-
1Academic Journal
المؤلفون: A. Ferdi Nur Saftiaji
المصدر: Jurnal Tata Kelola Seni, Vol 6, Iss 1, Pp 33-41 (2020)
مصطلحات موضوعية: kepuasan kerja, band indie, job satisfaction, indie band, Arts in general, NX1-820
وصف الملف: electronic resource
-
2Academic Journal
المؤلفون: Bergeson, Dylan
مصطلحات موضوعية: indie band, indie music, the road, roadtrip, satire, comedy, punk rock, green day, i-5
وصف الملف: application/pdf
URL الوصول: https://escholarship.org/uc/item/3p50w2r8
-
3Academic Journal
المؤلفون: Wang, Shuang
المصدر: Asian Education and Development Studies, 2018, Vol. 7, Issue 1, pp. 42-52.
-
4
المؤلفون: Vaqueiro, Felipe Teixeira
المساهمون: Silva, Regina Lucia Gomes Souza e, Lepri, Adil, Zambelli, Bruno
مصطلحات موضوعية: Álbum visual, Videoclipe, Indústria fonográfica, Banda independente, Chapada Diamantina, Mídias híbridas, Visual album, Music video, Recording industry, Indie band, Hybrid media, CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::COMUNICACAO VISUAL, CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES DO VIDEO
وصف الملف: application/pdf
-
5
المؤلفون: Bouix, Yoann Pascal
المساهمون: Del Campo Cañizares, Elpidio, Departamentos de la UMH::Ciencias Sociales y Humanas, Departamentos de la UMH::Ciencias Sociales y Jurídicas
المصدر: REDIUMH. Depósito Digital de la UMH
instname
REDIUMH: Depósito Digital de la UMH
Universidad Miguel Hernández de Elcheمصطلحات موضوعية: marketing digital, audiovisual production, music business, producción audiovisual, indie band, 3 - Ciencias sociales:316 - Sociología. Comunicación [CDU], social media, redes sociales, digital marketing, banda Indie, industria musical
وصف الملف: application/pdf
-
6Periodical
المصدر: Canadian Musician. Jul/Aug2001, Vol. 23 Issue 4, p16. 1/2p.
مصطلحات موضوعية: *SOUND recording industry
مصطلحات جغرافية: CANADA
Reviews & Products: INDIE Band Bible, The (Book)
People: MAKOWAY, Mark
-
7Dissertation/ Thesis
المؤلفون: 邱厚文, Chiu, Hou-Wen
المساهمون: 高國魁, Kao, Kuo-Kuei
مصطلحات موضوعية: 獨立音樂, 音樂場景, 文化工作, 另類生涯, 新自由主義, indie band, music scene, cultural work, alternative career, neoliberalism
وصف الملف: 2362861 bytes; application/pdf
Relation: 何東洪,2004,〈搖滾樂文化的靠攏:「地社掛」Tone 的初探〉。論文發表於「文\n化研究年會」,台北:東吳大學社會學系,2004 年 1 月 3 日至 4 日。\n──,2016,〈獨立音樂的情感認同與危機:「地下社會」的生與死〉頁 138-145,收錄於何東洪、鄭慧華、羅悅全編,《造音翻土——戰後台灣聲響文化的探\n索》。台北:遠足文化、立方文化。\n林浩立,2005,〈流行化、地方化與想像:台灣嘻哈文化的形成〉。《人類與文\n化》 37: 7-28。\n洪頌茹,2010,《以樂迷觀點探討台灣獨立樂團與樂迷之亦迷亦友關係》。台北:\n世新大學傳播管理學系碩士論文。\n張世倫,2011,〈怎樣「反叛」,如何「抗議」?——試論「搖滾樂改變世界」\n的政治想像〉。《共誌》 1: 35-42。\n熊信淵,2017,《熱門、搖滾到民歌—臺灣青年的音樂世界(1950’s-1970’s)》。\n台北:國立台灣大學台灣文學研究所碩士論文。\n劉官維,2015,《獨立音樂是什麼:獨立音樂認同界線的生產與游移》。新竹\n:清華大學社會學研究所碩士論文。\n蕭長展、楊友仁,2014,〈初探台灣的議題動員取向演唱會:以「正義無敵」及\n「音樂・生命・大樹下」為例〉。《社會分析》 8: 117-149。\n蕭阿勤,2015,〈敘事分析〉頁 137-172,收錄於瞿海源、畢恆達、劉長萱、楊\n國樞編,《社會及行為科學研究法:質性研究法》。台北:東華書局。\n簡妙如,2005,〈台灣創作音樂的意義軌跡〉。《傳媒透視》五月號:10-12。\n──,2013,〈台灣獨立音樂的生產政治〉。《思想》 24: 101-121。\nAdorno, Theodor W., 2002, "On Popular Music." Pp. 437-69 in Essays on Music. Berkeley, California: University of California Press.\nAdorno, Theodor W. and Max Horkheimer著,林宏濤譯,2015,〈文化工業:作為群眾欺騙的啟蒙〉(Kulturindustrie. Aufklärung als Massenbetrug),頁155-210,收錄於《啟蒙的辯證:哲學的片簡》(Dialektik der Aufklärung: philosophische Fragmente)。台北:商周出版。\nBanks, Mark, 2012, “MacIntyre, Bourdieu and the practice of jazz.” Popular Music 31: 69-86.\n──,王志弘、徐苔玲、沈台訓譯,2015,《文化工作的政治》(The Politics of Cultural Work)。新北:群學。\nBanks, Mark, Rosalind Gill and Stephanie Taylor, 2015, “Introduction: cultural work, time and trajectory.” Pp. 1-15 in Theorizing Cultural Work: Labour, Continuity and Change in the Cultural and Creative Industries, edited by Mark Banks, Rosalind Gill and Stephanie Taylor. London: Routledge.\nBell, Daniel著,高銛、王宏周、魏章玲譯,1995,《後工業社會的來臨》(The Coming of Post-Industrial Society)。台北:桂冠。\nCohen, Sara, 1991, Rock Culture in Liverpool: Popular Music in the Making. Oxford: Clarendon Press.\nDavies, Matt, 2005, “Do It Yourself: Punk Rock and the Disalienation of International Relations.” Pp. 113-140 in Resounding International Relations: On Music, Culture, and Politics, edited by M. I. Franklin. New York: Palgrave Macmillan.\ndu Gay, Paul, 1996, Consumption and Identity at Work. London: Sage.\nFinnegan, Ruth, 1989, The Hidden Musicians: Music-making in an English Town. Cambridge: Cambridge University Press.\nFlorida, Richard, 2012, The Rise of the Creative Class. New York: Basic Books.\nGibson, Chris, 2003, “Cultures at Work: Why ‘Culture’ Matters in Research on the ‘Cultural’ Industries.” Social & Cultural Geography 4: 201-215.\nGolding, Peter and Graham Murdock, 1991, “Culture, Communication and Political Economy.” Pp. 15-32 in Mass Media and Society, edited by James Curran and Michael Gurevitch. London: Edward Arnold.\nHalnon, Karen, 2006, “Heavy Metal Carnival and Dis-alienation: The Politics of Grotesque Realism.” Symbolic Interaction 29: 33-48.\nHan, Byung-Chul, 2015, The Burnout Society. United States: Stanford University Press.\nHardt, Michael and Antonio Negri, 2001, Empire. United States: Harvard University Press.\nHesmondhalgh, David著,廖珮君譯,2009,《文化產業分析》(The Cultural Industries)。台北:韋伯。\nJian, Miaoju, 2018, “The Survival Struggle and Resistant Politics of a DIY Music Career in East Asia: Case Studies of China and Taiwan.” Cultural Sociology 12: 224-240.\nKuang, Susan,2017,《斜槓青年:全球職涯新趨勢,迎接更有價值的多職人生》。台北:圓神。\nLazarrato, Maurizio, 1996, “Immaterial Labor.” Pp. 133-147 in Radical Thought in Italy: A Potential Politics, edited by Paolo Virno and Michael Hardt. United States: the University of Minnesota.\nMcRobbie, Jim, 1998, British Fashion Design: Rag Trade or Image Industry? London: Routledge.\nMarx, Karl, 1959, Economic and Philosophic Manuscripts of 1844. Moscow: Progress Publishers.\nMiège, Bernard, 1979, “The Cultural Commodity.” Media, Culture and Society 1: 297-311.\nO’Connor, Justin and Derek Wynne, 1996, “Introduction.” Pp. 1-14 in From the Margins to the Centre: Cultural Production and Consumption in the Post-Industrial City, edited by Justin O’Connor and Derek Wynne. United States: Ashgate.\nPeterson, Richard A. and Andy Bennett, 2004, “Introducing Music Scenes.” Pp. 1-15\nin Music Scenes: Local, Translocal, and Virtual, edited by Richard A. Peterson and Andy Bennett. United States of America: Vanderbilt University Press.\nPolanyi, Karl著,黃樹民譯,2020,《鉅變:當代政治、經濟的起源》(The Great Transformation: The Political and Economic Origins of Our Time)。台北:春山。\nPoole, Mark, 2010, “Songs, Stories and Selfhood: A Critical Humanist Study of Creativity and Identity on an Acoustic Music Scene.” Ph.D, Loughborough University.\nRyan, Bill, 1992, Making Capital from Culture: The Corporate Form of Capitalist Cultural Production. Berlin: Walter de Gruyter.\nScott, Allen J., 2000, The Cultural Economy of Cities. London: Sage.\nSeabrook, John著,威治譯,2017,《暢銷金曲製造機》(The Song Machine: Inside the Hit Factory)。新北:野人。\nThéberge, Paul著,蔡佩君、張志宇譯,〈插電:科技與通俗音樂〉(Pop, Rock and Interpretation),頁18-32,收錄於John Street、Will Straw、Simon Frith編,《劍橋大學搖滾與流行樂讀本》(The Cambridge Companion to Pop and Rock)。台北:商周。; G0105254010; https://nccur.lib.nccu.edu.tw//handle/140.119/131777; https://nccur.lib.nccu.edu.tw/bitstream/140.119/131777/1/401001.pdf
-
8Review
المؤلفون: Wolkoff, Carly
المصدر: Billboard. 8/6/2011, Vol. 123 Issue 27, p18-18. 1/9p.
مصطلحات موضوعية: *DO-it-yourself work, NONFICTION
Reviews & Products: INDIE Band Survival Guide: The Complete Manual for the Do-It-Yourself Musician, The (Book)
People: FEEHAN, Jason, CHERTKOW, Randy
-
9Review
المصدر: Publishers Weekly. 6/9/2008, Vol. 255 Issue 23, p42-42. 1/5p.
مصطلحات موضوعية: ALTERNATIVE rock music, NONFICTION
Reviews & Products: INDIE Band Survival Guide: The Complete Manual for the Do-It-Yourself Musician, The (Book)
People: CHERTKOW, Randy, FEEHAN, Jason
-
10Periodical
المصدر: Electronic Musician. Oct2008, Vol. 24 Issue 10, p19-19. 1/3p.
مصطلحات موضوعية: *MUSIC
Reviews & Products: INDIE Band Survival Guide: The Complete Manual for the Do-It-Yourself Musician, The (Book), DESIGNING Eletronic Drums (Book)
People: CHERTKOW, Randy, MCCULLOUGH, Craig
-
11Review
المصدر: International Musician. May2009, Vol. 107 Issue 5, p17-17. 1/2p. 4 Color Photographs.
مصطلحات موضوعية: *NONFICTION
Reviews & Products: INDIE Band Survival Guide: The Complete Manual for the Do-It-Yourself Musician, The (Book), CHORAL Music in the 19th Century (Book), EARS Have Walls, The (Book)
-
12Dissertation/ Thesis
المؤلفون: 呂孟芝, Meng-Chih Lu, 許和鈞, Professor Her-Jiun Sheu
المساهمون: 經營管理研究所
مصطلحات موضوعية: 創作樂團, 網際網路, 數位音樂, Indie Band, Internet, Digital Music, musiq
Relation: http://hdl.handle.net/11536/70671
الاتاحة: http://hdl.handle.net/11536/70671
-
13Periodical
المؤلفون: Martens, Todd tmartens@billboard.com
المصدر: Billboard. 5/20/2006, Vol. 118 Issue 20, p14-14. 1/2p. 2 Color Photographs.
مصطلحات موضوعية: *MUSIC industry, *DEALS
مصطلحات جغرافية: UNITED States
الشركة/الكيان: RED Distribution (Company) 602772303 , IMMORTAL Records Inc. 177165011
Reviews & Products: INDIE Band Survival Guide (Book)
People: BEATNIK Turtle (Performer)
-
14Review
المصدر: International Musician. Dec2013, Vol. 111 Issue 12, p15-15. 2/3p.
مصطلحات موضوعية: *NONFICTION
Reviews & Products: JIMMY Steinfeldt: Rock 'n' Roll Lens: 30 Years of Music Photography & Stories (Book), AMERICAN Organist in Paris: The Letters of Lee Orville Erwin, 1930-1931, An (Book), INDIE Band Survival Guide: The Complete Manual for the Do-It-Yourself Musician, The (Book)
People: STEINFELDT, Jimmy, HIX, Michael, CHERTKOW, Randy