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    Academic Journal

    المؤلفون: Fraga, Tania

    المصدر: TecnoLógicas; Vol. 21 No. 41 (2018); 81-102 ; TecnoLógicas; Vol. 21 Núm. 41 (2018); 81-102 ; 2256-5337 ; 0123-7799

    وصف الملف: application/pdf

    Relation: https://revistas.itm.edu.co/index.php/tecnologicas/article/view/728/704; E. B. Baum, What is thought? Cambridge: MIT Press, 2004.; S. J. Russell and P. Norvig, Artificial intelligence. New Jersey: Prentice Hall, 2003.; T. Fraga, “Caracolomobile: affect in computer systems,” AI Soc., vol. 28, no. 2, pp. 167–176, May 2013.; T. Fraga, “Arte computacional: diferencias y convergencias / Computer art: divergences and convergences,” in Poéticas de la biología de lo posible. Hábitat y vida, I. Garcia and Universidad Javeriana, Eds. Bogota: Pontificia Universidad Javeriana, 2012, pp. 87–102.; T. Fraga, “Por trás da cena: produção de espetáculos com cenários interativos / Behind the scene: production of spectacles with interactive scenarios,” in Estética de los mundos possibles, Universidad Javeriana, Ed. Bogota: Pontificia Universidad Javeriana, 2016, pp. 183–198.; T. Fraga, “Technoetic syncretic environments,” Technoetic Arts, vol. 13, no. 1, pp. 169–185, Jun. 2015.; T. Fraga, “Numeric Tessituras,” Technoetic Arts, vol. 8, no. 2, pp. 243–250, Nov. 2010.; T. Fraga, “Reality, Virtuality and Visuality in the Xamantic Web,” in Reframing Consciousness, R. Ascott, Ed. Exeter: Intellect, 1999, pp. 211–220.; T. Fraga, “Xamantic Journey.” CDROM - artist’s collection, Sao Paulo, 1999.; T. Fraga, “Inquiry into Allegorical Knowledge Systems for Telematic Art,” in Art, technology, consciousness (HB), R. Ascott, Ed. Bristol, UK: Intellect, 2000, pp. 59–64.; T. Fraga, “Virtualidade e realidade/Virtuality and reality,” in criação e poéticas digitais, D. Domingues, Ed. Caxias do Sul: EDUCS, 2005, pp. 137–147.; M. L. Fragoso, “4D. arte computacional no Brasil: reflexão e experimentação.,” Bras. UnB, 2005.; T. Fraga, “NumericVariations: Exoendogenous Computer Art exploring neural connections,” in 4th computer art congress, 2014, pp. 147–158.; T. Fraga, “Exoendogenias,” in 3a Semana de Pesquisa da Escola de Comunicações e Artes da USP, 2012, pp. 46–66.; T. Fraga, “Jardim de Epicuro,” 2014. [Online]. Available: http://youtu.be/2v2L86J1JtA. [Accessed: 15Dec-2017]. [16] W. Barja and T. Fraga, “Greater than or Equal to 4D,” in Maior ou Igual a 4D: Arte Computacional Interativa, 2004.; T. Fraga, “Artes interativas e método relacional para criação de obras.” p. 15, 1988.; T. Fraga, “NumericVariations,” 2015. [Online]. Available: https://www.youtube.com/watch?v=hf9nCtBL J7k. [Accessed: 15-Dec-2017].; T. Fraga, “NumericVariations,” 2014. [Online]. Available: https://www.youtube.com/watch?v=u0Z9IjR_ VuU. [Accessed: 11-Dec-2017].; T. Fraga, “MindFluctuations,” 2015. [Online]. Available: https://vimeo.com/124881728.; T. Fraga, “MindFluctuations,” 2015. [Online]. Available: https://www.youtube.com/watch?v=WOS6yv Kz068&feature=youtu.be. [Accessed: 15-Dec2017].; T. Fraga, “MindFluctuations,” 2015. [Online]. Available: https://vimeo.com/126002412. [Accessed: 15Dec-2017].; K. Busch, “Artistic research and the poetics of knowledge,” 2014. [Online]. Available: http://www.artandresearch.org.uk/v2n2/busc h.html. [Accessed: 15-Dec-2017].; R. A. Guisepi, “The Arts.” [Online]. Available: http://history-world.org/arts.htm. [Accessed: 15-Dec-2017].; T. Fraga, “Jardim de Epicuro,” 2014. [Online]. Available: http://youtu.be/2v2L86J1JtA. [Accessed: 15Dec-2017]. [26] D. Norman, O design do futuro, 1st ed. Rio de Janeiro: ROCCO, 2010.; E. Couchot, “A tecnologia na arte: da; MindFluctuations: Poetic, Aesthetic and Technical Considerations of a Dance Spectacle Exploring Neural Connections [102] TecnoLógicas, Vol. 21, No. 41, enero-abril de 2018, pp. 81-102 fotografia á realidade virtual,” Porto Arte, vol. 13, no. 21, pp. 128–130, 2004.; T. Le (CEO) and D. G. M. (CTO), “Emotiv,” 2011. [Online]. Available: http://emotiv.com.; A. Davison, Pro JavaTM 6 3D game development, 1st ed. New York: SpringVerlag, 2014.; R. Picard, Affective computing. Cambridge: MIT, 2000.; M. Nicolelis, Muito além do nosso eu. São Paulo: Companhia das Letras, 2011.; A. Damásio, E o cérebro criou o homem. São Paulo: Companhia das Letras, 2011.; T. Fraga, M. Pichiliani, and D. Louro, “Experimental Art with Brain Controlled Interface,” in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), vol. 8009, no. 1, Las Vegas, 2013, pp. 642–651.; M. C. Pichiliani, C. M. Hirata, and T. Fraga, “Exploring a Brain Controlled Interface for; Emotional Awareness,” in 2012 Brazilian Symposium on Collaborative Systems, 2012, pp. 49–52.; K. Lee, S. Yang, and J. Lim, “NeuroSky,” 2017. [Online]. Available: http://neurosky.com/.; T. Fraga and M. L. Fragoso, “21st Century Brazilian (experimental) Computer Art,” in Proceedings of the 3rd Computer Art Congress, 2012.; AbleData, “Bci Music,” 2017. [Online]. Available: http://www.abledata.com/product/bci-music. [Accessed: 15-Dec-2017].; E. Group, “Emovere: Body, Sound and Movement,” 2015. [Online]. Available: http://www.emovere.cl/en/. [Accessed: 15Dec-2017].; “Alba technique.” [Online]. Available: www.albatechnique.com/. [Accessed: 14-Nov2017].; https://revistas.itm.edu.co/index.php/tecnologicas/article/view/728

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    Academic Journal