المؤلفون: Pérez-Pamies, Daniel, Lopera-Mármol, Marta

المصدر: Comparative Cinema; Vol. 7, Núm. 13 (2019): ; 55-66
Comparative Cinema; Vol 7, No 13 (2019): Notes for a historical study of corpses as cinematographic figures; 55-66

مصطلحات موضوعية: TWIN PEAKS, CORPSE, BILLY WILDER, DAVID LYNCH, SUNSET BOULEVARD, THE RETURN, BODY, TELEVISION SERIES

وصف الملف: application/pdf

Relation: http://www.raco.cat/index.php/Comparativecinema/article/view/360963/455804

URL الوصول: http://www.raco.cat/index.php/Comparativecinema/article/view/360963

المؤلفون: Barrios, Richard, author

الاتاحة: https://doi.org/10.1093/oso/9780197636114.001.0001

المؤلفون: Hext, Kate

المساهمون: Hext, Kate

المصدر: Wilde in the Dream Factory: Decadence and the American Movies.

الاتاحة: https://doi.org/10.1093/9780191987335.003.0003

المؤلفون: Barrios, Richard, author

المصدر: On Marilyn Monroe : An Opinionated Guide, 2023.

الاتاحة: https://doi.org/10.1093/oso/9780197636114.003.0013

المؤلفون: Barrios, Richard, author

المصدر: On Marilyn Monroe : An Opinionated Guide, 2023.

الاتاحة: https://doi.org/10.1093/oso/9780197636114.003.0010

المؤلفون: Detre, Laura A.¹

المصدر: Journal of Austrian Studies. Winter2023, Vol. 56 Issue 4, p131-133. 3p.

مصطلحات موضوعية: *FILMMAKERS, *JOURNALISTS, *NONFICTION

Reviews & Products: BILLY Wilder on Assignment: Dispatches From Weimar Berlin & Interwar Vienna (Book)

People: ISENBERG, Noah

المؤلفون: do Carmo Dalbeto, Lucas

المصدر: Revista Multidisciplinar de Estudos Nerds/Geek, 4(7), 25-37, (2022-09)

مصطلحات موضوعية: Cinematography, Gender studies, cinema, Billy Wilder, Marilyn Monroe, The Seven Year Itch, Feminist Film Theory, Laura Mulvey

Relation: https://zenodo.org/communities/revistaestudosnerds; https://doi.org/10.5281/zenodo.13372697; https://doi.org/10.5281/zenodo.13372698; oai:zenodo.org:13372698; https://revistaestudosnerds.furg.br/images/v4n7/dalbeto_2022.pdf

الاتاحة: https://doi.org/10.5281/zenodo.13372698
https://revistaestudosnerds.furg.br/images/v4n7/dalbeto_2022.pdf

المؤلفون: Peña-Fernández, Simón

Thesis Advisors: Cantalapiedra González, María José, Periodismo II/Kazetaritza II

مصطلحات موضوعية: Billy Wilder, journalism, cinema, press

URL الوصول: http://hdl.handle.net/10810/11225

المؤلفون: Charles Joseph Stivale, 0000-0001-9893-6197, Daniel W Smith, Gilles Deleuze

مصطلحات موضوعية: Abel Gance, Alfred Hitchcock, Audio Recording, Billy Wilder, cineme, Deleuze Recordings, Deleuze Seminars, Duration, Erich von Stroheim, extensive movement, F.W. Murnau, Film Studies (Motion Pictures), French quantitative conception of montage, German intensive conception of montage, Gilles Deleuze, Henri Bergson, Jacques Rivette, Jean Epstein, Jean Grémillon, Marcel L'Herbier, montage, Philosophy, Pier Paolo Pasolini, Roberto Rossellini, Russian dialectic of montage, Sergei Eisenstein, The Open, the shot, the Whole

Time: 20th Century French Philosophy

وصف الملف: application/vnd.oasis.opendocument.text; text/plain; audio/mpeg; image/jpeg

Relation: https://doi.org/10.4231/R7BG2M51

الاتاحة: https://doi.org/10.4231/Z1BT-2336

المؤلفون: Cravotta, Leonora

المصدر: American Spectator. Fall2022, p64-66. 3p.

مصطلحات موضوعية: *FILMMAKERS, *NONFICTION

Reviews & Products: BILLY Wilder on Assignment: Dispatches From Weimar Berlin & Interwar Vienna (Book)

People: ISENBERG, Noah, FRISCH, Shelley, WILDER, Billy, 1906-2002

المؤلفون: Álvaro Martín Sanz

المصدر: Área Abierta, Vol 20, Iss 1 (2020)

مصطلحات موضوعية: Billy Wilder, censura, Código Hays, Some Like It Hot, Humor, Hollywood, Communication. Mass media, P87-96

وصف الملف: electronic resource

Relation: https://revistas.ucm.es/index.php/ARAB/article/view/63244; https://doaj.org/toc/1578-8393

URL الوصول: https://doaj.org/article/0c0184ff391a42f8ab45779b7be333df

المؤلفون: Peña-Fernández, Simón

المصدر: Bright Lights Film Journal, (2020-08-12)

مصطلحات موضوعية: Billy Wilder, Journalism, Silent cinema, Film Studies

Relation: https://zenodo.org/communities/gureiker; https://doi.org/10.5281/zenodo.4275550; https://doi.org/10.5281/zenodo.4275551; oai:zenodo.org:4275551

الاتاحة: https://doi.org/10.5281/zenodo.4275551

المؤلفون: Martín Sanz, Álvaro

المصدر: Área Abierta. Revista de comunicación audiovisual y publicitaria; Vol. 20 No. 1 (2020); 39-57 ; Área Abierta. Revista de comunicación audiovisual y publicitaria; Vol. 20 Núm. 1 (2020); 39-57 ; 1578-8393 ; 2530-7592

مصطلحات موضوعية: Billy Wilder, Marilyn Monroe, Hays Code, Censorship, Hollywood, Some Like It Hot, censura, Código Hays, Humor

وصف الملف: application/pdf

Relation: https://revistas.ucm.es/index.php/ARAB/article/view/63244/4564456553021; Aristóteles. (1974). Poética. Madrid: Gredos.; Aumont, Jacques, Marie, Michel (1988). L’analyse des films. París: Nathan.; Beergreen, L. (1994). Capone. The Man and The Era. Nueva York: Simon & Schuster Paperbacks.; Bevis, M. (2013). Comedy. A Very Short Introduction. Oxford: Oxford University Press.; Black, G. D. (1998). Hollywood censurado. Madrid: Cambridge University Press España.; Blaich, T. (2016). The Surprisingly Progressive Gender Politics of Some Like It Hot. Recuperado de http://deathofthecritic.com/articles_files/Surprisingly_Progressive_Gender_Politics_of_Some_Like_it_Hot.html; Butler, J. (1990). Gender Trouble. Feminism and the Subversion of Identity. Nueva York: Routledge, Chapman & Hall.; Ciampaglia, D. (2016). 13 Sizzling facts about Some Like It Hot. Mental Floss. Recuperado de http://mentalfloss.com/article/73384/13-sizzling-facts-about-some-it-hot; Connell, R. (1987). Gender and Power: Society, the Person and Sexual Politics. Stanford, California: Stanford University Press.; Couvares, Francis G. (ed.) (1996). Movie Censorship and American Culture. Washington DC: Smithsonian Institution Press.; Crowe, C. (2017). Conversaciones con Billy Wilder. Madrid: Alianza Editorial.; Doherty, T. P. (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. Nueva York: Columbia University Press.; Doherty, T. P. (2009). Hollywood’s Censor. Joseph I. Breen & The Production Code Administration. Nueva York: Columbia University Press.; Fillol, S. (2019). El pliegue y el fuera de campo. Formas de representar lo irrepresentable, moldeadas por el Código Hays en el cine clásico, L’Atalante, 28, 49-62.; García, R. (1994, 25 de marzo). “Hola Fermando, soy Dios”. El País. Recuperado de https://elpais.com/diario/1994/03/25/ultima/764550002_850215.html; Gemünden, G. (2008). A Foreign Affair. Billy Wilder’s American Films. Nueva York: Berghahn Books.; Grieveson, L. (2004). Policing Cinema. Movies and Censorship in Early-Twentieth-Century America. Berkeley: University of California Press.; Gubern, R. (2014). Historia del cine. Barcelona: Anagrama.; Hecht, B. (1954). A Child of the Century. Nueva York: Simon & Schuster.; Jacobs, C. (2013). The Hollywood Production Code. Recuperado de http://www1.und.edu/faculty/christopher-jacobs/_files/docs/hollywood-production-code.pdf; Jacobs, L. (2000). Industry self-regulation and the problema of textual determination. En M. Bernstein (ed), Controlling Hollywood. Censorship and Regulation in the Studio Era. (pp.87-101). Londres: The Athlone Press.; Janko, R. (1984). Aristotle on Comedy. Towards a Reconstruction of Poetics II. Berkeley: University of California Press.; Martínez, M.J. (1998). Some Like It Hot: the Blurring of Gender Limits in a Film of the Fifties, BELLS: Barcelona English Language and Literature Studies, 9, 143-152.; Phillips, G. (2010). Some like it Wilder. The life and controversial films of Billy Wilder. Kentucky: The University Press of Kentuky; Philips, J. (2006). Transgender on Screen. Nueva York: Palgrave Macmillan.; Prince, S. (2019). “Le recomendamos encarecidamente que reconsidere el asesinato de la niña pequeña”: violencia fílmica en la era del Código de Producción, L’Atalante, 28, 93-103.; Rodríguez-Ortega, V. (2005). Underworld. Senses of Cinema, 35. Recuperado de http://sensesofcinema.com/2005/cteq/underworld/; Saporito, J. (2016). How did Some Like It Hot challenge gender norms and censorship rules of the era?. Screen Prism. Recuperado de http://screenprism.com/insights/article/how-does-some-like-it-hot-discuss-gender-and-challenge-censorship-standards; Schmidt Noguera, M. (1997). Análisis de la realización cinematográfica. Madrid: Editorial Síntesis.; Schollmeier, P. (2016). Aristotle on Comedy, Philosophical Inquiry, Vol. 40, No. 3-4, 146-162.; Sikov, E. (1994). Laughing hysterically: American screen comedy on the 1950s. Nueva York: Columbia University Press.; Simsolo, N. (2011). Maestros del cine: Billy Wilder. Paris: Cahiers du Cinéma.; Vandaele, J. (1999). “Each time we laugh” Translated humour in screen comedy. En J. Vandaele (ed.), Translation and the (Re)location of Meaning. Selected Papers of the CETRA Research Seminar in Translation Studies (pp. 237-272). Lovaina: CETRA/ KULeuven; Vandaele, J. (2002) ‘Funny Fictions’: Francoist Translation Censorship of Two Billy Wilder Films, The Translator, 8:2, 267-302, DOI:10.1080/13556509.2002.10799135; Wilder, B., Diamond, I. A. L. (1958). Some Like It Hot. Guión original de la película. Recuperado de: http://www.public.asu.edu/~srbeatty/394/SomeLikeItHot.pdf; https://revistas.ucm.es/index.php/ARAB/article/view/63244

الاتاحة: https://revistas.ucm.es/index.php/ARAB/article/view/63244

المؤلفون: Julie Michot

المصدر: Transatlantica, Vol 1 (2019)

مصطلحات موضوعية: revolution, Alfred Hitchcock, Billy Wilder, Topaz, One, Two, History America, E-F, America, E11-143

وصف الملف: electronic resource

Relation: https://journals.openedition.org/transatlantica/11864; https://doaj.org/toc/1765-2766

URL الوصول: https://doaj.org/article/7919f1303b664cb0a2f3936f31116576

المؤلفون: Weiss, Scott¹

المصدر: Film & History (03603695). Summer2022, Vol. 52 Issue 1, p61-63. 3p.

مصطلحات موضوعية: *NONFICTION

Reviews & Products: BILLY Wilder on Assignment: Dispatches From Weimar Berlin & Interwar Vienna (Book)

People: ISENBERG, Noah, FRISCH, Shelley, WILDER, Billy, 1906-2002

المؤلفون: Tatjana Jukić

المصدر: AM: Art + Media, Vol 0, Iss 9, Pp 93-106 (2016)

مصطلحات موضوعية: Stanley Cavell, classical Hollywood, the ordinary, psychoanalysis, Gilles Deleuze, Billy Wilder, Arts in general, NX1-820

وصف الملف: electronic resource

Relation: http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/119; https://doaj.org/toc/2217-9666; https://doaj.org/toc/2406-1654

URL الوصول: https://doaj.org/article/fd13830a41b34a3ba88a458261873cea

المؤلفون: Juan Carlos Pueo

المصدر: Fotocinema: Revista Científica de Cine y Fotografía, Iss 18 (2019)

مصطلحات موضوعية: Escritura, bloqueo del escritor, Billy Wilder, Días sin huella, Fine Arts, Visual arts, N1-9211

وصف الملف: electronic resource

Relation: https://revistas.uma.es/index.php/fotocinema/article/view/5527; https://doaj.org/toc/2172-0150

URL الوصول: https://doaj.org/article/220c3d2df4674aec8cd87088a3dd08f1

المؤلفون: Peña Fernández, Simón

المصدر: Ámbitos. Revista Internacional de Comunicación; No. 22 (2013) ; Ámbitos. Revista Internacional de Comunicación; Núm. 22 (2013) ; Ámbitos. Revista Internacional de Comunicación; n. 22 (2013) ; 1988-5733 ; 1139-1979

مصطلحات موضوعية: Billy Wilder, periodismo, sensacionalismo, interés humano, opinión pública

وصف الملف: application/pdf

Relation: https://revistascientificas.us.es/index.php/Ambitos/article/view/9940/9620; https://revistascientificas.us.es/index.php/Ambitos/article/view/9940

الاتاحة: https://revistascientificas.us.es/index.php/Ambitos/article/view/9940

المؤلفون: Argüelles Quirós, Celia

المصدر: Res Mobilis; Vol. 8 No. 9 (2019): Res Mobilis Revista internacional de investigación en mobiliario y objetos decorativos; 158-174 ; Res Mobilis; Vol. 8 Núm. 9 (2019): Res Mobilis Revista internacional de investigación en mobiliario y objetos decorativos; 158-174 ; 2255-2057 ; 10.17811/rm.8.9.2019

مصطلحات موضوعية: Billy Wilder, arte, diseño, mobiliario, Eames, art, design, furniture

وصف الملف: application/pdf

Relation: https://reunido.uniovi.es/index.php/RM/article/view/12997/12011; https://reunido.uniovi.es/index.php/RM/article/view/12997

الاتاحة: https://reunido.uniovi.es/index.php/RM/article/view/12997
https://doi.org/10.17811/rm.8.9.2019.158-174

المؤلفون: Michot, Julie

مصطلحات موضوعية: Alfred Hitchcock, Billy Wilder, L’Étau, Un, deux, trois, Mur de Berlin, Cuba, guerre froide, révolution, Topaz, One, Two, Three, Berlin Wall, Cold War, revolution

Relation: info:eu-repo/semantics/reference/issn/1765-2766; urn:doi:10.4000/transatlantica.11864; http://journals.openedition.org/transatlantica/11864

الاتاحة: http://journals.openedition.org/transatlantica/11864