يعرض 1 - 20 نتائج من 232 نتيجة بحث عن '"Cremades Andreu, Roberto"', وقت الاستعلام: 0.57s تنقيح النتائج
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    المساهمون: Jover Olmeda, Gonzalo, Cremades Andreu, Roberto, Egido Gálvez, María Inmaculada, Facultad de Educación, Universidad Complutense de Madrid

    وصف الملف: application/pdf

    Relation: Barroso, C., Beunza, S., Hortal, V., Mazcuñán, F., Nicolás, R., Velasco, P. (2024). Libro de actas. Seminario Permanente de Doctorado. Sexta edición, curso 2023-2024. Madrid: Facultad de Educación UCM.; https://hdl.handle.net/20.500.14352/108775

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    Academic Journal

    المؤلفون: Cremades-Andreu, Roberto

    Relation: vol. 82, nº 287; Cremades-Andreu, R. (2024). Presentación: Nuevos enfoques en la investigación en educación musical [Introduction: New focuses in research in music education]. Revista Española de Pedagogía, 82(287), 19-21.https://doi.org/10.22550/2174-0909.3924; https://reunir.unir.net/handle/123456789/16143; https://doi.org/10.22550/2174-0909.3924

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    Time: 378

    وصف الملف: application/pdf

    Relation: Álvarez, M., Barroso, C., Mazcuñán, F., Moreno, D., Oviedo, A., & Nicolás, R. (2023). Libro de actas. Seminario Permanente de Doctorado. Quinta edición, curso 2022-2023. Madrid: Facultad de Educación UCM.; https://www.youtube.com/watch?v=FsrBgU7bpZo; https://www.youtube.com/watch?v=gtexp7edG-Y; https://www.youtube.com/watch?v=g33JvrX1QlM; https://www.youtube.com/watch?v=w3Vy9UVVPC0; https://www.youtube.com/watch?v=cy7qbPfSDMc; https://www.youtube.com/watch?v=xFYdSSGkUhg; https://www.ucm.es/doctorado/docedu; https://hdl.handle.net/20.500.14352/88507

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    Time: 78

    وصف الملف: application/pdf

    Relation: info:eu-repo/grantAgreement/AEI/Plan Estatal de Investigación Científica y Técnica y de Innovación 2017-2020/RTI2018-096532-A-I00/ES/INFLUENCIA DE LA MUSICA EN LA TRANSMISION DE ESTEREOTIPOS EN LA ADOLESCENCIA: IMPLICACIONES EDUCATIVAS/; Retos de Investigación' 2018 I+D+i [número de subvención RTI2018-096532-A-I00]; Cremades-Andreu, R., & Lage-Gómez, C. (2023). Different forms of students’ motivation and musical creativity in secondary school. British Journal of Music Education, 1-11. https://doi.org/10.1017/S0265051723000232; https://www.cambridge.org/core/journals/british-journal-of-music-education/article/different-forms-of-students-motivation-and-musical-creativity-in-secondary-school/C29F7AD4C8488DD7D8054F869690AB74; https://hdl.handle.net/20.500.14352/88729

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    Electronic Resource

    Additional Titles: The music that new generations listen to: preferences and stereotypes

    URL: https://hdl.handle.net/20.500.14352/103820
    info:eu-repo/grantAgreement/AEI/Plan Estatal de Investigación Científica y Técnica y de Innovación 2017-2020/RTI2018-096532-A-I00/ES/INFLUENCIA DE LA MUSICA EN LA TRANSMISION DE ESTEREOTIPOS EN LA ADOLESCENCIA: IMPLICACIONES EDUCATIVAS
    Cremades-Andreu, R., Lage-Gómez, C., Campollo-Urkiza, A., y Hargreaves, D. (2024). La música que escuchan las nuevas generaciones: preferencias y estereotipos [The music that new generations listen to: preferences and stereotypes]. Revista Española de Pedagogía, 82(287), 23-36. https://www.revistadepedagogia.org/rep/vol82/iss287/31

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    Academic Journal

    المصدر: Electronic Journal of Music in Education; Núm. 49 (2022): REVISTA ELECTRÓNICA DE LEEME; 50-66 ; Revista Electrónica de LEEME; Núm. 49 (2022): REVISTA ELECTRÓNICA DE LEEME; 50-66 ; 1575-9563

    وصف الملف: application/pdf

    Relation: https://ojs.uv.es/index.php/LEEME/article/view/24080/20822; Amabile, T.M. (1996). Creativity in context: Update to the social psychology of creativity . Westfield Press. Berkley, R. (2004). Teaching composing as creative problem solving: Conceptualising composing pedagogy. British Journal of Music Education , 21 (3), 239-263. https://doi.org/10.1017/S026505170400587X Bolden, B. (2009). Teaching composing in secondary school: a case study analysis. British Journal of Music Education , 26 (2), 137-152. https://doi.org/10.1017/S0265051709008407 Burnard, P. (2007). Prelude: Provocations in creativity research. En L. Bresler (Ed.), International Handbook of Research in Arts education (pp.1175-1179). Springer. Burnard, P. (2012). Musical Creativities in Practice . Oxford University Press. Burnard, P. y Younker, B.A. (2004). Problem-solving and creativity: Insights from students’ individual composing pathways. International Journal of Music Education , 22 (1), 59-76. https://doi.org/10.1177%2F0255761404042375 Burnard, P. y Dragovic, T. (2015). Collaborative creativity in instrumental group learning as a site for enhancing pupil wellbeing. Cambridge Journal of Education , 4 (3), 371-392. https://doi.org/10.1080/0305764X.2014.934204 Chen, J.C.W. (2020). Mobile composing: Professional practices and impact on students’ motivation in popular music. International Journal of Music Education , 38 (1), 147-158. https://doi.org/10.1177/0255761419855820 Chion, M. (1993). La audiovisión. Introducción a un análisis conjunto de la imagen y el sonido . Paidós. Cohen, A.J. (2000). Film music. Perspectives from Cognitive Psychology. En J. Bhuler, C. Flinn y D. Newmeyer (Eds.), Music and Cinema (pp.360-377). University Press of New England. Cohen, A.J. (2010). Music as a source of emotion in film. En P.N. Juslin y J.N. Sloboda (Eds.), Handbook of music and emotion Theory, Research, Apliccations (pp.249-272). Oxford University Press. Cook, N. (1998). Analysing musical multimedia . Clarendon Press. Cremades, R., Lorenzo, O. y Turcu, I. R. (2015). Raï music as a generator of cultural identity among young magrebies. International Review of the Aesthetics and Sociology of Music , 46 (1), 175-184. Cross, I., Laurence, F. y Rabinowitch, T.C., (2012). Empathy and Creativity in Group Musical Practices: Towards a Concept of Emphatic Creativity. En G. Welch y G. McPherson (Eds.), The Oxford Handbook of music education (pp.337-353). Oxford University Press. Devaney, K. (2019). ‘Waiting for the wow factor’: Perspectives on computer technology in classroom composing. Journal of Music, Technology and Education , 12 (2), 121-139. https://doi.org/10.1386/jmte_00002_1 DeNora, T. (2000). Music in everyday life . Cambridge University Press. Fautley, M. (2005). A New Model of the Group Composing Process of Lower Secondary School Students. Music Education Research , 7(1), 39-57. https://doi.org/10.1080/14613800500042109 Fautley, M. y Savage, J. (2011). Cross-curricular teaching and learning in the secondary school The arts Drama, Visual Art and Design . Routledge. Fowler, A. (2014). Composing and performing in the key stage 3 classroom: A study using multi-trait, multi-method analysis. British Journal of Music Education , 31 (1), 5-18. https://doi.org/10.1017/S0265051713000247 Glăveanu, V.P y Beghetto, R.A. (2020). Creative Experience: A Non-Standard Definition of Creativity. Creativity Research Journal , 33 (2), 75-80. https://doi.org/10.1080/10400419.2020.1827606 González, J.M. (2015). Fundamentos de la semiótica de la música. En J.M. Pozuelo et al. (Eds.), De Re Poética. Homenaje al profesor D. Manuel Martínez Arnaldos (pp.383-401). Universidad de Murcia. Hernández-Torrano, D. y Ibrayeva, L. (2020). Creativity and education: A bibliometric mapping of the research literature (1975–2019). Thinking Skills and Creativity , 35 , 100625. https://doi.org/https://doi.org/10.1016/j.tsc.2019.100625 Hopkins, M.T. (2015). Collaborative composing in high school string chamber music ensembles. Journal of Research in Music Education , 62 (4), 405-424. https://doi.org/10.1177/0022429414555135 Irwin, R.L. y Cosson, A. (Eds.) (2007). A/r/tography: Rendering self through arts-based living inquirí . Pacific Educational Press. Kemmis, S. (2010). Research for praxis: knowing doing. Pedagogy, Culture & Society , 18 (1), 9-27. https://doi.org/10.1080/14681360903556756 Kokotsaki, D. y Newton, D.P. (2015). Recognizing creativity in the music classroom. International Journal of Music Education , 33 (4), 491-508. https://doi.org/10.1177/0255761415607081 Lage-Gómez, C. y Cremades-Andreu, R. (2021). Group Identity in a Secondary School Classroom Constructed through Musical Creation. Croatian Journal of Education , 23 (1), 35-61. https://doi.org/10.15516/cje.v23i1.3824 Lage-Gómez, C. y Cremades-Andreu, R. (2020). Theorising ‘Participatory Creativity’ in Music Education: Unpacking the Whole Process at a Spanish secondary school. Music Education Research , 22 (1), 54-67. https://doi.org/10.1080/14613808.2019.1703922 Lage-Gómez, C. y Cremades-Andreu, R. (2019). Group improvisation as dialogue: Opening creative spaces in secondary music education. Thinking Skills and Creativity , 31 , 232-242. https://doi.org/10.1016/j.tsc.2018.12.007 Lapidaki, E., Rokus de Groot, R. y Stagkos, P. (2012). Comunal creativity as sociomusical practice. En G. Welch y G. McPherson (Eds.), The Oxford Handbook of music education (pp.371-378). Oxford University Press. Malbran, S. (2010). El modelo cross-modal aplicado a las artes temporales. En M.E. Riaño y M. Díaz (Eds.), Voz, Cuerpo y acción. Un espacio para la música (pp.75-82). Publican ediciones. Menard, E.A. (2015). Music Composition in the High School Curriculum: A Multiple Case Study. Journal of Research in Music Education , 63 (1), 114-136. https://doi.org/10.1177/0022429415574310 Miell, D. y Littleton, K. (Eds.) (2004). Collaborative Creativity: Contemporary Perspectives . Free Association Books. Montoya, J.C. (2016). Clásicos populares gracias al cine: la banda sonora como agente generador de significados musicales.En S. Andrés (Ed.), Clásicos populares gracias al cine: la banda sonora como agente generador de significados musicales (pp.321-334). Ediciones Universidad de Salamanca. Murillo, A., Riaño, M.E., y Berbel, N. (2019). The classroom as a sounding board for sonorous creation: New architectures and technological tools to bring the art of sound to education. Revista Electrónica de LEEME , 43 , 1-18. https://doi.org/10.7203/LEEME.43.14007 Riaño, M.E., Murillo, A. y Tejada, J. (2022). Music education, creativity and technology: An exploratory study on teaching strategies and creative activities with ex novo software. Revista Electronica Educare , 26 (1), 1-23. https://doi.org/10.15359/ree.26-1.3 Ruthmann, A. (2008). Whose agency matters? Negotiating pedagogical and creative intent during composing experiences. Research Studies in Music Education , 30 (1), 43-58. https://doi.org/10.1177%2F1321103X08089889 Savage, J. y Fautley, M. (2011). The organisation and assessment of composing at Key Stage 4 in English secondary schools. British Journal of Music Education , 28 (2), 135-157. https://doi.org/10.1017/S0265051711000040 Sawyer, R.K. y DeZutter, S. (2009). Distributed creativity: How collective creations emerge from collaboration. Psychology of Aesthetics, Creativity, and the Arts , 3 (2), 81-92. http://dx.doi.org/10.1037/a0013282 Saether, E., Mbye, A. y Shayesteh, R. (2012). Intercultural Tensions and Creativity in Music. En G. Welch y G. McPherson (Eds.), The Oxford Handbook of music education (pp.354-370). Oxford University Press. Seddon, F.A. (2012): Empathetic creativity in music making. En O. Odena (Ed.), Musical creativity: insights from music education (pp.133-147). Ashgate. Spence, C. (2007). Audiovisual multisensory integration, Acoustical Science and Technology , 28 (2), 61-70. https://doi.org/10.1250/ast.28.61 Tan, S. y Kelly, M. (2004). Graphic representations of short musical compositions. Psychology of Music , 32 (2), 191-212. https://doi.org/10.1177%2F0305735604041494 Tobias, E.S. (2013). Composing, songwriting, and producing: Informing popular music pedagogy. Research Studies in Music Education , 35 (2), 213-237. https://doi.org/10.1177/1321103X13487466 Veach, L.J. y Gladding, S.T. (2007). Using Creative Group Techniques in High Schools. The Journal for Specialists in Group Work , 32 (1), 71-81. https://doi.org/10.1080/01933920600978570 Wenger, E. (2002). Comunidades de práctica . Ediciones Paidós Ibérica.; https://ojs.uv.es/index.php/LEEME/article/view/24080

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    المصدر: Praxis & Saber; Vol. 13 No. 32 (2022): Challenges and opportunities for research in Music Education; e13058 ; Praxis & Saber; Vol. 13 Núm. 32 (2022): Retos y oportunidades de la investigación en Educación Musical; e13058 ; Praxis & Saber; Vol. 13 No 32 (2022): Retos y oportunidades de la investigación en Educación Musical; e13058 ; Praxis & Saber; V. 13 N. 32 (2022): Retos y oportunidades de la investigación en Educación Musical; e13058 ; Praxis & Saber; v. 13 n. 32 (2022): Desafios e oportunidades para a investigação em Educação Musical; e13058 ; 2216-0159

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    المصدر: Praxis & Saber; Vol. 13 No. 32 (2022): Challenges and opportunities for research in Music Education; e14286 ; Praxis & Saber; Vol. 13 Núm. 32 (2022): Retos y oportunidades de la investigación en Educación Musical; e14286 ; Praxis & Saber; Vol. 13 No 32 (2022): Retos y oportunidades de la investigación en Educación Musical; e14286 ; Praxis & Saber; V. 13 N. 32 (2022): Retos y oportunidades de la investigación en Educación Musical; e14286 ; Praxis & Saber; v. 13 n. 32 (2022): Desafios e oportunidades para a investigação em Educação Musical; e14286 ; 2462-8603 ; 2216-0159

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