010). “From discourse to discord: Quality and dramedy at the end of the classic network system”. Television & New Media, vol. 11, núm. 4, 235–259. https://doi.org/10.1177/1527476409351289; Steiner, Emil, y Xu, Kun. (2018). “Binge-watching motivates change: Uses and gratifications of streaming video viewers challenge traditional TV research”. Convergence: The International Journal of Research into New Media Technologies, vol. 26, núm. 1, 1-20. https://doi.org/10.1177/1354856517750365; Winter, Rainer. (2016). “‘All Happy Families: The Sopranos and Television Culture in the Twenty-First Century”. Frontiers of Literary Studies in China, vol. 10, núm. 3, 474-494. https://doi.org/10.3868/s010-005-016-0028-3; https://revistas.ucm.es/index.php/ARAB/article/view/78915

الاتاحة: https://revistas.ucm.es/index.php/ARAB/article/view/78915