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1Dissertation/ Thesis
المؤلفون: Tsibets, Ilya
المساهمون: Uniwersytet Łódzki, Wydział Filologiczny, Instytut Kultury Współczesnej, Katedra Filmu i Mediów Audiowizualnych, ilya.tsibets@edu.uni.lodz.pl
مصطلحات موضوعية: narracja filmowa, kino litewskie, kino łotewskie, kino estońskie, tożsamość narodowa, instytucje filmowe, narracja tożsamościowa, film narrative, Lithuanian cinema, Latvian cinema, Estonian cinema, national identity, film institutions, identity narratives
وصف الملف: application/pdf
Relation: http://hdl.handle.net/11089/53787
الاتاحة: http://hdl.handle.net/11089/53787
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2Academic Journal
المؤلفون: Seth Graham
المصدر: Área Abierta, Vol 19, Iss 3 (2019)
مصطلحات موضوعية: epistolary film, Russian cinema, Ukrainian cinema, Estonian cinema, Soviet cinema, Communication. Mass media, P87-96
وصف الملف: electronic resource
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3Academic Journal
المؤلفون: Graham, Seth
المصدر: Área Abierta. Revista de comunicación audiovisual y publicitaria; Vol. 19 No. 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 383-399 ; Área Abierta. Revista de comunicación audiovisual y publicitaria; Vol. 19 Núm. 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 383-399 ; 1578-8393 ; 2530-7592
مصطلحات موضوعية: epistolary film, Russian cinema, Ukrainian cinema, Estonian cinema, Soviet cinema, cine epistolar, cine ruso, cine ucraniano, cine estonio, cine soviético, cinéma épistolaire, cinéma russe, cinéma ukrainien, cinéma estonien, cinéma soviétique
وصف الملف: application/pdf
Relation: https://revistas.ucm.es/index.php/ARAB/article/view/65501/4564456552501; Altman, Janet Gurkin. (1982). Epistolarity: Approaches to a Form. Columbus: Ohio State University Press. Donovan, Victoria. (2019). “Denis Shabaev: Mira (2018).” Kinokultura, 63. Retrieved from http://www.kinokultura.com/2019/63r-mira.shtml Fitzpatrick, Sheila. (2005). Tear Off the Masks!: Identity and Imposture in Twentieth-Century Russia. Princeton: Princeton University Press. Gogol, Nikolai. (2003). “The Diary of a Madman.” The Collected Tales of Nikolai Gogol. London: Granta, 279-300. Martin Kudláč. (2014). “Martti Helde - Director.” Cineuropa, 24 October. Retrieved from https://cineuropa.org/en/interview/265169/. Kafka, Franz. (1954). Letters to Milena. London: Secker and Warburg. Kauffman, Linda S. (1986). Discourse of Desire: Gender, Genre, and Epistolary Fiction. Ithaca, NY: Cornell University Press. Kurbskii, Andrei Mikhailovich. (1955). The Correspondence between Prince A. M. Kurbsky and Tsar Ivan IV of Russia, 1564-1579. Cambridge: Cambridge University Press. Lipovetsky, Mark. (2011). Charms of the Cynical Reason: The Trickster's Transformations in Soviet and Post-Soviet Culture. Boston, MA: Academic Studies Press. Naficy, Hamid. (2001). An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton: Princeton University Press. Sloterdijk, Peter. (1987). Critique of Cynical Reason. Minneapolis: University of Minnesota Press. Surovtseva, E.V. (2010). Zhanre “pis’ma vozhdiu” v sovetskuiu epokhu (1950-e – 1980-e gg.). Moscow: Airo-XXI. Todd, William Mills III (1976). The Familiar Letter as a Literary Genre in the Age of Pushkin. Evanston, IL: Northwestern University Press. Walsh, Susie. (2005). “Friendly Fire: Epistolary Voice-Over in Terrence Malick's The Thin Red Line.” Literature/Film Quarterly 33(4), 306-312. Zvonkine, Eugénie. (2011). “Pavel Bardin: Gop-stop (2010).” Kinokultura, 33. Retrieved from http://www.kinokultura.com/2011/33r-gopstop.shtml; https://revistas.ucm.es/index.php/ARAB/article/view/65501
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4Academic Journal
المؤلفون: Graham, S
المصدر: Área Abierta , 19 (3) pp. 383-399. (2019)
مصطلحات موضوعية: epistolary film, Russian cinema, Ukrainian cinema, Estonian cinema, Soviet cinema
وصف الملف: text
Relation: https://discovery.ucl.ac.uk/id/eprint/10089896/3/document.pdf; https://discovery.ucl.ac.uk/id/eprint/10089896/
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5
المؤلفون: Kristensen, Lars, Burman, Christo
المصدر: Studies in Eastern European Cinema. 8(1):62-77
مصطلحات موضوعية: Bicycle race, nationality, Estonian cinema, sports film, sport journalism, Humaniora-samhällsvetenskap, Humanities and Social sciences, Media, Technology and Culture (MTEC)
وصف الملف: print
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6
المؤلفون: Seth Graham
المصدر: Área Abierta; Vol. 19 Núm. 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 383-399
Área Abierta; Vol. 19 No. 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 383-399
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Área Abierta; Vol 19 No 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 383-399مصطلحات موضوعية: cine estonio, cinéma épistolaire, business.industry, media_common.quotation_subject, Ukrainian cinema, cine ucraniano, cine soviético, General Medicine, Art, cinéma estonien, cine epistolar, cinéma soviétique, Russian cinema, Soviet cinema, Power (social and political), Movie theater, cinéma ukrainien, Estonian cinema, business, cine ruso, Humanities, epistolary film, media_common, cinéma russe
وصف الملف: application/pdf
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7Dissertation/ Thesis
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8Academic Journal
المؤلفون: Näripea, Eva
مصطلحات موضوعية: Estonian cinema, Representations of space, Representations of history, National identities, Estijos kinas, Erdvės vaizdavimas, Istorijos vaizdavimas, Tautiniai tapatumai, 3 Socialiniai mokslai / Social sciences
وصف الملف: application/pdf
Relation: Regioninės studijos. 2010, [No.] 5, Baltic region: past and new challenges, p. 89-107; https://eltalpykla.vdu.lt/1/32376; https://hdl.handle.net/20.500.12259/32376
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9
المؤلفون: Baltušnikienė, Tatjana
المصدر: Krantai 2010, Nr. 3, p. 56-62.
مصطلحات موضوعية: Estų menas, Rein Aren, Estonian culture in the ninth decade of the 20th century, Sulev Liuk, Estonian art, Mati Untas, Literatūra / Literature, Olev Neuland, Olevas Neulandas, Teatras. Scenografija / Theater. Scenography, Lietuva (Lithuania), Estonian cinema, Kinas. Filmai / Cinema. Movies, Estonian theater, XX century 9 decade, Mati Unt, Estija (Estonia)
وصف الملف: application/pdf
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10Electronic Resource
Additional Titles: History, Power, and Incomplete Epistolarity in Post-Soviet Cinema
Histoire, pouvoir et épistolarité incomplète dans le cinéma post-soviétiqueالمؤلفون: Graham, Seth
المصدر: Área Abierta; Vol. 19 No. 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 383-399; Área Abierta; Vol. 19 Núm. 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 383-399; 1578-8393
مصطلحات الفهرس: epistolary film, Russian cinema, Ukrainian cinema, Estonian cinema, Soviet cinema, cine epistolar, cine ruso, cine ucraniano, cine estonio, cine soviético, cinéma épistolaire, cinéma russe, cinéma ukrainien, cinéma estonien, cinéma soviétique, info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion
URL:
https://revistas.ucm.es/index.php/ARAB/article/view/65501 https://revistas.ucm.es/index.php/ARAB/article/view/65501/4564456552501 https://revistas.ucm.es/index.php/ARAB/article/view/65501/4564456552501
*ref*/Altman, Janet Gurkin. (1982). Epistolarity: Approaches to a Form. Columbus: Ohio State University Press. Donovan, Victoria. (2019). “Denis Shabaev: Mira (2018).” Kinokultura, 63. Retrieved from http://www.kinokultura.com/2019/63r-mira.shtml Fitzpatrick, Sheila. (2005). Tear Off the Masks!: Identity and Imposture in Twentieth-Century Russia. Princeton: Princeton University Press. Gogol, Nikolai. (2003). “The Diary of a Madman.” The Collected Tales of Nikolai Gogol. London: Granta, 279-300. Martin Kudláč. (2014). “Martti Helde - Director.” Cineuropa, 24 October. Retrieved from https://cineuropa.org/en/interview/265169/. Kafka, Franz. (1954). Letters to Milena. London: Secker and Warburg. Kauffman, Linda S. (1986). Discourse of Desire: Gender, Genre, and Epistolary Fiction. Ithaca, NY: Cornell University Press. Kurbskii, Andrei Mikhailovich. (1955). The Correspondence between Prince A. M. Kurbsky and Tsar Ivan IV of Russia, 1564-1579. Cambridge: Cambridge University Press. Lipovetsky, Mark. (2011). Charms of the Cynical Reason: The Trickster's Transformations in Soviet and Post-Soviet Culture. Boston, MA: Academic Studies Press. Naficy, Hamid. (2001). An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton: Princeton University Press. Sloterdijk, Peter. (1987). Critique of Cynical Reason. Minneapolis: University of Minnesota Press. Surovtseva, E.V. (2010). Zhanre “pis’ma vozhdiu” v sovetskuiu epokhu (1950-e – 1980-e gg.). Moscow: Airo-XXI. Todd, William Mills III (1976). The Familiar Letter as a Literary Genre in the Age of Pushkin. Evanston, IL: Northwestern University Press. Walsh, Susie. (2005). “Friendly Fire: Epistolary Voice-Over in Terrence Malick's The Thin Red Line.” Literature/Film Quarterly 33(4), 306-312. Zvonkine, Eugénie. (2011). “Pavel Bardin: Gop-stop (2010).” Kinokultura, 33. Retrieved from http://www.kinokultura.com/2011/33r-gopstop.shtml
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