يعرض 1 - 17 نتائج من 17 نتيجة بحث عن '"Luengo Aguirre, Maite"', وقت الاستعلام: 0.41s تنقيح النتائج
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    المؤلفون: Luengo Aguirre, Maite

    مصطلحات موضوعية: Lin Tianmiao, artista feminista, artistas mujeres, textil, cuerpo

    وصف الملف: application/pdf

    Relation: info:eu-repo/grantAgreement/MICINN/PID2020-115157GB-I00; https://revistas.ucm.es/index.php/ARIS/article/view/91826; Arte, Individuo y Sociedad 36(3) : 533- 543 (2024); http://hdl.handle.net/10810/69145

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    Academic Journal

    المؤلفون: Luengo-Aguirre, Maite

    المصدر: Arte, Individuo y Sociedad; Vol. 36 No. 3 (2024); 533-543 ; Arte, Individuo y Sociedad; Vol. 36 Núm. 3 (2024); 533-543 ; 1988-2408

    وصف الملف: application/pdf

    Relation: https://revistas.ucm.es/index.php/ARIS/article/view/91826/4564456568714; Ayers, R. (24 de octubre de 2017). Artist Insight: Lin Tianmiao. Ocula Magazine. https://ocula.com/magazine/insights/lin-tianmiao/; Brooklyn Museum (s.f.). Lin Tianmiao. https://www.brooklynmuseum.org/eascfa/about/feminist_art_base/lin-tianmiao; Caruso, H. Y. C. (2018). Lin Tianmiao. AWARE: Archive of Women Artists. https://awarewomenartists.com/en/artiste/lin-tianmiao/; Chadwick, W. (2012/1990). Women, Art and society. Thames & Hudson.; Cixous, H. (2010/1975). Le rire de la Méduse. Editions Galilée.; Cui, S. (2015). The (In)visibility of the Female Body in an Art Tradition. En Gendered; Bodies: Toward a Women’s Visual Art in Contemporary China (pp. 16-30). Hawaii University Press, 2015.; Davidson, J. C. (2019). Staging art and Chineseness: The politics of trans/nationalism and global expositions. Mancherster University Press.; Deepwell, K. (2010). N.paradoxa’s 12 Step Guide to Feminist Art, Art History and Criticism». N.Paradoxa, 21, 4-16.; Eaton, A. (2012). What’s Wrong with the female Nude?. En H. Maes y J. Levinson (ed.), Art and Pornography: Philosophical Essays (pp. 277-308). Oxford University Press.; Eichenbaum Karetzky, P. y Zhang E. (2020). Our Bodies, our lives. En The Art of Women in Contemporary China: Both Sides Now (pp. 11-38) Cambridge Scholars Publishing.; Galerie Lelong & Co. (2017). Lin Tianmimao. Protruding Patterns. https://www.galerielelong.com/exhibitions/lin-tianmiao3/installationviews?view=slider#3; Gaskin, S. (1 de octubre de 2015). Lin Tianmiao Speaks to Arnet News about the Art of Endurance. Artnet. https://news.artnet.com/art-world/artist-lin-tianmiao-artwork-336164; Goodman, J. (13 de febrero de 2012). Lazo sueltos: Lin Tianmiao y el cuerpo femenino. Fronterad. https://www.fronterad.com/lazos-sueltos-lin-tianmiao-y-el-cuerpofemenino/; Grant, C. (2011). «Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art». Oxford Art Journal, 34(2), 268-271. https://academic.oup.com/oaj/article-abstract/34/2/265/1490413; Guest, L. (2016). Needle and thread. En Half the Sky: Conversations with Women Artists in China (pp. 47-75). Piper Press.; Guest, Luise. (17 de junio de 2020). Liu Xi's paradox. Ran Dian. https://www.randianonline.com/np_feature/liu-xis-paradox/; Guest, L. (23 de agosto de 2021). ‘No Feminism In China’: An Interview With Lin Tianmiao. The Culture Trip. https://theculturetrip.com/asia/china/articles/nofeminism-in-china-an-interview-with-lin-tianmiao/; Haddon, R. (2018). Embodied modernity: the gendered landscape of contemporary chinese art. New Zealand Journal of Asian Studies. 20(2), 115-136.; Irigaray, L. (1977). Ce sexe qui n’en est pas un. Les Édition de Minuit. https://www.persee.fr/doc/grif_0770-6081_1974_num_5_1_964; James Cohan Gallery. (2011). LOUISE BOURGEOIS 路易丝•布尔乔亚& A Tribute to Louise Bourgeois: Lin Tianmiao, Hu Xiaoyuan. https://www.jamescohan.com/exhibitions/louise-bourgeois; Kang, K. (octubre de 2017). Lin Tianmiao with Kang Kang. Brooklyn Rail. https://brooklynrail.org/2017/10/art/LIN-TIANMIAO-with-Kang-Kang; Kee, J. (2007). What is Feminist about Contemporary Asian Women’s Art?. En M. Reilly y L. Nochlin (ed.), Global Feminisms: New Directions in Contemporary Art (pp. 107-122). Merrell Publishers Limited.; Kendrick, C. (2012). When a “Feminist” Artist Is Not a Feminist: Challenging Cindy Sherman’s Constructed Position in Discourse. Academia.edu. 2012. https://www.academia.edu/1570280/When_a_feminist_artist_is_not_a_feminist_Challenging_Cindy_Shermans_Constructed_Position_ in_Discourse; Kerbrat-Orecchioni, C. (2016). Les actes de langage dans le discours. Théorie et fonctinnement. Armand Colin.; Lévi-Strauss, C. (1962). La pensée sauvage. Plon.; Li, X. (2010). Yin Xiuzhen: Second Skin. LEAP, 3. http://www.leapleapleap.com/2010/06/yin-xiuzhen-second-skin/; Liu, Y. (2011). Chinese Contemporary Art: From De-Chineseness To Re-Chineseness. En M. Wiseman y Y. Liu (eds.) Subversive Strategies in Contemporary Chinese Art (pp. 59-76). Brill.; Lu, J. (2008). All Good Things Are Frail Lin Tianmiao in Conversation with Lu Jie. Yishu: Journal of Contemporary Chinese Art 7(6), 8-20. http://yishu-online.com/wpcontent/uploads/mm-products/uploads/2008_v07_06_lin_t_p008.pdf; Manonelles Moner, L. (2010). Una aproximación a las mujeres artistas en China. En P. San Ginés Aguilar (ed.), Cruce de miradas, relaciones e intercambios (pp. 279-300). Universidad de Granada.; Manonelles Moner, L. (2011). El arte experimental en China: conversaciones con artistas. Bellaterra.; Manonelles Moner, L. (2014). Explorations of genealogy in experimental art in China. Journal of Contemporary Chinese art 1(1), 45-63.; Manonelles Moner, L. (2023). Xiao Lu: asserting her voice through artistic practice. Revista Brasileira de Estudos da Presença, 13(2), Xiao Lu: asserting her voice through artistic practice. https://doi.org/10.1590/2237-2660126872vs02; Méndez, L. (2009). Antropología del campo artístico: del arte primitivo […] al contemporáneo. Síntesis.; Merlin, M. (21 de febrero de 2018). Lin Tianmiao 林天苗. https://www.tate.org.uk/research/research-centres/tate-research-centre-asia/womenartists-contemporary-china/lin-tianmiao; Merlin, M. (2019). Gender (Still) Matters in Chinese Contemporary Art. Journal lof Contemporary Chinese Art, 6(1), 5-15.; Munroe, A. y Tinari, P. (2018). Zalantzazko plazera: sentsazio ekitaldiak. En Guggenheim Bilbao (ed.), Artea eta Txina 1989ondoren Munduaren antzerkia, (pp. 159-197). Guggenheim Bilbao.; Nochlin, L. (2021/1971). Why Have There Been no Great Women Artists. Thames and Hudson.; Penetsdorfer, C. (2022). Artists. En Lillehammer Kunstmuseum, Kunstforeningen GLStrand y Museum der Moderne Salzburg (ed.) Stepping out!: female identities in chinese contemporary art (pp. 46-147). Hatje Cantz.; Pollock, G. (1983). Women, Art and Ideology: Questions for Feminist Art Historian. Woman’s Art Journal, 4(1), 39-47.; Reilly, M. (2007). Introduction: Toward Transnational Feminisms. En M. Reilly y L. Nochlin (ed.), Global Feminisms: New Directions in Contemporary Art (pp. 14–45). Merrell.; Rosler, M. (2015/1991). Well, is the Personal Political?. En H. Robinson (ed.) Feminist Art Theory. An Anthology 1968-2014 (2ª ed., pp. 68-69). Wiley Blackwell; Sáiz López, A. (2001). Utopía y género. Las mujeres chinas en el siglo XX. Bellaterra.; Schor, M. (2015/1991). Patrilineage. En H. Robinson (ed.) Feminist Art Theory: An Anthology 1968-2014 (2ª ed., pp. 159-164). Wiley Blackwell.; Spakowski, N. (2011). “Gender” Trouble: Feminism in China under the Impact of Western Theory and the Spatialization of Identity. Positions, 19(1), 31-54; Sun Y. (26 de septiembre de 2012). Interview: Lin Tianmiao on Art, Influence, and “Bodily Reaction” as Inspiration. https://asiasociety.org/blog/asia/interview-lintianmiao-art-influence-and-bodily-reaction-inspiration; Teo, P. H. L. (2010). «Alternative Agency in Representation by Contemporary Chinese Women Artists». Asian Culture and history, 2(1), 3--13.; Wang, P. (2011). Thread and Bone: An interview with Lin Tianmiao. Yishu: Journal of Contemporary Chinese Art, 11(2), 6-19. http://yishu-online.com/wpcontent/uploads/mm-products/uploads/2012_v11_02_wang_p_p006.pdf; Wu, H. (2014). Women Experimentalists. En Contemporary Chinese Art (pp. 222-232). Thames and Hudson.; Yu, Z. (2015). Translating Feminisms in China: Gender, Sexuality and Censorship. Routledge.; https://revistas.ucm.es/index.php/ARIS/article/view/91826

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    Electronic Resource

    المؤلفون: Luengo Aguirre, Maite

    المصدر: ASRI: Arte y sociedad. Revista de investigación, ISSN 2174-7563, Nº. 23, 2023 (Ejemplar dedicado a: OPENASRIASRI. Miscellaneous Number), pags. 72-83

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    Academic Journal
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    Alternate Title: Vulvas, breasts and uteruses at the end of the 20th century. Rethinking the sexed body in Basque contemporary art. (English)

    المؤلفون: LUENGO AGUIRRE, Maite

    المصدر: Revista de la Asociacion Aragonesa de Criticos de Arte; 2023, Issue 64, p1-7, 7p

    مصطلحات موضوعية: VULVA, FEMINISM, UTERUS, ARTISTS, FEMALES

    مصطلحات جغرافية: PAIS Vasco (Spain)

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    Dissertation/ Thesis

    المؤلفون: Luengo Aguirre, Maite

    المساهمون: Barcenilla García, Haizea

    مصطلحات موضوعية: history of art, historia del arte

    وصف الملف: application/pdf

    Relation: http://hdl.handle.net/10810/60196; 733298; 22395

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    المؤلفون: Luengo Aguirre, Maite

    المساهمون: Pacho Fernández, María Jesús, F. LETRAS, LETREN F., Artearen Historiako Gradua, Grado en Historia del Arte

    المصدر: Addi. Archivo Digital para la Docencia y la Investigación
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    وصف الملف: application/pdf

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