يعرض 1 - 20 نتائج من 2,334 نتيجة بحث عن '"Arte moderno"', وقت الاستعلام: 0.63s تنقيح النتائج
  1. 1
    Dissertation/ Thesis

    المؤلفون: Montroig Cruset, Sara

    المساهمون: University/Department: Universitat de Girona. Departament d'Història i Història de l'Art

    Thesis Advisors: Bosch Ballbona, Joan, 1960-, Miralpeix i Vilamala, Francesc

    المصدر: TDX (Tesis Doctorals en Xarxa)

    وصف الملف: application/pdf

  2. 2
    Dissertation/ Thesis

    المساهمون: University/Department: Universitat de Girona. Departament de Didàctiques Específiques

    Thesis Advisors: Cañabate Ortiz, Dolors, Macaya, Albert, Calbó, Muntsa

    المصدر: TDX (Tesis Doctorals en Xarxa)

    وصف الملف: application/pdf

  3. 3
    Dissertation/ Thesis

    المؤلفون: Guerrero, Manuel, 1964-

    المساهمون: University/Department: Universitat de Girona. Departament de Filologia i Comunicació

    Thesis Advisors: Pla, Xavier, 1966-

    المصدر: TDX (Tesis Doctorals en Xarxa)

    Time: 2hth century

    وصف الملف: application/pdf

  4. 4
    Dissertation/ Thesis
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    Academic Journal
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    Dissertation/ Thesis

    المؤلفون: Ribot-Bayé, Cristina

    المساهمون: University/Department: Universitat de Girona. Departament d'Història i Història de l'Art

    Thesis Advisors: cristina.ribot@udg.edu, Antich, Xavier

    المصدر: TDX (Tesis Doctorals en Xarxa)

    وصف الملف: application/pdf

  7. 7
    Dissertation/ Thesis

    المؤلفون: Alba, Tania

    المساهمون: University/Department: Universitat de Barcelona. Departament d'Història de l'Art

    Thesis Advisors: Salabert, Pere, 1945-

    المصدر: TDX (Tesis Doctorals en Xarxa)

    وصف الملف: application/pdf

  8. 8
    Dissertation/ Thesis

    المؤلفون: Malquori, Diego

    المساهمون: University/Department: Universitat Ramon Llull. FF - Filosofia Pràctica i Humanitats (2013- )

    Thesis Advisors: Roviró Alemany, Ignasi

    المصدر: TDX (Tesis Doctorals en Xarxa)

    وصف الملف: application/pdf

  9. 9
    Academic Journal
  10. 10
    Dissertation/ Thesis
  11. 11
    Academic Journal

    المؤلفون: Faxedas Brujats, Maria Lluïsa

    المصدر: Locus Amoenus; Vol. 16 (2018); p. 229-250

    وصف الملف: application/pdf

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    Academic Journal
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    Academic Journal
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    Academic Journal
  15. 15
    Academic Journal

    Alternate Title: THE NATIONAL MUSEUM OF ANTHROPOLOGY AND THE NATIONAL PRESS. REFLECTIONS ON MEXICAN IDENTITY SEEN THROUGH THE MUSEUM.

    المصدر: Estudios: Filosofía, Historia, Letras. Spring2022, Issue 140, p171-186. 16p.

  16. 16
    Academic Journal
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    Academic Journal
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    Academic Journal
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    Academic Journal

    المؤلفون: Rodríguez García, Pablo

    المصدر: Anales de Historia del Arte; Vol. 34 (2024): Art and Narration; 149-165 ; Anales de Historia del Arte; Vol. 34 (2024): Arte y relato; 149-165 ; 1988-2491 ; 0214-6452

    وصف الملف: application/pdf

    Relation: https://revistas.ucm.es/index.php/ANHA/article/view/94186/4564456570803; Alain Bois, Yve, Benjamin Buchloch, Hal Foster y Rosalind Krauss. Arte desde 1900: modernidad, antimodernidad, posmodernidad. Madrid: Akal, 2006. Anton Martí, Marta. “Arte ‘primitivo’ y primitivismo en Nueva York, 1910-1941”. Tesis Doctoral. Universitat Pompeu Fabra, Barcelona, 2021. http://hdl.handle.net/10803/687671 Bhabha, Homi K. The Location of Culture. Londres: Routledge, 1994. Carmona, Eugenio. “Cahiers de dessins appartenant à monsieur Picasso”, en Picasso y la escultura africana: Los Orígenes de las Señoritas de Aviñón, 21-91. Santa Cruz de Tenerife: TEA/Artemisa Ediciones Colodión, 2010. Chave, Anna C. “New Encounters with Les Demoiselles d'Avignon: Gender, Race, and the Origins of Cubism”. The Art Bulletin 76, nº. 4 (1994): 596-611. DOI: https://doi.org/10.1080/00043079.1994.10786606 Clifford, James. “On Ethnography Authority”. Representations, nº. 2 (1983): 118-146. DOI. https://doi.org/10.2307/2928386 --- (1985) “Histories of the Tribal and the Modern”. Art in America 73, nº. 4, 164-177, 215. --- (1988) The Predicament of Culture: Twentieth-Century Ethnography, Literature and Art. Cambridge: Harvard University Press. Cohen, Joshua I. “Fauve Masks: Rethinking Modern ‘Primitivist’ Uses of African and Oceanic Art, 1905-8.” The Art Bulletin 99, nº. 2 (2017): 136-165. http://www.jstor.org/stable/44972832. Cohen, Joshua I. The Black Art Renaissance: African Sculpture and Modernism across Continents. Oakland: University of California Press, 2020. Cohen, Joshua I., Foad Torshizi y Vazira Zamindar. “Art History, Postcolonialism, and the Global Turn”. ARTMargins 12, nº. 2 (2023): 3-17. DOI: https://doi.org/10.1162/artm_e_00346 Connelly, Frances S. The Sleep of Reason: Primitivism in Modern Art and Aesthetics, 1725-1907. University Park: The Pennsylvania State University Press, 1995. Connelly, Frances S. “Authentic Irony: Primitivism and Its Aftermath”. Critical Interventions 4, nº. 2 (2010): 15-25. DOI: https://doi.org/10.1080/19301944.2010.10781385 DaCosta Kauffman, Thomas. “Malaise dans la périodisation”. Perspective: Périodisation et histoire de l’art: La Revue de l’INHA, nº. 4 (2008): 597-601. DOI: https://doi.org/10.4000/perspective.2554. Dagen, Philippe. Primitivismes: Une invention modern. París: Gallimard, 2019. Dagen, Philippe. Primitivismes 2: Une guerre moderne. París: Gallimard, 2021. Duncan, Carol. “Virility and Domination in Early 20th Century Vanguard Painting”. Artforum 12, nº. 4 (1973): 30-39. https://www.artforum.com/features/virility-and-domination-in-early-20th-century-vanguard-painting-210185/ Duncan, Carol. “The MoMA’s Hot Mamas”. Art Journal 48, nº. 2 (1989): 171-178. DOI: https://doi.org/10.1080/00043249.1989.10792606 Elkins, James. Is Art History Global? Nueva York: Routledge, 2006. Fabian, Johannes. Time and the Other: How anthropology makes its object. Nueva York: Columbia University Press, 1983. Flam, Jack. Primitivism and Twentieth-Century Art: A Documentary History. Berkeley, LA: University of California Press, 2003. Foster, Hal. The Anti-Aesthetic: Essays of Postmodern Culture. Washington: Bay Press, 1983. --- (1985) “The ‘Primitive’ Unconscious of Modern Art”. October 34, 45-70. DOI: https://doi.org/10.2307/778488 --- (1993) “‘Primitive’ Scenes”. Critical Inquiry 20, nº. 1, 69-102. DOI: https://doi.org/10.1086/448701 --- (1993) Compulsive Beauty. Cambridge y Londres: The MIT Press. --- (1996) The Return of the Real. Cambridge y Londres: The MIT Press. --- (2004) Prosthetic Gods. Cambridge y Londres: The MIT Press. Foucault, Michel. De lenguaje y literatura. Barcelona: Paidós, 1996. Freud, Sigmund. Obras completas XVII. Buenos Aires: Amorrortu Editores, 1972. Harney, Elizabeth. “The Persistence of Primitivism and the Debt Collectors”. ARTMargins 11, nº. 3 (2022): 121. DOI: https://doi.org/10.1162/artm_r_00327 Harrison, Charles, Francis Frascina y Gill Perry. Primitivismo, Cubismo y Abstracción: Los primeros años del siglo XX. Madrid: Akal, 1998. Hay, Jonathan. “Double Modernity, Para-modernity”. En Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity, editado por Terry Smith, Okwui Enwezor y Nancy Condee, 113-132. Londres: Duke University Press, 2008. --- (2016) “Primitivism Reconsidered (Part 1): A Question of Attitude.” RES: Anthropology and Aesthetics, nº. 67/68 (2016): 66-67. DOI https://doi.org/10.1086/693994 --- (2018) “Primitivism reconsidered (Part 2): Picasso and the Krumen”. RES: Anthropology and aesthetics, nº. 69/70, 227-250. DOI: https://doi.org/10.1086/701255 Hiller, Susan. The Myth of Primitivism: Perspectives on Art. Londres y Nueva York: Routledge, 1991. Jameson, Fredric. “The cultural logic of late capitalism”. New Left Review, nº. 146 (1984): 53-92. https://newleftreview.org/I/146/fredric-jameson-postmodernism-or-the-cultural-logic-of-late-capitalism. Küster, Bärbel. Matisse und Picasso als Kulturreisende: Primitivismus und Anthropologie um 1900. Berlín: Akademie Verlag, 2003. Leighten, Patricia, “The White Peril and L'Art nègre: Picasso, Primitivism, and Anticolonialism”. Art Bulletin 72, nº. 4 (1990): 609-630. DOI: https://doi.org/10.1080/00043079.1990.10786458 Lévi-Strauss, Claude. El pensamiento salvaje. México: Fondo de Cultura Económica, 1964. Lyotard, Jean-François. The Postmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press, 1984. Malraux, André. Picasso’s Mask. Nueva York: Holt, Rinehart & Winston, 1976. McEvilley, Thomas. “Head it’s form, tailes it’s not content”. Artforum 21, nº. 3 (1982): 50-61. https://www.artforum.com/features/heads-its-form-tails-its-not-content-2-208210/ McEvilley, Thomas. “Doctor Lawyer Indian Chief. ‘Primitivism in 20th Century Art’ at the Museum of Modern Art in 1984”. Artforum 23, nº. 3 (1984): 54-60. https://www.artforum.com/features/primitivism-in-20th-century-art-at-the-museum-of-modern-art-in-1984-207620/ Méndez Baiges, Maite. Las señoritas de Avignon y el discurso crítico de la modernidad. Granada: Editorial Universidad de Granada, 2021. Mitter, Partha. “Decentering Modernism: Art History and Avant-Garde Art from the Periphery”. The Art Bulletin 90, nº. 4 (2008): 531-532. DOI: https://doi.org/10.1080/00043079.2008.10786408 Moxey, Keith. Visual Time. The Image in History. Londres: Duke University Press, 2013. Nelson, Robert S. y Richard Shiff. Critical Terms for Art History. Chicago y Londres: The University of Chicago Press, 1996. Ocampo, Estela. El fetiche en el museo: Aproximación al arte primitivo. Madrid: Alianza Editorial, 2011. Ocampo, Estela. “Primitivismo y Feminismo en el arte contemporáneo”. Arte, Individuo y Sociedad 28, nº. 2 (2016): 311-324. DOI: https://doi.org/10.5209/rev_ARIS.2016.v28.n2.48644 Ortner, Sherry B., “Is Female to Male as Nature is to Culture?”. Feminist Studies 1, nº. 2 (1972): 5-31. DOI: https://doi.org/10.2307/3177638 Preston Blier, Suzanne. Picasso’s Demoiselles: The Untold Origins of a Modern Masterpiece. Durham: Duke University Press, 2019. Rubin, William. “Modernist Primitivism”. En Primitivism in 20th Century Art. Affinity of the Tribal and the Modern, editado por William Rubin, 1-81. Nueva York: Museum of Modern Art, 1984. Rubin, William. “Picasso”. En Primitivism in 20th Century Art: Affinity of the Tribal and the Modern, editado por William Rubin, 241-343. Nueva York: Museum of Modern Art, 1984. Said, Edward W. Orientalism. Nueva York: Pantheon Books, 1978. Said, Edward W. “Opponents, Audiences, Constituencies and Community”. En The Anti-Aesthetic: Essays of Postmodern Culture, editado por Hal Foster, 135-159. Port Townsend, WA: Bay Press, 1983. Staller, Natasha. A Sum of Destructions: Picasso’s Cultures and the Creation of Cubism. New Haven y Londres: Yale University Press, 2001. Warne Monroe, John. “Surface Tensions: Empire, Parisian Modernism, and ‘Authenticity’ in African Sculpture, 1917–1939”. The American Historical Review 117, nº. 2 (2012): 445–475. DOI: https://doi.org/10.1086/ahr.117.2.445 Zalman, Sandra. “Unpacking the MoMA Myth: Modernism under Revision”. Modernism/modernity 29, nº. 2 (2022): 283-306. DOI: https://doi.org/10.1353/mod.2022.0009.; https://revistas.ucm.es/index.php/ANHA/article/view/94186

  20. 20
    Academic Journal

    المؤلفون: Castilla Cerezo, Antonio

    المصدر: Boletín de Arte; No. 45 (2024); 79-87 ; Boletín de Arte; Núm. 45 (2024); 79-87 ; 2695-415X ; 0211-8483 ; 10.24310/ba452024

    وصف الملف: application/pdf; text/html

    Relation: https://revistas.uma.es/index.php/boletin-de-arte/article/view/15937/19944; https://revistas.uma.es/index.php/boletin-de-arte/article/view/15937/19955

    الاتاحة: https://revistas.uma.es/index.php/boletin-de-arte/article/view/15937