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    المساهمون: Dirección General de Asuntos del Personal Académico, Universidad Nacional Autónoma de México

    المصدر: Journal of the Marine Biological Association of the United Kingdom ; volume 104 ; ISSN 0025-3154 1469-7769

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    المصدر: ZooKeys, 1209, 43-68, (2024-08-07)

    Relation: https://doi.org/10.3897/zookeys.1209.120812.figure12; https://doi.org/10.3897/zookeys.1209.120812.figure9; https://doi.org/10.3897/zookeys.1209.120812.figure10; https://doi.org/10.3897/zookeys.1209.120812.figure11; https://doi.org/10.3897/zookeys.1209.120812.figure1; https://doi.org/10.3897/zookeys.1209.120812.figure2; https://doi.org/10.3897/zookeys.1209.120812.figure3; https://doi.org/10.3897/zookeys.1209.120812.figure4; https://doi.org/10.3897/zookeys.1209.120812.figure5; https://doi.org/10.3897/zookeys.1209.120812.figure6; https://doi.org/10.3897/zookeys.1209.120812.figure7; https://doi.org/10.3897/zookeys.1209.120812.figure8; https://doi.org/10.1080/00222934808653905; https://doi.org/10.1080/00222939808678020; https://doi.org/10.1080/00222939808678056; https://doi.org/10.1080/00222939808677915; https://doi.org/10.1098/rstb.1990.0113; https://doi.org/10.11646/zootaxa.4398.1.1; https://doi.org/10.1007/s11230-023-10099-z; https://doi.org/10.11646/zootaxa.5360.4.5; https://doi.org/10.5962/p.13270; https://doi.org/10.5962/bhl.title.58642; https://doi.org/10.5962/bhl.title.39131; https://doi.org/10.5134/176118; https://doi.org/10.5479/si.00963801.123-3623.1; https://doi.org/10.2307/3277430; https://doi.org/10.5479/si.00810282.497; https://doi.org/10.5479/si.00810282.311.i; https://doi.org/10.1163/9789004204256; https://doi.org/10.54830/bmnhn.v37.1980.496; https://doi.org/10.11646/zootaxa.3534.1.2; https://doi.org/10.3853/j.0067-1975.25.1962.661; https://doi.org/10.1016/j.ecss.2022.108120; https://doi.org/10.1163/001121610X521262; https://doi.org/10.4319/lo.1993.38.2.0478; https://doi.org/10.1080/00222939200770021; https://doi.org/10.5479/si.00963801.121-3574.1; https://doi.org/10.11646/zootaxa.3234.1.2; https://doi.org/10.2478/s11686-013-0150-x; https://doi.org/10.1016/j.parint.2013.09.005; https://doi.org/10.1080/23766808.2016.1236313; https://doi.org/10.1007/s11230-017-9752-2; https://doi.org/10.5962/bhl.title.14414; https://doi.org/10.3897/zookeys.893.46923; https://doi.org/10.3897/BDJ.8.e52271; https://doi.org/10.1007/s11230-016-9682-4; https://doi.org/10.5479/si.00963801.101-3280.341; https://doi.org/10.1163/9789004629363_036; https://doi.org/10.1071/AJZS094; https://doi.org/10.2331/suisan.20.21; https://doi.org/10.2331/suisan.20.16; https://doi.org/10.3897/zookeys.833.30835; https://doi.org/10.5962/bhl.title.59539; https://doi.org/10.1016/j.parint.2022.102551; https://doi.org/10.5479/si.00963801.28-1404.479; https://doi.org/10.5479/si.00963801.44-1950.189; https://doi.org/10.1126/science.86.2236.423.b; https://zenodo.org/communities/biosyslit; https://doi.org/10.3897/zookeys.1209.120812; oai:zenodo.org:13283360

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    المصدر: De Medio Aevo; Vol. 13 Núm. 1 (2024): Moral Meteorologies. The interpretation of celestial phenomena and climate anomalies in the global Middle Ages; 101-122 ; 2255-5889

    وصف الملف: application/pdf

    Relation: https://revistas.ucm.es/index.php/DMAE/article/view/89160/4564456569200; Aletta, Francesco y Jian Kang. Historical Acoustics. Relationships between People and Sound overt Time. Basel: MDPI, 2020.; Arbeiter, Achim. “Campana del Abad Sansón”. Ceres (s.f.). Consultado el 30 de mayo de 2023. https://ceres.mcu.es/pages/Main?idt=129169&table=FMUS&museum=MAECO.; De Baene, Wouter, et al. “Roughness perception in sounds: behavioral and ERP evidence.” Biological Psychology 67, no. 3 (2004): 319-330. https://doi.org/10.1016/j.biopsycho.2004.01.003.; Bartlett, Bruce y Jenny Bartlett. Practical Recording Techniques. New York: Routledge, 2016, https://doi.org/10.4324/9781315696331.; Bedia García, Juana, José Beltrán Pizón y Miguel López Domínguez. “La campana mozárabe del Museo Provincial de Huelva.” Cuadernos del Suroeste 3 (1992): 175-182.; Bejarano Pellicer, Clara. “A campana tañida”. La percusión en el paisaje sonoro en la vida conventual femenina española de los siglos XVII y XVIII", Hispania Sacra, 73, no. 148 (2021): 483-495. https://doi.org/10.3989/hs.2021.037.; Billiet, Frédéric. “Entendre les paysages sonores du Moyen Âge et de la Renaissance: L’approche musicologique”. En Les paysages sonores: Du Moyen Âge à la Renaissance, editado por Laurent Hablot y Laurent Vissière, 19-41. Rennes: Presses Universitaires de Rennes, 2016. https://doi.org/10.4000/books.pur.47104.; Both, Arnd Adje. “Music Archaeology: Some Methodological and Theoretical Considerations”. Yearbook for Traditional Music 41 (2009): 1-11. https://doi.org/10.1017/S0740155800004100.; Bourke, Cormac. The Early Medieval Hand-Bells of Ireland and Britain. Dublin: Wordwell-National Museum of Ireland, 2020.; Butler, Shane y Sarah Nooter (eds.). Sound and the Ancient Senses. London: Routledge, 2018.; “Campana de Canino”. Mvsei Vaticani. Consultado el 30 de mayo de 2023. https://www.museivaticani.va/content/museivaticani/es/collezioni/musei/museo-pio-cristiano/mosaici-di-ciriaca/campana-_di-canino.html.; “Campana del abad Samsón”. Museo Arqueológico de Córdoba, 2018. Consultado el 30 de mayo de 2023. https://www.museosdeandalucia.es/web/museoarqueologicodecordoba/obras-singulares/-/asset_publisher/GRnu6ntjtLfp/content/campana-mozarabe-del-abad-samson.; “Campana Mozárabe”. Museo de Huelva. Consultado el 30 de mayo de 2023. https://www.museosdeandalucia.es/web/museodehuelva/inicio?p_p_id=101&p_p_lifecycle=0&p_p_state=maximized&p_p_mode=view&_101_struts_action=%2Fasset_publisher%2Fview_content&_101_returnToFullPageURL=https%3A%2F%2Fwww.museosdeandalucia.es%2Fweb%2Fmuseodehuelva%2Finicio%3Fp_auth%3DQ4smmuac%26p_p_id%3D3%26p_p_lifecycle%3D1%26p_p_state%3Dnormal%26p_p_state_rcv%3D1&_101_assetEntryId=2062909&_101_type=content&_101_urlTitle=campana-mozarabe&redirect=https%3A%2F%2Fwww.museosdeandalucia.es%2Fweb%2Fmuseodehuelva%2Finicio%3Fp_p_id%3D3%26p_p_lifecycle%3D0%26p_p_state%3Dmaximized%26p_p_mode%3Dview%26_3_keywords%3Dcampana%26_3_struts_action%3D%252Fsearch%252Fsearch&inheritRedirect=true.; Chaigne, Antoine y Jean Kergomard. Acoustics of Musical Instruments. New York: Springer, 2016.; Cheng, Jianzheng y Congquing Lan. “Experimental studies on sound and vibration of a two-tone Chinese Peace Bell.” Journal of Sound and Vibration, 261 (2003): 351-358.; “Convención para la Salvaguardia del Patrimonio Cultural Inmaterial”. UNESCO, 2003. Consultado el 30 de mayo de 2023. https://ich.unesco.org/es/convención.; Das Reich der Salier. 1024-1125. Sigmaringa: Jan Thorbeck Verlag, 1992.; Debut, Vincent, Miguel Carvalho y José Antunes. “Objective estimation of the tuning features of historical carillons.” Applied Acoustics 101 (2016) pp. 78-90. https://doi.org/10.1016/j.apacoust.2015.07.010.; Echevarría Arsuaga, Ana e Iñaki Martín Viso. La Península Ibérica en la Edad Media (700-1250). Madrid: UNED, 2019.; Estrabón, Walafredo. "De ecclesiasticarum rerum exordiis et incrementis". En Patrologiae Cursus Completus. Series Latina. Vol. 114, editado por Jean Paul Migne. Paris: Garnier Fratres, 1879.; Falla, Manuel de. La vie brève. Paris: Max Eschig, 1925.; Fritz, Jean-Marie. Paysages sonores du Moyen Âge. Le versant épistémologique. Paris: Honoré Champion, 2001.; Fritz, Jean-Marie. La Cloche et la lyre. Pour une poétique médiévale du paysage sonore. Genève: Droz, 2011; Galland, Bernard. “La cloche romane à décor de rinceaux de l’Hôtel-Dieu du Puy-en-Velay. ” Cahiers de la Haute-Loire 19 (2000): 117-150.; García Benito, Carlos y Raquel Jiménez Pasalodos. “La música enterrada: Historiografía y Metodología de la Arqueología Musical.” Cuadernos de Etnomusicología 1 (2011): 80-108.; García Sánchez, María Teresa. “De la ciudad en vibración al ser resonante. Una investigaicón a propósito de los conciertos de campanas de Llorenç Barber”. Tesis doctoral. Escuela Técnica Superior de Arquitectura de Madrid, 2011. https://doi.org/10.20868/UPM.thesis.12786.; Giannakopoulos, Theodoros y Aggelos Pikrakis. Introduction to Audio Analysis: A MATLAB Approach. Oxford: Academic Press, 2014. https://doi.org/10.1016/C2012-0-03524-7.; Gómez-Moreno y Martínez, Manuel. Iglesias mozárabes. Arte español de los siglos IX a XI. Madrid: Centro de estudios históricos, 1919.; Gonon, Thierry. “Les cloches en France au Moyen Âge: étude archéologique et approche historique”. Tesis doctoral. Université Lumière - Lyon II, 2002. http://theses.univ-lyon2.fr/documents/lyon2/2002/gonon_t#p=0&a=top.; González Gomis, José Benjamín. “Manuel de Falla y L’acoustique nouvelle, ¿un caso de protoespectralismo en el nacionalismo español?”. Anuario Musical 77 (2022): 149-167. https://doi.org/10.3989/anuariomusical.2022.77.07.; Gutton, Jean-Pierre. Bruits et sons dans notre histoire: essais sur la reconstitution du paysage sonore. Paris: Presses Universitaires de France, 2000.; Hartmann, William M. Principles of Musical Acoustics. New York: Springer, 2013.; Harvey, Jonathan. “Spectralism.” Contemporary Music Review 19, no. 3 (2000): 11-14. https://doi.org/10.1080/07494460000640331.; Heatlicote, Abigail. “Liberating sounds: philosophical perspectives on the music and writings of Helmut Lachenmann”. Tesis doctoral. Durham University, 2003. http://etheses.dur.ac.uk/4059/.; Helmholtz, Helmut von. On the sensations of tone as a physiological basis for the theory of music. London: Longmans, Green and Co., 1895.; Hiebert, Erwin. The Helmholtz Legacy in Physiological Acoustics. Cham: Springer International Publishing (Archimedes), 2014. https://doi.org/10.1007/978-3-319-06602-8.; Hübner, Aemilius. Inscriptiones Hispaniae Christianae. Berelini: G. Reimerum, 1871.; Ivorra, Salvador, Benjamín Torres y Alfonso C. Cárcel. “Analysis of the failure and remedial measures taken after the collapse of a historical bell.” Engineering Failure Analysis 133 (2022): 105950. https://doi.org/10.1016/j.engfailanal.2021.105950.; Jordan, Pamela. “Sound Experience in Archaeology and Field Investigations: An Approach to Mapping Past Activities through Sound at Mount Lykaion’s Sanctuary of Zeus”. Kleos. Amsterdam Bulletin of Ancient Studies and Archaeology 3 (2020): 9-30.; “La Campana Laurentina”. Cosinas de Leon, 2022. Consultado el 30 de mayo de 2023. http://cosinasdeleon.com/la-campana-laurentina/.; Lieberman, Philip y Sheila Blumstein. Speech physiology, speech perception, and acoustic phonetics. Cambridge: Cambridge University Press, 1988.; Llop i Bayo, Francesc. “Campana de basílica visigoda”. Campaners, 1997. Consultado el 30 de mayo de 2023. http://campaners.com/php/campanes1.php?numer=394.; Louzao Villar, Joseba. “El sonido de las campanas: una aproximación al paisaje sonoro católico en la España contemporánea”. Huarte de San Juan. Geografía e Historia 25 (2018): 149-171.; Marcos Villán, Miguel Ángel y Fernando Miguel Hernández. “Arqueología del horno de fundición de campanas del convento de San Francisco Extrapontem de Zamora”. En Las campanas: cultura de un sonido milenario: actas del I Congreso Nacional, editado por Francisco José Guerrero Caron y Eloy Gómez Pellón, 439-456. Santander: Fundación Marcelino Botín, 1997.; Martínez Tejera, Artemio M. “La arquitectura cristiana del siglo X en el Reino de León (910-1037): de “Mozárabe” a “Arquitectura de fusión””. Antigüedad y Cristianismo: Monografías históricas sobre la Antigüedad tardía 28 (2011): 163-229.; Matías Díez Alonso, “Las Campanas de León”, Tierras de León (León, Diputación Provincial de León, 1989), 18-31.; Murray Schafer, Raymond. The new soundscape. A Handbook for the Modern Music Teacher. Toronto: Berandol Music Limited, 1969.; Murray Schafer, Raymond. The soundscape: our sonic environment and the tunning of the world. Rochester: Destiny Books, 1977.; Navarro de la Coba, María Dolores. “Instrumentos musicales encontrados en excavaciones arqueológicas pertenecientes a los siglos IX-XV en el territorio andaluz”. Tesis doctoral. Universidad de Granada, 2020. http://hdl.handle.net/10481/62888.; Neri, Elisabetta. De campanis fundendis. Milano: Vita e Pensiero, 2006.; Pancer, Nira. “Le silencement du monde: Paysages sonores au haut Moyen Âge et nouvelle culture aurale”. Annales. Histoire, Sciences Sociales 72, no. 3 (2017): 659-699. https://doi.org/10.1017/S0395264918000033.; Pérez Marinas, Iván. Sansón de Córdoba: vida y pensamiento. Madrid: La Ergástula, 2012.; Perrin, Robert. “A group theoretical approach to warble in ornamented bells”. Journal of Sound and Vibration 52 (1977): 307-313.; Perrin, Robert y T. Charnley. “Group theory and the bell”. Journal of Sound and Vibration 31, no. 4 (1973): 411-418.; Perrin, Robert y T. Charnley. “On the RIR modes of the modern English church bell.” Journal of Sound and Vibration 119, no. 2 (1987): 243-247. https://doi.org/10.1016/0022-460X(87)90452-4.; Perrin, Robert, T. Charnley y J. DePont. “Normal modes of the modern English church bell.” Journal of Sound and Vibration 90, no. 1 (1983): 29-49. https://doi.org/10.1016/0022-460X(83)90401-7.; Piazza, Simone. “La campana di Canino al Museo Pio Cristiano. Cronologia, modalità técnico-esecutive, provenienza, attribuzioni.” Studi romani 53, no. 3-4 (2004): 426-.437.; Plomp, R. y W. J. M. Levelt. “Tonal Consonance and Critical Bandwidth”. The Journal of the Acoustical Society of America 38, no. 4 (1965): 548-560. https://doi.org/10.1121/1.1909741.; “Recomendación BS.775-4 (12/2022). Multichannel stereophonic sound system with and without accompanying picture”. Unión Internacional de Telecomunicaciones, 2022. Consultado el 30 de mayo de 2023. https://www.itu.int/rec/R-REC-BS.775/es.; Rodríguez, Gerardo, Éric Palazzo y Gisela Coronado Schwindt. Paisajes Sonoros Medievales. Mar del Plata: Universidad Nacional de Mar del Plata, 2019.; Rohault de Fleury, Charles. La messe. Études archéologiques sur ses monuments. Vol. VI. Paris: Librairie des Imprimeries Réunies, 1988.; De Rossi, Giovanni Battista. “Campana con epígrafe dedicatoria del secolo incirca ottavo o nono trovata presso Canino”. Bulletino di Archeologia Cristiana 4, no. 5 (1887): 82-89.; Rossing, Thomas. D. (ed.). Springer Handbook of Acoustics. New York: Springer, 2007.; Salom, Iva M.; Miomir M. Mijić; Jelena D. Ćertić; Dragana S. Šumarac Pavlović y Boris D. Despot. “Subjective evaluation and an objective measure of a church bell sound quality”. Applied Acoustics 85 (2014): 97-105. http://dx.doi.org/10.1016/j.apacoust.2014.04.012.; Schneider, Albrecht y Marc Leman. “Sound, Pitches and Tuning of a Historic Carrillon”. En Studies in Musical Acoustics and Psychoacoustics, editado por Albrecht Schneider, 247-298. New York: Springer, 2017.; Sethares, William A. Tuning, Timbre, Spectrum, Scale. London: Springer-Verlag, 2005.; Shen, Sinyan. “Acoustics of Ancient Chinese Bells”. Scientific American 256, no. 4 (1987): 104-111.; Simonet, Francisco Javier. Historia de los mozárabes de España. Madrid: Real Academia de la Historia, 1903.; Skeates, Robin y Jo Day. The Routledge Handbook of Sensory Archaeology. London: Routledge, 2019.; Southworth, Michael Frank. “The sonic environment of cities”. Trabajo de Master. Massachusetts Institute of Technology, 1967.; Di Stefano, N. y Spence, C. (2022). "Roughness perception: A multisensory/crossmodal perspective". Attention, Perception, & Psychophysics, 84(7), pp. 2087-2114. https://doi.org/10.3758/s13414-022-02550-y.; Di Stefano, Nicola; Peter Vuust y Elvira Brattico. “Consonance and dissonance perception. A critical review of the historical sources, multidisciplinary findings, and main hypotheses”. Physics of Life Reviews 43 (2022): 273-304. https://doi.org/10.1016/j.plrev.2022.10.004.; Sterne, Jonathan. The Sound Studies Reader. Abingdon-on-Thames: Routledge, 2012.; Truax, Barry. Acoustic Communication. Burnaby: Simon Fraser University, 1984.; Valiere, Jean-Christophe, Estèle Dupuy y Bénédicte Bertholon. “From methodology to archeoacoustics in the time of scripture: Complex dialogue between archaeological evidence, texts from scholars and written mentions”. En Proceedings of the International Congress on Acoustics, 288-294.; Vásquez González, María de los Remedios. “La música de Llorenç Barber. El minimalismo de la premodernidad a la posmodernidad”. Tesis doctoral. Universidad de Oviedo, 2015. http://hdl.handle.net/10651/33790.; Vera Reina, Manuel. “La iglesia visigoda de Morón de la Frontera (Sevilla)”. SPAL 8 (1999): 217-239. http://dx.doi.org/10.12795/spal.1999.i8.12.; Visscher, William M.; Albert Migliori; Thomas M. Bell y Robert A. Reinert. “On the normal modes of free vibration of inhomogeneous and anisotropic elastic objects”. The Journal of the Acoustical Society of America 90, no. 4 (1991): 2154-2162. https://doi.org/10.1121/1.401643.; Zahorik, Pavel. "Spatial Hearing in Rooms and Effects of Reverberation". En Binaural Hearing, editado por Ruth Y. Litovsky; Matthew J. Goupell; Richard R. Fay y Arthur N. Popper, 243-280. Cham: Springer Nature Switzerland AG, 2021. https://doi.org/10.1007/978-3-030-57100-9_9.; https://revistas.ucm.es/index.php/DMAE/article/view/89160

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    المساهمون: UAM. Departamento de Biología

    وصف الملف: application/pdf

    Relation: Water Research; https://doi.org/10.1016/j.watres.2024.122553; Gobierno de España. PCI2021-121915; Comunidad de Madrid. Y2020/TCS-6420/IA-GES-BLOOM-CM; Gobierno de España. TED2021-130123B-100; Gobierno de España. PID2021-127648OB-C33; Water Research 267 (2024): 122553; http://hdl.handle.net/10486/715628; 267

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    المساهمون: UAM. Departamento de Biología

    وصف الملف: application/msword; application/pdf

    Relation: Scientific Reports; https://doi.org/10.1038/s41598-024-60499-4; Comunidad de Madrid. SI3/PJI/2021-00461; info:eu-repo/grantAgreement/EC/49/067123.9/20; Scientifics Reports 14.1 (2024): 9731; http://hdl.handle.net/10486/713229; 10

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    المؤلفون: Gómez, Samuel F. D. J.1 (AUTHOR), Boutilier, Michael S. H.1 (AUTHOR) michael.boutilier@uwo.ca

    المصدر: Physics of Fluids. Dec2024, Vol. 36 Issue 12, p1-15. 15p.

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