يعرض 1 - 20 نتائج من 973 نتيجة بحث عن '"camera obscura"', وقت الاستعلام: 0.74s تنقيح النتائج
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    Academic Journal
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    Academic Journal
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    Conference

    المؤلفون: Troff, Olivier

    المساهمون: Centre de Recherche en Design (CRD), Ecole Nationale Supérieure de Création Industrielle (ENSCI Les Ateliers), HESAM Université - Communauté d'universités et d'établissements Hautes écoles Sorbonne Arts et métiers université (HESAM)-Sorbonne Université (SU)-HESAM Université - Communauté d'universités et d'établissements Hautes écoles Sorbonne Arts et métiers université (HESAM)-Sorbonne Université (SU)-Université Paris-Saclay-Ecole Normale Supérieure Paris-Saclay (ENS Paris Saclay), Ecole Normale Supérieure Paris-Saclay (ENS Paris Saclay), ENSCI - Les Ateliers, ENSBA Lyon

    المصدر: AD REC Art Design recherche conference 2024 ; https://hal.science/hal-04454467 ; AD REC Art Design recherche conference 2024, ENSCI - Les Ateliers, ENSBA Lyon, Jan 2024, Paris, France

    جغرافية الموضوع: Paris, France

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    Conference

    المؤلفون: Marcelino, Américo

    مصطلحات موضوعية: Desenho, Canaletto, Câmara obscura, Drawing, Camera Obscura

    Relation: Bolsa Erasmus+ (referência: EP-KA1-HE-Staff-2019); Marcelino, A. (2022, Abril, 13). The camera obscura and drawing. On the light of Canaletto [Comunicação em conferência]. Accademia di Belle Arti di Venezia, Veneza, Itália.; http://hdl.handle.net/10451/62697

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    Academic Journal
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    Book
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    Academic Journal
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    المؤلفون: Marcelino, Américo

    المساهمون: Repositório da Universidade de Lisboa

    مصطلحات موضوعية: Desenho, Canaletto, Câmara obscura, Drawing, Camera Obscura

    وصف الملف: application/pdf

    Relation: Marcelino, A. (2022, Abril, 13). The camera obscura and drawing. On the light of Canaletto [Comunicação em conferência]. Accademia di Belle Arti di Venezia, Veneza, Itália.

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    المؤلفون: Silva, Paulo Jorge do Carmo

    المساهمون: Rego, José Domingos Fazenda Coelho de Andrade, Repositório da Universidade de Lisboa

    وصف الملف: image/jpeg; application/pdf

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    Electronic Resource

    المؤلفون: Surdej, Jean

    المصدر: Lecture, Sonipat, Haryana, India [IN], 3rd of April 2023

    Relation: Viewing the wonders of Nature – from Camera Obscura to the 4m International Liquid Mirror Telescope (ILMT)

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    Dissertation/ Thesis
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    Academic Journal
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    Academic Journal

    المؤلفون: De Tomasi, Filippo

    المصدر: Arte, Individuo y Sociedad; Vol. 35 No. 4 (2023); 1397-1414 ; Arte, Individuo y Sociedad; Vol. 35 Núm. 4 (2023); 1397-1414 ; 1988-2408

    وصف الملف: application/pdf

    Relation: https://revistas.ucm.es/index.php/ARIS/article/view/87944/4564456567064; Augé, M. (1995). From places to non-places. In J. Howe (Trans.), Non-places. Introduction to an anthropology of supermodernity (p. 75‑115). Verso. Baker, G. (2013a, May 31). The Relational Field of Photography. Fotomuseum Winterthur. https://www.fotomuseum.ch/en/explore/still-searching/articles/26955_the_relational_field_of_photography Baker, G. (2013b, June 20). Blind Spot. Fotomuseum Winterthur. https://www.fotomuseum.ch/en/explore/still-searching/articles/26957_blind_spot Baker, G., Buckingham, M., Foster, H., Iles, C., McCall, A., & Turvey, M. (2002). The Projected Image in Contemporary Art. October. Obsolescence: a Special Issue, 100, 71‑96. Batchen, G. (2008). Vernacular Photography. In J. Hannavy (Ed.), Encyclopedia of Nineteenth-Century Photography (Vol. 2, p. 1610‑1616). Routledge/Taylor & Francis Group. Campany, D. (2014). Photography, encore. In C. März & O. Koerner von Gustorf (Eds.), Time Present: Photography from the Deutsche Bank Collection (p. 20‑31). Deutsche Bank AG. Crary, J. (1990). Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. The MIT Press. De Tomasi, F., & Grimaldi, M. (2022). Obsolescence and Reinvention: The Case Study of João Maria Gusmão and Pedro Paiva. In S. Schmidt-Wulffen & G. A. Duarte (Eds.), The Object as Process: Essays Situating Artistic Practice (p. 197‑211). Transcript Verlag. Della Porta, G. (1658). The Seventeenth Book of Natural Magick: Of Strange Glaffes. In Natural Magick (p. 355‑381). Thomas Young and Samuel Speed. Elsaesser, T. (2016). Media Archaeology as the Poetics of Obsolescence. In Film History as Media Archaeology (p. 331‑350). Amsterdam University Press. Forster, E. S. (1927). The Work of Aristotle. Volume VII: Problemata (W. D. Ross, Éd.). Clarendon Press. Frac Île-de-France. (2011). Alien Theory. https://www.fraciledefrance.com/wp/wp-content/uploads/AlienTheory-Jo.pdf Gernsheim, H. (1955). The History of Photography : From the Camera Obscura to the Beginning of the Modern Era. Thames and Hudson. Gunning, T. (2009). The Long and the Short of It: Centuries of Projecting Shadows, from Natural Magic to the Avant-Garde. In S. Douglas & C. Eamon (Eds.), Art of Projection (p. 23‑35). Hatje Cantz. Hammond, J. H. (1981). The Camera Obscura: A Chronicle. Adam Hilger Ltd. Huhtamo, E. (2018). Elephans Photographicus: Media Archaelogy and the History of Photography. In N. Leonardi & S. Natale (Eds.), Photography and Other Media in the Nineteenth Century (p. 13‑33). Pennsylvania State University Press. Huhtamo, E., & Parikka, J. (2011). Introduction: An Archaeology of Media Archaeology. In E. Huhtamo & J. Parrika (Éds.), Media Archaeology: Approaches, Applications, and Implications (p. 1‑24). University of California Press. Kittler, F. (2010). Optical Media: Berlin lectures 1999 (A. Enns, Trans.). Polity press. Lutter, V. (2003, November 1). Vera Lutter by Peter Wollen. Bomb Magazine. https://bombmagazine.org/articles/vera-lutter/ Mannoni, L. (2000). The Great Art of Light and Shadow. Archaeology of the Cinema. University of Exeter Press. Moholy-Nagy, L. (1969). Painting, Photography, Film (J. Seligman, Trans.). Lund Humphries. Newhall, B. (1993). The history of photography. The Museum of Modern Art. Renner, E. (2009). Pinhole Photography. Form Historical Technique to Digital Application. Elsevier. Sardo, D. (2004). João Maria Gusmão / Pedro Paiva. In A. Sousa & J. Pinharanda (Eds.), Prémio EDP Novos Artistas 2004 (p. 38‑41). EDP - Electricidade de Portugal. Silverman, K. (2015). The Second Coming. In The miracle of analogy or the history of photography, part 1 (p. 17‑43). Stanford University Press. Witkovsky, M. S. (2015). Zoe Leonard: Radical Reversibility. History of Photography, 39 (2), 107‑120. http://dx.doi.org/10.1080/03087298.2015.1030156; https://revistas.ucm.es/index.php/ARIS/article/view/87944

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    Academic Journal
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    Academic Journal
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    Book
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    eBook

    المؤلفون: Callard, Caroline, author

    المصدر: Spectralities in the Renaissance : Sixteenth and Seventeenth Centuries, 2022.

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