يعرض 1 - 16 نتائج من 16 نتيجة بحث عن '"影评人"', وقت الاستعلام: 0.44s تنقيح النتائج
  1. 1
    Academic Journal

    المؤلفون: 涂俊仪

    المساهمون: 北京大学新闻与传播学院

    المصدر: 知网

    Relation: 戏剧与视评论. 2017, 74-78.; 1960032; http://hdl.handle.net/20.500.11897/490796

  2. 2
    Academic Journal

    المؤلفون: 张颐武

    المساهمون: 北京大学中文系

    المصدر: 知网

    Relation: 北京电学院学报.2016,24-25.; 1474805; http://hdl.handle.net/20.500.11897/448700

  3. 3
    Academic Journal

    المؤلفون: 戴锦华

    المساهمون: 北京大学, 北京大学电与文化研究中心

    المصدر: 知网

    Relation: 北京电学院学报.2016,18-19.; 1474803; http://hdl.handle.net/20.500.11897/448698

  4. 4
    Academic Journal

    المؤلفون: 彭丽君, 乐桓宇

  5. 5
    Academic Journal
  6. 6
    Academic Journal
  7. 7
    Academic Journal

    المؤلفون: 忻钰坤, 檀秋文, 年悦

    المساهمون: 北京大学

    المصدر: 知网

    Relation: 当代电.2015,(05),82-88.; 1411575; http://hdl.handle.net/20.500.11897/445715

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    Academic Journal

    المؤلفون: 刘俏

    المساهمون: 北京大学光华管理学院, 加州大学洛杉矶分校

    المصدر: 知网

    Relation: 董事会.2011,(12),114.; 875473; http://hdl.handle.net/20.500.11897/75443

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    Academic Journal
  10. 10
    Academic Journal

    المؤلفون: 方保罗

    المساهمون: 北京大学

    المصدر: 知网

    Relation: 大众电.1995,(02),12.; 1042450; http://hdl.handle.net/20.500.11897/145162

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  12. 12
    Dissertation/ Thesis

    المؤلفون: 林昱, Lin, Yu

    المساهمون: 陳儒修, Ru-Shou Robert Chen

    Time: 20

    وصف الملف: 2918122 bytes; application/pdf

    Relation: 中文文獻 小野,1985. 8。〈《我這樣過了一生》停拍事件─新電停、看、聽〉,取自焦雄屏 主編,1988。《台灣新電》,台北:時報文化。 文匯報,2013.6.18。〈不差錢的電市場缺什麼?〉,取自新華網http://big5.xinhuanet.com/gate/big5/news.xinhuanet.com/2013-06/18/c_124869794.htm 台北金馬展執行委員會 編,2002。《台灣新電二十年》,台北:財團法人中華民國電事業發展基金會。 李幼新,1986。《港台六大導演》,台北:自立晚報。 李幼新,1986。《電,電人,電刊物》,台北:自立晚報。 李幼新,1993。《關於費里尼、雷奈電的二三事》,台北:志文出版社。 李幼鸚鵡鵪鶉,2009.01.08。〈2008台灣展波瀾漣漪〉,台北:破報,取自http://pots.tw/node/1597。 李幼鸚鵡鵪鶉,2012。《我深愛的雷奈、費里尼及其他》,台北:書林。 李建強,2010。《網絡評的生存狀態及其走向研究》,上海,上海交通大學出版社。 李焯桃,1985.11.14。《從金馬獎看台灣新電的前途》,電雙周刊一七五期。 李福鐘,2011.9.14。〈誰謀殺了台灣電?〉,台北:蘋果日報。取自http://www.appledaily.com.tw/appledaily/article/headline/20110914/33666430/。 但唐謨,2013。《約會不看恐怖電不酷》,桃園:逗點文創結社。 吳念真,1987. 3。〈真理的變形─台灣傳播媒體的現狀批判〉,文星雜誌105期。 林銳,1986。〈電通訊時代〉,取自李幼新 編《電,電人,電刊物》,台北:自立晚報。 林志勳、張士達,2011.8.24。〈九把刀挺好片不挺國片〉,中國時報綜合報導,取自http://showbiz.chinatimes.com/showbiz/110511/112011082400020.html。 林紜甄,2013.5.5。〈CUE電生活誌轉型 雙刊出擊〉,旺報,台北報導。 林儀芳,2007。《評人之默會知識研究》,世新大學資訊傳播學系碩士論文。 孫松榮,2010。〈輕歷史的心靈感應:論台灣「後-新電」的流體像〉,《電欣賞學刊》(THCI)(142),2010年4月。頁137-156。 梁良,1993。《評人的真面目》,台北:淑馨出版社。 梁良,1988。《電的一代》,台北:志文出版社。 張世倫,2001。《台灣「新電」論述形構之歷史分析》,政治大學新聞研究所碩士論文。 郭幼龍,1999。《民眾對台灣電的評價與電消費行為之關係研究》,世新大學傳播研究所碩士論文。 陳國富,1985.3。〈「台灣電」辯證〉,收於陳國富編《片面之言─陳國富電文集》,台北:中華民國電圖書館出版部。 陳國富,1985。〈「廣場事件」/觀眾和媒體之間的對抗〉,收於陳國富編《片面之言─陳國富電文集》,台北:中華民國電圖書館出版部。 陳國富,1985。《片面之言─陳國富電文集》,台北:中華民國電圖書館出版部。 陳儒修,2009/ 3。〈從台灣電觀看巴贊寫實主義理論〉,《電欣賞學刊》,Vol.27, No.2, pp.125-136.(THCI)。 麥若愚,2008。《麥若愚的電世界》,台北:凱特文化。 童娃,1985。〈新電的困境〉,取自李幼新 編《電,電人,電刊物》,台北:自立晚報。 曾西霸,1988。《走入電天地》,台北:志文出版社。 舒國治,2013.3.14。〈七十年代在臺北看藝術電〉,中國:時代週報。取自http://firefox.ifeng.com/ent/news/detail_2013_03/14/23076979_0.shtml 焦雄屏,1991。《談錄》,台北:遠流(電館)。 焦雄屏,1998。《時代顯:中西電論述》,台北:遠流(電館)。 焦雄屏 主編,1988。《台灣新電》,台北:時報文化。 黃仁,2004。《台灣評六十年》,台北:亞太圖書。 黃玉珊,1986。〈那段寫評的日子〉,收於李幼新編《電,電人,電刊物》,台北:自立晚報。 黃以曦,2013。《離席:為什麼看電?》,台北:八旗文化。 黃厚銘,2009。〈邁向速度存有論─即時性電子媒介時代的風險〉,《新聞學研究》第101期,頁139-175。 黃建業,1981.12.11。〈電評論─我見我思〉,副刊,工商時報。 詹宏志,1984. 11。〈台灣新電的來路與去路─一個報導與三個評論〉,《新書月刊》第十四期。 詹宏志,1985. 7。〈誰謀殺了電?:談焦雄屏與臺灣的評〉,《新書月刊》第二十二期。 詹宏志,1985.12。〈八O年代知識分子與電:工商時報時代〉,收於李幼新編《電,電人,電刊物》,台北:自立晚報。 詹宏志,1987. 2。〈民國七十六年台灣電宣言〉,《文星雜誌》104期。 塗翔文,2009。《電癮A咖開麥拉》,台北:漢皇文化。 齊隆壬,1987。〈台灣電批評的傾向─「觀眾電評與「作者電評〉,《台灣新電》,pp. 40-46。 齊隆壬,1986. 7. 22。〈電批評─聽不到的說話〉,中國時報。 溫肇東、王志桓、蔡齡萱,2011。〈電獎及評論對電產業發展響之關聯性探討─以台灣金馬獎與電評論為例〉,2011文化創意產業發展研討會,國立政治大學。 解放日報,2012.12.29。《有多少評人淪為「馬屁精」》,北京。 聞天祥,2003。《迷的第一堂課》,台北:幼獅文化。 聞天祥,2012。《過:1992-2011台灣電總論》,台北:書林。 鄭秉泓,2010。《台灣電愛與死》,台北:書林。 鄭秉泓,2012.4.16。〈電輔導金的愛與死:問題出在評審組成!〉,自由時報。 劉立行,1997。《電理論與批評》,台北:五南。 膝關節,2011。《這不是一部愛情電》,桃園:逗點文創結社。 盧非易,1998。《台灣電:政治.經濟.美學(1949-1994)》,台北:遠流(電館)。 盧非易,2003。〈首映的落幕,雜誌的消失〉,台灣電資料庫,取自http://cinema.nccu.edu.tw/cinemaV2/squareinfo.htm?MID=12。 盧非易,2003。〈從數字看台灣電五十年〉,台灣電資料庫,取自http://cinema.nccu.edu.tw/cinemaV2/squareinfo.htm?MID=13。 蘋果日報,2011.8.30。〈蘋論:向台灣電的救星致敬〉,台北:台灣蘋果日報。取自http://www.appledaily.com.tw/appledaily/article/headline/20110830/33632034/。 Aumont J., Marie, M. 著,吳珮慈 譯,1996。《當代電分析方法論》,台北:遠流(電館)。 Bourdieu, P. 著,1989,楊亞平 譯,2005。《國家精英》(La Noblesse D’etat .),北京:商務印書館。 Bywater, T. & Sobchack, T. 著,李顯立 譯,1997。《電批評面面觀》,台北:遠流(電館)。 Corrigan, T. 著,曾偉禎 等譯,1994。《信手拈來寫評》,台北:遠流(電館)。 Hesmondhalph, D. 著,廖珮君 譯,2009。《文化產業分析》,台北:韋伯文化。 英文文獻 Andrew, D., (1984). Concepts in Film theory. New York: Oxford. Andrew, D., (1990). Andre Bazin, New York: Columbia University Press. Banks, M. (2007). The politics of cultural work. Basingstoke, Hampshire: Palgrave MacMillan. Bourdieu, P., (1983/1986), The Forms of Capital. Pp. 241-58 in Handbook of Theory and Research for the Sociology of Education, edited by John G. Richardson. Westport, CT.: Greenwood Press. Bourdieu, P. (1986). Distinction: a Social Critique of the Judgment of Taste. London: Routledge & Kegan Paul. Bourdieu, P. (1993). The field of cultural production. Edited by Randal Johnson. Cambridge: Polity. Burawoy, M. (1979). Manufacturing Consent: Changes in the Labour Process under Monopoly Capitalism, Chicago: University of Chicago Press. Bywater, T. & Sobchack, T. (1989). An introduction to film criticism : major critical approaches to narrative film, New York: Longman. Epstein, E.J. (2010). Hollywood Economist: The Hidden Financial Reality Behind the Movies, E.J.E. Publications, LTD., Inc. Foucault, M.(1991). Governmentality, in The Foucault Effect: Studies in Governmentality (London: Harvester Wheatsheaf) pp. 87-104. Gill R. & Pratt A., (2008). In the social factory? Immaterial labor, precariousness and cultural work, Theoty, cultural & Society, (L.A., London, New Delhi and Singapore)Vol. 25(7-8): pp. 1-30. Heidegger, M. (1993). The question concerning technology. In D. F. Krell (Ed.), Basic writings: Ten key essays, plus the introduction to Being and Time (pp. 307-341). San Francisco: Harprer San Francisco. Hesmondhalgh, D. (2006). Bourdieu, the media and cultural production. Media, Culture and Society, 28, pp. 211-231. Im, Y.H., (1997). Toward a labour-process history of newsworkes. Javost/The Public, 4(1), pp. 31-48. Keal, P., (1964). I lost it at the movies, Boston: Little, Brown. Keal, P., (1984). 5001 night at the movies. New York: Holt. Lazzarato, M. (1996). Immaterial Labour, Raidcal Thought in Italy, Minneapolis: University of Minnesota Press, pp. 132-146. Lee, L. F. (2006). Cultural Discount and Cross-Culture Predictability: Examining the Box Office Performance of American Movies in Hong Kong, Journal of Media Economics, Routledge, 19 (4), pp. 259-278. Littler, C. & Salaman, G. (1982). Bravermania and Beyond: Recent Theories of the Labour Process, British Journal of Sociology, 16 (2), pp. 251-267. Miège, B. (1987). The logic at work in the new cultural industries. Media, Culture & Society, 9(2), pp. 237-289. Negus, K. (2002). The work of cultural intermediaries and the enduring distance between production and consumption. Cultural Studies, 16(4), pp. 501-515. Robinson, W.R., (1979). Film and Movies. Baltimore: Penguin. Terranova, T., (2003). Free Labor: Producing Culture for the Digital Economy. Social Text (Volume 18, Number 2), Summer 2000, pp. 33-58 Van Dijck, J., (2009). User like you? Theorizing agency in user-generated content, Media, culture & Society, SAGE Publications (L.A., London, New Delhi and Singapore), Vol. 31(1):pp. 41-58. Wollen, P., (1972). Signs and meaning in the cinema. Bloomington: Indiana University press.; G0099453015; http://nccur.lib.nccu.edu.tw//handle/140.119/59196

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    Dissertation/ Thesis

    المؤلفون: 曾羨書, Tseng, Hsien-Shu

    المساهمون: 黃恆獎教授, 臺灣大學:國際企業學研究所

    وصف الملف: 429835 bytes; application/pdf

    Relation: 一、中文書目 1. 理察˙考夫,仲曉玲,徐子超譯,「文化創意產業」,典藏藝術家庭股份有限公司出版,2003年9月。 2. 鄭沂珊(2002),「美國電闢防響因素之探討」,國立師範大學大眾傳播研究所碩士論文。 3. 蔡瑤昇,張雅婷(2004),「網路口碑訊息內容產生之說服效果對消費者推薦意願之響」,2004科技與管理學術研討會。 4. 黃雅芬(2000),「口耳相傳效果對消費者行為的響」,國立政治大學國際貿易學系碩士論文。 5. 吳明隆,涂金堂,「SPSS與統計應用分析」,五南圖書出版,2007年3月。 6. 經濟部工業局,「2005台灣文化創意產業發展年報」。 7. 鄭佩玲(2001),「口耳相傳效果對消費者態度形成之響—以網路留言板為例」,國立政治大學國際貿易學系研究所碩士論文。 二、英文書目 1. Alain d'Astous, Antonella Carù, Oliver Koll, Simon Pierre Sigué(2005), ”Moviegoers' Consultation of Film Reviews in the Search for Information: A Multi-country Study,”International Journal of Arts Management, 7(3) ,32-45. 2. Arndt, Johan (1967), “Word of Mouth Advertising:A Review of the Literature,” New York:Advertising Research Federation. 3. Abrams, M. H. (1999), A Glossary of Literary Terms. Seventh edition. Fort Worth, TX: Harcourt Brace College Publishers. 4. Austin, Bruce A. (1981), ”Film Attendance: Why College Students Chose to See Their Most Recent Film,” Journal of Popular Film and Television, 9, 4- 49. 5. Austin, Bruce A. and Thomas F. Gordon.(1987), "Movie Genres: Toward a Conceptualized Model and Standardized Definitions," Current Research in Film: Audiences, Economics and the Law, 4: 12-33. 6. Abraham, Ravid S.,(1999),”Information, Blockbusters, and Stars: A Study of the Film Industry,”Journal of Business,72(4), 463-492. 7. Basuroy, Suman, Chatterjee, Subimal, S. and Ravid Abraham (2003), “How Critical Are Critical Reviews? The Box Office Effects of Film Critics, Star Power, and Budgets,” Journal of Marketing, 67, 103-117. 8. Bloch, P.H., Sherrell, D.L. and Ridgway, N.M.(1986), “Consumer Search: An Extended Framework,” Journal of Consumer Research, 13( June), 119-126. 9. Bone, P. F. (1995), “Word of Mouth Effects on Long-term and Short-term Product Judgment,” Journal of Business Research, 32, 213-223. 10. Burzynski, Michael H. and Dewey J. Bayer (1977), “The Effect of Positive and Negative Prior Information on Motion Picture Appreciation,” Journal of Social Psychology, 101 (2), 215-218. 11. Boor, M. (1992), “Relationships Among Ratings of. Motion Pictures by Viewers and Six Professional. Movie Critics,.” Psychological Reports,70, 1011–1021. 12. Camerson, S.(1995),”On The Role Of Critics in the Culture Industry,”Journal of Cultural Economics, 19, 321-331. 13. Caves, Richard E.(2000),”Creative Industry,”Cambridge, MA:Havard University Press. 14. Chisholm, Darlene C. (2004), “Two-Part Share Contracts, Risk, and the Life Cycle of Stars: Some Empirical Results from Motion Picture Contracts,” Journal of Cultural Economics, 28(February), 37-56. 15. De Vany, Arthur; Walls, W. David (1999),“ Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office?” Journal of Cultural Economics ,23(November), 285-318. 16. Dana-Nicoleta Lascu, William O. Bearden, and Randall L. Rose (1995). “Norm Extremity and Interpersonal Influences on consumer Conformity,” Journal of Business Research, 32, 201-212. 17. Eliashberg, Jehoshua and Sawhney, Mohanbir S. (1994), “Modeling Goes to Hollywood: Predicting Individual Differences in Movie Enjoyment,” Management Science, 40(9), 1151-1173. 18. Eliashberg, Jehoshua, Jonker Jedid-Jah, Sawhney, Mohanbir S. and Wierenga, Berend (2000), “MOVIEMOD: An implementable decision-support system for prerelease market evaluation of motion pictures,”Marketing Science, 19(Summer), 226-243. 19. Eliashberg, Jehoshua, Elberse, Anita and Leenders, A. A. M. Mark (2006), ”The Motion Picture Industry: Critical Issues in Practice, Current Research, and New Research Directions,”Marketing Science, 25(6), 638-661. 20. Eliashberg, Jehoshua and Shugan, Steven M.(1997), ”Influencers or Predictors?”Journal of Marketing ,61(April), 68-78. 21. Feldman, J. M., Lynch, J. G., (1988), ”Self-generated Validity and Other Effects of Measurement on Belief, Attitude, Intention, and Behavior,” Journal of Applied Psychology, 73, 421-435. 22. Feick, L.F. and Price, L.L. (1987), “The Market Maven: A Diffuser of Marketplace Information,” Journal of Marketing, 51( January), 83-97. 23. Faber, R. J., & O'Guinn, T. C. (1984), ”Effect of media advertising and other sources on movie selection,” Journalism Quarterly, 61, 371-377. 24. Gelb, Betsy and Madeline Johnson (1995), “Word-of-Mouth Communication: Causes and Consequences,” Journal of Health Care Marketing, 15(Fall), 54-58. 25. Hanson, W. A. (2000). Principles of Internet Marketing. Ohio, South-Western College. 26. Holbrook, Morris B.(1999),”Popular Appeal Versus Expert Judgments of Motion Pictures, ” Journal of Consumer Research, 26(September), 144-155. 27. Herr, Paul M., Frank R. Kardes, and John Kim (1991), "Effects of Word-of-Mouth and Product-Attribute Information on Persuasion: An Accessibility-Diagnosticity Perspective," Journal of Consumer Research, 17 (March), 454-462. 28. Holmes J D, J D Lett. (1977), “Product sampling and Word of Mouth.” Journal of Advertising Research, 17, 35-39. 29. Hampel, D. J.(1977), “Consumer Satisfaction with the Home Buying Process: Conceptualization and Dissatisfaction,” Marketing Science Insistute, 7-19. 30. Kalpesh Kaushik Desai, Suman Basuroy,(2005),” Interactive Influence of Genre Familiarity, Star Power, and Critics' Reviews in the Cultural Goods Industry: The Case of Motion Pictures,” Psychology & Marketing. 22(3),203-216. 31. Liu, Yong, (2006), “ Word of Mouth for Movies: Its Dynamics and Impact on Box Office Revenue,” Journal of Marketing, 70(July),74-89. 32. Litman, Barry R. & Kohl, Linda S. (1989),”Predicting Financial Success of Motion Pictures: The ‘80s Experience,” The Journal of Media Economics, 2,(Fall), 35-50. 33. Levin, Aron M., Levin, Irwin P. and Heath, C. Edward,(1997),” Movie Stars and Authors as Brand Names: Measuring Brand Equity in Experiential Products,” Advances in Consumer Research, 24(1), 175-181. 34. MPAA(2006),”U.S. Entertainment Industry:2006 MPA Market Statisitcs,”[available at http://www.mpaa.org/researchStatistics.asp .] 35. Podoshen, Jeffrey (2005), “Brand Sense: How to Build Powerful Brands Through Touch, Taste, Smell, Sight and Sound,” The Journal of Product and Brand Management, 14(4), 278-297. 36. Pincus, Steve and Waters, L. K.,(1977). “Information Social Influence and Product Quality Judgments,” Journal of Applied Psychology, 62(5), 615-627. 37. Richins, Marsha L. (1983), “Negative Word-of-Mouth by Dissatisfied Consumers: A Pilot Study,” Journal of Marketing, 47( Winter), 68-78. 38. Reinstein, D.A., Snyder, C.M. (2005), "The influence of expert reviews on consumer demand for experience goods: a case study of movie critics", The Journal of Industrial Economics, 53(1), 27-51. 39. Soderlund, Magnus (1998), “Customer Satisfaction and Its Consequences on Customer Behaviour Revisited,” International Journal of Service Industry Management, 9(2), 169-188. 40. Sood, Sanjay and Dreze, Xavier,(2006),”Brand Extensions of Experiential Goods: Movie Sequel Evaluations,” Journal of Consumer Research, 33(December), 352-360. 41. Sawhney, Mohanbir S. and Eliashberg, Jehoshua(1996),”A Parsimonious Model for Forecasting Gross Box-Office Revenues of Motion Pictures. Marketing Science,” 15(2), 113-131. 42. Sochay, Scott (1994). Predicting the Performance of Motion Pictures. Journal of Media Economics, 7(4), 1-20. 43. Tes, D. K. and Wilton, P. C. (1988),”Models of Consumer Satisfaction Formation: An Extention”, Journal of Marketing, 204-212. 44. Turner, J. C. 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    Dissertation/ Thesis
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