المؤلفون: Soler Ruda, Albert

Thesis Advisors: Veiga, Francisco, 1958-

المصدر: TDX (Tesis Doctorals en Xarxa)

مصطلحات موضوعية: Guerra freda, Guerra fría, Cold war, Contracultura, Countercultures, Veterans, Veteranos, Ciències Socials

وصف الملف: application/pdf

URL الوصول: http://hdl.handle.net/10803/674885

المؤلفون: Alegría-Varona, Gonzalo Ricardo, Benites-Alejandría, Carlos Enrique

المصدر: Universitas; No. 41: (September 2024-February 2025). New challenges in the communication of fashion brands. A vision from journalism, advertising and consumer sociology.; 101-125 ; Universitas; Núm. 41: (septiembre 2024-febrero 2025). Nuevos desafíos en la comunicación de las marcas de Moda. Una visión desde el periodismo, la publicidad y la sociología del consumo; 101-125 ; 1390-8634 ; 1390-3837 ; 10.17163/uni.n41

مصطلحات موضوعية: Marketing, fashion, communication, advertising, consumption, journalism, digitization, countercultures, moda, comunicación, publicidad, consumo, periodismo, digitalización, contracultura

وصف الملف: application/pdf; application/zip

Relation: https://revistas.ups.edu.ec/index.php/universitas/article/view/9005/8588; https://revistas.ups.edu.ec/index.php/universitas/article/view/9005/8617; https://revistas.ups.edu.ec/index.php/universitas/article/view/9005/8629; https://revistas.ups.edu.ec/index.php/universitas/article/view/9005/8630; https://revistas.ups.edu.ec/index.php/universitas/article/view/9005

الاتاحة: https://revistas.ups.edu.ec/index.php/universitas/article/view/9005
https://doi.org/10.17163/uni.n41.2024.04

المؤلفون: Medina López-Rey, Diego

المصدر: Estudios LGBTIQ+, Comunicación y Cultura; Vol. 4 No. 1 (2024): Dossier temático: El cine de Pedro Almodóvar. Nuevas perspectivas desde los estudios LGBTIQ+; 107-119 ; Estudios LGBTIQ+, Comunicación y Cultura; Vol. 4 Núm. 1 (2024): Dossier temático: El cine de Pedro Almodóvar. Nuevas perspectivas desde los estudios LGBTIQ+; 107-119 ; 2792-3622

مصطلحات موضوعية: cine, sexualidad, monstruosidad, contracultura, ética, cinema, sexuality, monstrosity, countercultures, ethics

وصف الملف: application/pdf

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Seminário Internacional Fazendo Gênero, 10, 63. https://bit.ly/3TTybKO Chicolino, M. (2023). Sexo-política y Ecosofía en Félix Guattari. La producción de subjetivación y de deseo masculino como problema de ecología mental y social. Reflexiones Marginales, 73. https://bit.ly/3JlGeLj Chris, D. (2005). Outlaw masters of Japanese film. IB Tauris. Deleuze, G. (1967). Presentación de Sacher-Masoch: Lo frío y lo cruel. Amorrortu. Deleuze, G. (2003). Francis Bacon: The logic of sensation. Continuum. Deleuze, G. y Guattari, F. (2004). Mil mesetas: Capitalismo y esquizofrenia. Pre-textos. Derrida, J. (1994). Márgenes de la filosofía. Cátedra. DeStephano, M. (2014). A Queer Craving: Muscle and the Dynamics of Beauty, Homoerotic Desire, and Sadomasochism in Japanese Gay Pink Cinema. En Beauty, Violence, Representation. Routledge, 166-180. Dworkin, A. (1993). Prostitution and male supremacy. Mich. J. Gender & L., 1, 1. https://bit.ly/4cTf2B9 Fernández, J.-A. (1996). Felix guattari: Toward a queer chaosmosis. Angelaki: Journal of the Theoretical Humanities, 1(1), 99-112. https://doi.org/10.1080/09697259608571874 Fox, M. C. (2016). «Vivid and Repulsive as the Truth»: Hybridity and Sexual Difference in Djuna Barnes’s The Book of Repulsive Women. The Space Between, 12. https://bit.ly/3Q0Ja3P Furuhata, Y. (2007). Returning to actuality: Fukeiron and the landscape film. Screen, 48(3), 345-362. https://doi.org/10.1093/screen/hjm034 Furuhata, Y. (2013). Cinema of actuality: Japanese avant-garde filmmaking in the season of image politics. Duke University Press. Furuhata, Y. (2014). The Actuality of Wakamatsu: Repetition, Citation, Media Event. En Nornes, M. (ed.). The Pink Book: The Japanese Eroduction and Its Contents. Kinema Club, 149-181. Gee, F. (2014). The angura diva: Toshio Matsumoto’s dialectics of perception. Photodynamism and affect in Funeral Parade of Roses. Journal of Japanese and Korean cinema, 6(1), 55-73. https://doi.org/10.1080/17564905.2014.929409 González-González, A. (2021). « Explota, explota, me explo»: La representación de la explotación en la industria cinematográfica. Propuesta de programación cultural [Trabajo de Fin de Máster]. Universidad de Oviedo. http://hdl.handle.net/10651/60362 Grossman, A. (2002). Japanese Film. En GLBTQ: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender and Queer Culture. https://bit.ly/3UdXSqR Grossman, A. (2014). All Jargon and No Authenticity? En Nornes, M. (ed.). The Pink Book: The Japanese Eroduction and Its Contents. Kinema Club, 237-269. Guattari, F. (1996). Caosmosis. Manantial. Halberstam, J. (2020). The Queer Art of Failure. Duke University Press. https://doi.org/10.1515/9780822394358 Hamblin, S. (2015). Pink Film, Red Politics: Koji Wakamatsu’s Revolutionary Pornography. English Language Notes, 53(1), 123-139. https://doi.org/10.1215/00138282-53.1.123 Hayashi, S. (2014). Marquis de Sade Goes to Tokyo: The Gynaecological-political Allegories of Wakamatsu Koji and Adachi Masao. En Nornes, M. (ed.). The Pink Book: The Japanese Eroduction and Its Contexts. Kinema Club, 269-293. Heller-Nicholas, A. (2021). Rape-revenge films: A critical study. McFarland. Hirasawa, G. (2013). Walls of Flesh. Film Quarterly, 66(4), 41-49. https://doi.org/10.1525/fq.2013.66.4.41 Hjelm, Z. L. (2021). Mirror, Mirror: Embodying the sexed posthuman body of becoming in Sion Sono’s Antiporno (アンチポルノ, 2016) and Mika Ninagawa’s Helter Skelter (ヘルタースケルター, 2012). Linköping University. https://www.diva-portal.org/smash/record.jsf?pid=diva2:1572474 Jones, S. (2017). Sex and horror. En C. Smith, F. Attwood, B. McNair (eds.). The Routledge companion to media, sex and sexuality. Routledge, 290-299. Leigh, C. (2013). Inventing sex work. En Whores and other feminists. Routledge, 225-231. Martínez, A. (2021). Negatividad, derrumbe y estropicio en la propuesta fotográfica queer de Lariza Hatrick. Una mirada desde Julia Kristeva. Índex, revista de arte contemporáneo, 12, 195-210. https://doi.org/10.26807/cav.vi12.402 Matsuda, M. (1971). Fúkei no shimetsu. Tokyo: Tabata Shoten. McRoy, J. (2008). Nightmare Japan: Contemporary Japanese horror cinema (Vol. 4). Brill. Nakajima, S. (Director). (1971). Twisted Sex. Toei Kyoto. Negarestani, R. (2016). Ciclonopedia:(complicidad con materiales anónimos). Materia Oscura. Nornes, M. (2014). The Pink Book: The Japanese eroduction and its contexts. Kinema Club. Novielli, M. R. (2020). The body is a canvas: Transnational perspectives of desire in erotic cinema. En Centeno, M.P. y Morita, N. (eds.). Japan beyond Its Borders: Transnational Approaches to Film and Media. Seibunsha, 175-183. Ogawa, S. (2017). Producing Gayness: The 1990s “Gay Boom” in Japanese Media [PhD Thesis]. University of Kansas. http://hdl.handle.net/1808/27011 Oki, H. (Director). (1995). Ekusutashi no namida: Chiin. Kokuei Company. Oshima, N. (1993). Theory of experimental pornographic film. Cinema, Censorship, and the State: the Writings of Nagisa Oshima, 1956-1978. Retana, C. (2019). Antipedagogías queer: Subjetividades clandestinas y políticas de desprogramación del deseo. En da Silva, E., Zanini, C. y Villela, M. (eds.). Educação clandestina. EdiPUCRS, 95-113. Satô, H. (Director). (1989). Kurutta Butokai. ENK Promotion. Satô, H. (Director). (1998). Atsui toiki. ENK Promotion. Shapiro, J.M. (2015) “Film and world politics”. En Caso, F. y Hamilton, C. (eds.). Popular Culture and World Politics – Theories, Methods, Pedagogies. E-International Relations Publishing, 84. Sono, S. (Director). (2016). Anchiporuno. Django Film, Nikkatsu. Staiger, J. (2004). Finding Community in the Early 1960s. En Benshoff, H. y Griffin, S. (eds.). Queer Cinema: A Film Reader. Routledge, 171-183. Stryker, S. (2013). My words to Victor Frankenstein above the village of Chamounix: Performing transgender rage. En The transgender studies reader. Routledge, 244-256. Takechi, T. (Director). (1964). Hakujitsumu. Daisan Productions; Shochiku. Takemoto, T. (2016). Queer Art / Queer Failure. Art Journal, 75(1), 85-88. https://doi.org/10.1080/00043249.2016.1171547 Umland, R. A. y Umland, S. J. (2001). All for Love: The Myth of Romantic Passion in Japanese Cinema. Mythlore, 23(3 (89), 43-55. https://bit.ly/3vMJuMQ Wakamatsu, K. (Director) y Adachi, M. (Guionista). (1967). Okasareta hakui. Wakamatsu Productions. Wakamatsu, K. (Director) y Adachi, M. (Guionista). (1969). Kyôsô jôshi-kô. Wakamatsu Productions. Wakamatsu, K. (Director) y Adachi, M. (Guionista). (1969). Yuke yuke nidome no shojo. Wakamatsu Productions. Wakamatsu, K. (Director) y Adachi, M. (Guionista). (1970). Shinjuku Mad. Wakamatsu Productions. Wakamatsu, K. (Director) y Adachi, M. (Guionista). (1972). Tenshi no kôkotsu. Art Theatre Guild (ATG); Wakamatsu Productions. White, M. (2011). Dirty Brides and Internet Settings: The Affective Pleasures and Troubles with Trash the Dress Photography Sessions. South Atlantic Quarterly, 110(3), 645-672. https://doi.org/10.1215/00382876-1275824; https://revistas.ucm.es/index.php/ESLG/article/view/87956

الاتاحة: https://revistas.ucm.es/index.php/ESLG/article/view/87956

المؤلفون: Alonso Martínez, Daniel, Aladro Vico, Eva

المصدر: Teknokultura: Revista de Cultura Digital y Movimientos Sociales, ISSN 1549-2230, Vol. 22, Nº. 1, 2025 (Ejemplar dedicado a: Arte, diseño y cultura digital), pags. 51-61

مصطلحات موضوعية: contracultura, control de la comunicación, alfabetización informacional, tecnología, communication control, computer literacy, countercultures, technology

وصف الملف: application/pdf

Relation: https://dialnet.unirioja.es/servlet/oaiart?codigo=9911699

الاتاحة: https://dialnet.unirioja.es/servlet/oaiart?codigo=9911699

المؤلفون: Bleakley, Paul

المصدر: State Crime Journal, 2019 Jan 01. 8(1), 19-38.

URL الوصول: https://www.jstor.org/stable/10.13169/statecrime.8.1.0019

المصدر: Journal of Civil and Human Rights, 2018 Jul 01. 4(1), 1-4.

URL الوصول: https://www.jstor.org/stable/10.5406/jcivihumarigh.4.1.0001

المؤلفون: laura mucciolo

المساهمون: Mucciolo, Laura

مصطلحات موضوعية: psychedelic architecture, countercultures architecture, richard buckminster fuller, felicity scott

Relation: info:eu-repo/semantics/altIdentifier/isbn/9788846769329; volume:10; firstpage:238; lastpage:238; numberofpages:1; journal:LARGO DUOMO; https://hdl.handle.net/11573/1710377

الاتاحة: https://hdl.handle.net/11573/1710377

المؤلفون: Haydu, Jeffrey

المصدر: Social Problems, 2011 Aug . 58(3), 461-487.

URL الوصول: https://www.jstor.org/stable/10.1525/sp.2011.58.3.461

المؤلفون: Ford, Phil

المصدر: Representations, 2008 Aug . 103(1), 107-135.

URL الوصول: https://www.jstor.org/stable/10.1525/rep.2008.103.1.107

المؤلفون: Shiel, Mark

المصدر: Cinema Journal, 2007 Dec 01. 46(2), 91-116.

URL الوصول: https://www.jstor.org/stable/4137183

المؤلفون: Young, Stephanie C.

المصدر: Historical Studies in the Physical and Biological Sciences, 2007 Mar . 37(Supplement), 133-139.

URL الوصول: https://www.jstor.org/stable/10.1525/hsps.2007.37.s.133

المؤلفون: Prell, Riv-Ellen

المصدر: Jewish Social Studies, 2006 Jan 01. 12(2), 158-171.

URL الوصول: https://www.jstor.org/stable/4467741

المصدر: Journal for the Study of Radicalism, 2018 Jan 01. 12(2), 1-34.

URL الوصول: https://www.jstor.org/stable/10.14321/jstudradi.12.2.0001

المصدر: Journal for the Study of Radicalism, 2018 Jan 01. 12(2), v-viii.

URL الوصول: https://www.jstor.org/stable/10.14321/jstudradi.12.2.000v

المصدر: Modern China, 2004 Oct 01. 30(4), 431-469.

URL الوصول: https://www.jstor.org/stable/4127031

المؤلفون: Adams, Rachel

المصدر: American Literary History, 2004 Apr 01. 16(1), 58-84.

URL الوصول: https://www.jstor.org/stable/3568007

المؤلفون: Dowd, James J., Dowd, Laura A.

المصدر: Teaching Sociology, 2003 Jan 01. 31(1), 20-37.

URL الوصول: https://www.jstor.org/stable/3211422

المؤلفون: Kipnis, Andrew

المصدر: Anthropology & Education Quarterly, 2001 Dec 01. 32(4), 472-492.

URL الوصول: https://www.jstor.org/stable/3195971

المؤلفون: Weisner, Thomas S.

المصدر: Ethos, 2001 Sep 01. 29(3), 271-295.

URL الوصول: https://www.jstor.org/stable/640624

المؤلفون: Kirk, Andrew

المصدر: Environmental History, 2001 Jul 01. 6(3), 374-394.

URL الوصول: https://www.jstor.org/stable/3985660