المؤلفون: Soriano Gómez, Ezequiel

Thesis Advisors: Ardevol, Elisenda

المصدر: TDX (Tesis Doctorals en Xarxa)

مصطلحات موضوعية: creativitat vernacla, creatividad vernácula, vernacular creativity, etnografía digital, digital ethnography, cultura digital, digital culture, mems, memes, Humanidades y Comunicación / Antropología

وصف الملف: application/pdf

URL الوصول: http://hdl.handle.net/10803/693358

المؤلفون: Soriano Gómez, Ezequiel

المصدر: Teknokultura. Journal of Digital Culture and Social Movements; Vol. 21 No. 2 (2024): Miscellany; 247-258 ; Teknokultura. Revista de Cultura Digital y Movimientos Sociales; Vol. 21 Núm. 2 (2024): Miscelánea; 247-258 ; Teknokultura. Revista de Cultura Digital e Movimentos Sociais; v. 21 n. 2 (2024): Miscelánea; 247-258 ; 1549-2230

مصطلحات موضوعية: digital art, vernacular creativity, counterculture, mass communication, digital folklore, arte digital, creatividad vernácula, contracultura, comunicación de masas, folklore digital

وصف الملف: application/pdf

Relation: https://revistas.ucm.es/index.php/TEKN/article/view/92391/4564456569026; Arcangel, Cory (2009) Everybody Else. In Digital Folklore (pp.7-8). Merz & solitude. Ardévol, Elisenda; Martorell, Sandra; San Cornelio, Gemma (2021) El mito en las narrativas visuales del activismo medioambiental en Instagram. Comunicar, nº 68, v. XXIX. pp. 59-70. DOI https://doi.org/10.3916/C68-2021-05 Arkenbou, Chloë (2022) Political meme toolkit: Leftist dutch meme makers share their trade secrets. In Critical Meme Reader II: Meme tacticality (pp. 20-31). Institute of Network Cultures. https://networkcultures.org/wp-content/uploads/2022/11/Critical-Meme-Reader-II_Memetic-Tacticality_INC-2022_INC-Reader-16.pdf Born, G., & Haworth, C. (2018). From Microsound to vaporwave: Internet-mediated music, online methods and genre. Music and Letters, 98(4), 601–647. https://doi.org/10.1093/ml/gcx095 Bril, Marijn (2022) Memes in the gallery: a party inside an image ecology. In Critical Meme Reader II: Meme tacticality (pp. 178-190). Institute of Network Cultures. https://networkcultures.org/wp-content/uploads/2022/11/Critical-Meme-Reader-II_Memetic-Tacticality_INC-2022_INC-Reader-16.pdf Brusadin, Bani y Clusterduck (Ed.) (2021) Meme Manifesto. El laboratorio Freeport. Matadero Estudios Críticos. Vol. 3. https://freeport.institute/cargo/MEC_Freeport_2020_Mememanifesto.pdf Bucknell, Alice (2017, 30 de mayo) What memes owes to art-history. Artsy. https://www.artsy.net/article/artsy-editorial-memes-owe-art-history Burgess, J. (2006). Hearing Ordinary Voices: Cultural Studies, Vernacular Creativity and Digital Storytelling. Continuum: Journal of Media & Cultural Studies Special Issue on Counter-Heroics and Counter-Professionalism in Cultural Studies, 20 (2). 201-214. https://doi.org/10.1080/10304310600641737 Citarella, Joshua (2018) Politigram and the post-left (Short Ed.). Autoeditado. http://joshuacitarella.com/_pdf/Politigram_Post-left_2018_short.pdf Clusterduck (2021) Le meme d’auteur or: How we learned to stop worrying and love original content memes. In Critical Meme Reader I: Global Mutations of the Viral Image. (pp. 89-100). Institute of Network Cultures. https://networkcultures.org/wp-content/uploads/2021/09/CriticalMemeReader-1.pdf Clusterduck (2022) Magic Pixels and dirty fairy tales: a (very) brief history of memes. In A DECADE TO DOWNLOAD - The Internet Yami-Ichi 2012 - 2021. (pp. 582-291) https://archive.org/details/a-decade-to-download-the-internet-yami-ichi-2012-2021 Coleman, Gabriella (2012) Las mil caras de Anonymous. Arpaeditores. Coleman, Gabriella (2010). Ethnographic approaches to digital media. Annual review of anthropology, 39. 487-505. https://doi.org/10.1146/annurev.anthro.012809.104945 Dal Dosso, Silvia (2021) “Cats, Frogs and Cryptoartists: What if Auteur .jpgs Become a Luxury Good?” Institute of Network Cultures. https://networkcultures.org/longform/2021/03/11/cats-frogs-and-cryptoartists-what-if-auteur-jpgs-become-a-luxury-good/ Dawkins, Richard (1976)The Selfish Gene. Oxford University Press. de Seta, Gabriele (2020). Digital folklore in J. Hunsinger et al. (eds.) Second International Handbook of Internet Research (pp. 167-184). Springer Nature B.V. de Seta, Gabriele (2015) Dajiangyou: media practices of vernacular creativity in postdigital China. [Tesis Doctoral] The Hong Kong Polytechnic University. https://theses.lib.polyu.edu.hk/handle/200/8413 D’Alancaisez, Pierre (2022) Benevolent edgelords: specters of Benjamin and Memetic ambiguity. In Critical Meme Reader II: Meme tacticality (pp. 32-51). Institute of Network Cultures. https://networkcultures.org/wp-content/uploads/2022/11/Critical-Meme-Reader-II_Memetic-Tacticality_INC-2022_INC-Reader-16.pdf Galip, Idil (2021a). The "Grotesque" in Instagram Memes. In Critical Meme Reader: Global Mutations of the Viral Image (pp. 27-40). Institute of Network Cultures. https://networkcultures.org/wp-content/uploads/2021/09/CriticalMemeReader-1.pdf Galip, Idil (2021b) Wojak and the Digital Factory. Content, 21, 68-80. https://memelab.bard.edu/ Galip, Idil (2021c, 17 de diciembre) “Memes, Irony and Ugliness”. Institute of Network Culture. https://networkcultures.org/viralimageculture/2021/12/17/memes-irony-and-ugliness/ Glitsos, Laura (2018) Vaporwave, or music optimised for abandoned malls. Popular Music, 37(1), 100-118. https://doi.org/10.1017/S0261143017000599 Goldsmith, Kenneth (2012). Escritura No-Creativa. Gestionando el lenguaje en la era digital. Caja negra. Goldsmith, Kennet (2013, 22 de Octubre) The writer as meme machine. The Guardian. https://www.newyorker.com/books/page-turner/the-writer-as-meme-machine Harper, Adam (2017) How Internet music is frying your brain. Popular Music, 36(1), 86-97. https://doi.org/10.1017/S0261143016000696 Jenkins, Henry (2007) Convergence Culture: Where Old and New Media Collide. New York: NYU Press. Kelty, Christopher (2018). Two Bits. La trascendencia cultural del software libre. Icaria. Knobel, Michele, & Lankshear, Colin (2007). Online Memes, Affinities, and Cultural Production. In New Literacies Sampler (199-227). Peter Lang. Lessig, Lawrence (2005). Por una cultura libre. Traficantes de sueños. Lialina, Olia and Espenschied, Dragan. (eds) (2009). Digital Folklore. Merz & solitude. Lögfrem, Isabel (2022) Semiotics of care an violence: memetization and necropolitics during the Brazilian 2018 presidential elections in tha action #mariellemultiplica. In Critical Meme Reader II: Meme tacticality (pp. 52-73). Institute of Network Cultures. https://networkcultures.org/wp-content/uploads/2022/11/Critical-Meme-Reader-II_Memetic-Tacticality_INC-2022_INC-Reader-16.pdf Martínez-Pais, Santiago (2021, 28-30 de abril) Formato y contenido: una propuesta para crear una definición operativa del concepto meme. Comunicación en el VI Congreso Comunicación y Pensamiento. Sevilla, España. Martínez-Pais, Santiago (2021) Memes y política en tiempos de pandemia. El relato de la covid19 en la Memesfera española. Comunicación en el VI Congreso Comunicación y Pensamiento. Sevilla, España. Nagle, Angela (2017). Kill all normies. Online culture wars from 4chan and Tumblr to Trump and the alt–right. Zero Books. Ong, Walter (1996) Oralidad y escritura. Fondo de Cultura Económica. Pajares, Álvaro L. (2023) Las edades del meme. En Pajares, Álvaro L. (coord.) Memeceno (7-42). La Caja Books. Pajares, Álvaro L. (coord.) (2023) Memeceno: La era del meme en Internet. La Caja Books. Pabón-Cardona, Natalia, Flórez-Benavides, Diana, Acevedo-Merlano, Álvaro, González-Güeto, Joy (2023) Memes feministas e interacciones en Facebook. Teknokultura. Revista de Cultura Digital y Movimientos Sociales, 20 (2), 217-228. https://doi.org/10.5209/tekn.82664 Racioppe, Bianca, y Párraga, Julieta (2020). Memes en instagram: un estudio de caso de cuentas dedicadas a la producción y circulación de estas narrativas contemporáneas. Perspectivas de la comunicación, 13(1), 47-84. https://doi.org/10.4067/S0718-48672020000100047 Rintel, Sean. (2013). Crisis Memes: The Importance of Templatability to Internet Culture and Freedom of Expression. Australasian Journal of Popular Culture. 2. 253-271. https://doi.org/10.1386/ajpc.2.2.253_1 Shifman, Limor (2011) An anatomy of a YouTube meme. New Media and Society 14 (2): 187-203. https://doi.org/10.1177/1461444811412160 Shifman, Limor. (2014). Memes in digital culture. The MIT Press. Varis, Piia y Blommaert, Jan (2015) Conviviality and collectives on social media. Virality, memes and new social structures. Multilingual Margins 2(1). Pp. 31-45. https://doi.org/10.14426/MM.V2I1.55 Venturini, Tommaso (2022) Online Conspiracy Theories, Digital Platforms and Secondary Orality: Toward a Sociology of Online Monsters. Theory, Culture & Society. Vol. 39(5) 61–80. https://doi.org/10.1177/02632764211070962 Weshler, Darren (2013) Conceptual Writing As Fanfic. In Jamison, Ann (Ed.) Fic: Why Fanfiction is Taking Over the World (). Smart Pop. Whelan, Andrew, & Nowak, Raphaël. (2018). “Vaporwave Is ( Not ) a Critique of Capitalism”: Genre Work in An Online Music Scene. Open Cultural Studies, 2, 451–462. https://doi.org/10.1515/culture-2018-0041e Wiggins, Bradley E., & Bowers, G. Bret (2015). Memes as genre: A structurational analysis of the memescape. New Media & Society, 17(11), 1886-1906. https://doi.org/10.1177/1461444814535194; https://revistas.ucm.es/index.php/TEKN/article/view/92391

الاتاحة: https://revistas.ucm.es/index.php/TEKN/article/view/92391

المؤلفون: Soriano Gómez, Ezequiel

المساهمون: Ardevol, Elisenda

المصدر: TDX (Tesis Doctorals en Xarxa)

مصطلحات موضوعية: creativitat vernacla, creatividad vernácula, vernacular creativity, etnografía digital, digital ethnography, cultura digital, digital culture, mems, memes, Humanidades y Comunicación / Antropología

Time: 316, 572, 7

وصف الملف: 382 p.; application/pdf

Relation: http://hdl.handle.net/10803/693358

الاتاحة: http://hdl.handle.net/10803/693358