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1Academic Journal
المؤلفون: 談玉儀, Tan, Yuh-yi
المساهمون: 文山評論：文學與文化
مصطلحات موضوعية: 憂鬱, 自戀, 宮籟, 母性慾物, 想像父親, 探戈, depression/melancholy, narcissism, chora, mother-Thing, object mother, imaginary father, the tango
وصف الملف: 995422 bytes; application/pdf
Relation: 文山評論：文學與文化, 14(1), 115-149; https://nccur.lib.nccu.edu.tw//handle/140.119/137838; https://nccur.lib.nccu.edu.tw/bitstream/140.119/137838/1/146.pdf
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2
المؤلفون: 李秀娟
المساهمون: 國立臺灣師範大學英語學系
مصطلحات موضوعية: 亞美文學, 性別政治, 陰性, 宮籟緣起, 棄卻, 無名女人, 族裔書寫, Asian-American literature, Sexual politics, Femininity, Choric cause, Abjection, No Name Woman, Ehnic writing
Relation: 中外文學，32（10）＝382，65-83。; ntnulib_tp_B0205_01_013; http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/44186
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3Dissertation/ Thesis
المؤلفون: 翁偉銘
المساهمون: 指導教授：曾麗玲, 臺灣大學：外國語文學研究所
Relation: http://ntur.lib.ntu.edu.tw/bitstream/246246/261579/1/ntu-103-R98122011-1.pdf; http://ntur.lib.ntu.edu.tw/handle/246246/261579
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4Dissertation/ Thesis
المؤلفون: 翁偉銘, Weng, Wei-Ming
المساهمون: 指導教授：曾麗玲, 臺灣大學：外國語文學研究所
وصف الملف: 771621 bytes; application/pdf
Relation: http://ntur.lib.ntu.edu.tw/handle/246246/261579; http://ntur.lib.ntu.edu.tw/bitstream/246246/261579/1/ntu-103-R98122011-1.pdf
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المؤلفون: 張台瓊, Chang, Tai-chiung
المساهمون: 淡江大學英文學系博士班, 蔡淑玲, Tsai, Shu-ling
مصطلحات موضوعية: 吳爾芙, 克莉絲蒂娃, 宮籟, Virginia Woolf, Julia Kristeva, stream-of-consciousness vs. psychoanalysis, modernism vs. modernity, the problematic of language, writing, genotexts, materiality of language, signifying process, material enunciation, heterogeneous sense of self, poetic language, the semiotic chora, the abject, abjection of self, the metaphorical association, counterdepressant
وصف الملف: 143 bytes; application/octet-stream
Relation: Works Cited Primary Sources Woolf, Virginia. A Room of One’s Own and Three Guineas. 1929 and 1938. Oxford: Oxford UP, 2000. - - -. Between the Acts. 1941. London: Vintage, 2000. - - -. Collected Essays. Vol. 2. London: Hogarth P, 1972. - - -. Congenial Spirits: The Selected Letters of Virginia Woolf. Ed. Joanne Trautmann Banks. Orlando: Harcourt Brace Jovanovich, 1989. - - -. Jacob’s Room. 1922. London: Vintage, 2000. - - -. Mrs. Dalloway. 1925. London: Harcourt, 1953. - - -. Moments of Being: A Collection of Autobiographical Writing. 1976. Ed. Jeanne Schulkind. 2 ed. New York: Harcourt, 1985. - - -. Night and Day. Harmondworth, Middlesex, and England: Penguin, 1969. - - -. The Common Reader: First Series. 1925. Ed. and Intro. Andrew McNeille. New York: Harcourt, 1984. - - -. The Death of Moth and Other Essays. New York: Harcourt, 1942. - - -. The Diary of Virginia Woolf. Ed. Anne Olivier Bell. 5 vols. 1977-84. New York: Penguin, 1979-85. - - -. The London Scene: Five Essays by Virginia Woolf. 1975. New York: Random House, 1982. - - -, et al. The Mrs. Dalloway Reader. New York: Harcourt, 2003. - - -. The Second Common Reader. 1932. Ed. and Intro. Andrew McNeille. New York: Harcourt, 1986. - - -. To the Lighthouse. 1927. New York: Harcourt Brace & World, 1955. - - -. The Waves. 1931. London: Penguin Books, 1992. Secondary Sources Abel, Elizabeth. Virginia Woolf and the Fiction of Psychoanalysis. Chicago: Chicago UP, 1989. Arnold, Matthew. Culture and Anarchy. 1869. Ed. Samuel Lipman. New Haven & London: Yale UP, 1994. Auerback, Erich. “The Brown Stocking.” Modern Critical Views: Virginia Woolf. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 19-40. Barthes, Roland. Elements of Semiology. Trans. Annette Lavers and Colin Smith. New York: Hill and Wang, 1994. - - -. “From Work to Text.” The Rustle of Language. 1984. Trans. Richard Howard. New York: Hill and Wang, 1986. 56-64. - - -. “From Science to Literature.” The Rustle of Language. 1984. Trans. Richard Howard. New York: Hill and Wang, 1986. 3-10. - - -. “Introduction to the Structural Analysis of Narratives.” Image, Music, Text. Trans. Stephen Heath. New York: Hill and Wang, 1977. 79-124. - - -. “Kristeva’s Semeiotike.” The Rustle of Language. 1984. Trans. Richard Howard. New York: Hill and Wang, 1986. 168-71. - - -. “Responses: Interview with Tel Quel.” The Tel Quel Reader. Ed. Patrick ffrench and Roland-François Lack. London and New York: Routledge, 1998. 249-68. - - -. “The Death of the Author.” Image, Music, Text. Trans. Stephen Heath. New York: Hill and Wang, 1977. 142-48. - - -. “To Write: An Intransitive Verb?” 1970. The Rustle of Language. 1984. Trans. Richard Howard. New York: Hill and Wang, 1986. 11-21. - - -. Writing Degree Zero. 1953. Trans. Annette Lavers and Colin Smith. New York: Hill and Wang, 1968. Baudelaire, Charles. “The Painter of Modern Life.” 1964. Trans. Jonathan Mayne. From Modernism to Postmodernism: An Anthology. 1996. Ed. Lawrence E. Cahoone. Malden and Oxford: Blackwell, 1999. 136-44. Briggs, Julia. “The novels of the 1930s and the impact of history.” (sic.) The Cambridge Companion to Virginia Woolf. Eds. Sue Roe and Susan Sellers. Cambridge, Cambridge UP, 2000. 72-90. Bell, Daniel. The Cultural Contradictions of Capitalism. NY: Basic Books, 1976. Bell, Quentin. Virginia Woolf: A Biography. New York: Harvest Books, 1974. Benveniste, Emile. Problems in General Linguistics. 1966. Trans. Mary Elizabeth Meek. Coral Gables: U of Miami P, 1971. Bloom, Harold, ed. Virginia Woolf. New York: Chelsea, 1988. Bradbury, Malcolm. The Modern British Novel. 1993. London: Penguin Books, 1994. - - - and James McFarlane, eds. Modernism: A Guide to European Literature: 1890-1930. 1976. London: Penguin Books, 1991. Cohn, Dorrit. Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. 1978. Princeton: Princeton UP, 1983. Derrida, Jacque. “The Law of Genre.” Acts of Literature. Ed. Derek Attridge. New York: Routledge, 1992. 221-53. - - -. “Différance.” A Derrida Reader: Between the Blinds. Ed. Peggy Kamuf. New York: Columbia UP, 1991. 59-79. - - -. Of Grammalogy. 1974. Trans. Gayatri Chakravorty Spivak. Baltimore: John Hopkins UP, 1997. Dodd, Elizabeth. “‘On the floor of the mind:’ Sentence Shape and Rhythm in Ms. Dalloway.” The Midwest Quarterly 36.3 (1995): 275-88. Dowling, David. Mrs. Dalloway: Mapping Streams of Consciousness. Boston: Twaynes Publishers, 1991. Eysteinsson, Astradur. The Concept of Modernism. Ithaca and London: Cornell UP, 1990. Ffrench, Patrick and Roland-François Lack, eds. The Tel Quel Reader. London and New York: Routledge, 1998. Freud, Sigmund. The Freud Reader. Ed. Peter Gay. New York: Norton, 1989. Frank, Joseph. “Spatial Form in Modern Literature.” Theory of Novel: A Historical Approach. Ed. Michael McKeon. John Hopkins UP, 2000. 784-802. Friedman, Melvin. Stream of Consciousness: A Study in Literary Method. London: Oxford UP, 1955. Habermas, Jurgen. “Modernity—An Incomplete Project.” 1981. Postmodernism: A Reader. Ed. Thomas Docherty. New York: Columbia UP, 1993. 98-109. Hinnov, Emily M. “Shufflings of Kristeva: the Choran Moment in Virginia Woolf.” Woolf Studies Annual 8 (2002): 175-98. Humphrey, Robert. The Stream of Consciousness in the Modern Novel. Berkeley, Los Angeles, London: California UP, 1954. Jakobson, Roman. “Concluding Statement: Linguistics and Poetics.” 1960. Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longaman, 1988. 32-57. - - -. “Two Aspects of Language and Two Types of Aphasic Disturbances.” Fundamental of Language. The Hague: Mouton & Co, 1956. 55-82. Kennedy, J. Gerald. Imagining Paris: Exile, Writing, and American Identity. New Haven & London: Yale UP, 1993. Kristeva, Julia. Black Sun: Depression and Melancholy. 1987. Trans. Leon S. Roudiez. New York: Columbia UP, 1989. - - -. Desire in Language: A Semiotic Approach to Literature and Art. 1977. Ed. Leon S. Roudiez. Trans. Thomas Gora, Alice Jardine, and Leon S. Roudiez. New York: Columbia UP, 1980. - - -. Language: The Unknown: An Initiation into Linguistics. 1969. Trans. Anne M. Menke. New York: Columbia UP, 1989. - - -. Powers of Horror: An Essay on Abjection. 1980. Trans. Leon S. Roudiez. New York: Columbia UP, 1982. - - -. Revolution in Poetic Language. 1974. Trans. Margaret Waller. New York: Columbia UP, 1984. - - -. Strangers to Ourselves. Trans. Leon S. Roudiez. New York: Columbia UP, 1991. - - -. Tales of Love. Trans. Leon S. Roudiez. New York: Columbia UP, 1987. - - -. “The Subject in Process.” The Tel Quel Reader. Ed. Patrick ffrench and Roland-François Lack. London and New York: Routledge, 1998. 133-78. - - -. “The System and the Speaking Subject.” The Kristeva Reader. Ed. Toril Moi. Trans. Leon S. Roudiez. New York: Columbia UP, 1986. 24-33. Lacan, Jacques. The Four Fundamental Concepts of Psycho-Analysis. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York: W. W. Norton & Company, 1981. - - -. Écrits: A Selection. 1966. Trans. Alan Sheridan. New York: W. W. Norton & Company, 1977. - - -. The Ethics of Psychoanalysis 1959-1960: The Seminar of Jacques Lacan Book VII. 1986. Ed. Jacques-Alain Miller. Trans. Dennis Porter. New York: W.W. Norton & Company, 1992. Lodge, David. “The Language of Modernist Fiction: Metaphor and Metonymy.” Modernism: A Guide to European Literature:1890-1930. 1976. London: Penguin Books, 1991. 481-97. Laurence, Patricia Ondek. The Reading of Silence: Virginia Woolf in the English Tradition. Standford: Standford UP, 1991. Lee, Hermione. Virginia Woolf. 1996. New York: Vintage Books, 1997. Levenson, Michael. The Cambridge Companion to Modernism. Cambridge: Cambridge UP, 1999. Marcus, Jane. “Britannia Rules The Waves.” Virginia Woolf: A Collection of Critical Essays. Ed. Margaret Homans. Englewood Cliffs: Prentice-Hall, 1993. 227-48. Marcus, Laura. “Woolf’s Feminism and Feminism’s Woolf.” The Cambridge Companion to Virginia Woolf. Eds. Sue Roe and Susan Sellers. Cambridge, Cambridge UP, 2000. 209-44. McVicker, Jeanette. “Six Essays on London Life:” A History of Dispersal Part I.” Woolf Studies Annual 9 (2003): 143-65. Minow-Pinkney, Makiko. Virginia Woolf & the Problem of the Subject. New Brunswick: Rutgers UP, 1987. Moi, Toril. “Who’s Afraid of Virginia Woolf?: Feminist Readings of Woolf.” Sexual/Textual Politics: Feminist Literary Theory. London: Methuen, 1985. 1-18. Moran, Patricia. “Virginia Woolf and the Scene of Writing.” Modern Fiction Studies 38.1 (1992): 81-98. Nalbantian, Suzanne. Aesthetic Autobiography: From Life to Art in Marcel Proust, James Joyce, Virginia Woolf and Anais Nin. London: Macmillan P, 1994. Nicholls, Peter. Modernism: A Literary Guide. Houndmills and London: Macmillan P, 1995. Reed, Herbert. Art Now: An Introduction to the Theory of Modern Painting and Sculpture. London: Faber and Faber, 1933. Seeley, Tracy. “Virginia Woolf’s Poetics of Space: ‘The Lady in the Looking-Glass: A Reflection’.” Wools Studies Annual 2 (1996): 89-116. Showalter, Elaine. “Virginia Woolf and the Flight into Androgyny.” Twenty Years On: A Literature of Their Own. 1977. Princeton: Princeton UP, 1999. 263-97. Snaith, Anna. Virginia Woolf: Public and Private Negotiations. London: Macmillan, 2000. Spiro, Joanna Emily. “Facing Texts: Autobiographical Reckoning with the Second World War in Woolf, H.D. Duras, and Perec.” Diss. U Michigan, 1996. Squier, Susan M. Virginia Woolf and London: The Sexual Politics of the City. Chapel Hill and London: U of North Carolina P, 1985. Stevenson, Randall. Modernist Fiction: An Introduction. Lexington: UP of Kentucky, 1992. Steinberg, Erwin R, ed. The Stream-of-Consciousness Technique in the Modern Novel. NY: Kennikat P, 1979. Transue, Pamela J. Virginia Woolf and the Politics of Style. Albany: SUNY, 1986. Tsai, Shuling. “The Experience of the Limit Approaching the Unknown in Maurice Blanchot’s The Madness of the Day in the Light of Kristeva’s Chora.” Tamkang Review 33. 1. Fall 2002: 145-65. - - -. “Kristeva''s Chora--The Alienation of Subject and the Limit of Discourse.” Chung Wai Literary Monthly 30.8 Jan. 2002: 158-82. - - -. “The Metaphor of Modernity, the Modernity of Metaphor—Kristeva’s Version of Baudelaire’s Dandysme.” Chung Wai Literary Monthly 30.11 Apr. 2002: 10-31. - - -. “The Modernity of Criticism: Roland Barthes, Baudelaire and Proust.” NSC Project 2004.8. - - -. “The Modernity in Tel Quel: the Interpretation of the In-between.” NSC Project 2001. 8. Wang, Ban. “‘I’ on the Run: Crisis of Identity in Mrs. Dalloway.” Modern Fiction Studies 38.1 (1992): 177-90. Wilson, Jean Moorcroft. Virginia Woolf: Life and London. New York and London: W.W. Norton & Company, 1987. Zemgulys, Andrea Patricia. “‘Night and Day is Dead’: Virginia Woolf in London “Literary and Historic.” Twentieth Century Literature 46.1 (Spring 2000): 56-77. - - -. “Writers’ Blocks: London, Modernism, and the Place of the Literary” Diss. U of California, Berkley, 2001.; U0002-3107200612133100; http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/29949; http://tkuir.lib.tku.edu.tw:8080/dspace/bitstream/987654321/29949/1/
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المؤلفون: 張台瓊, Chang, Tai-chiung
المساهمون: 淡江大學英文學系博士班, 蔡淑玲, Tsai, Shu-ling
مصطلحات موضوعية: 吳爾芙, 克莉絲蒂娃, 宮籟, Virginia Woolf, Julia Kristeva, stream-of-consciousness vs. psychoanalysis, modernism vs. modernity, the problematic of language, writing, genotexts, materiality of language, signifying process, material enunciation, heterogeneous sense of self, poetic language, the semiotic chora, the abject, abjection of self, the metaphorical association, counterdepressant, lang, litt
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المؤلفون: 談玉儀, Tan, Yuh-yi
المساهمون: 淡江大學英文學系博士班, 海柏, Haseltine, Patricia, 楊銘塗, Yang, Ming-tu
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المؤلفون: 蔡淑玲
المساهمون: 淡江大學法國語文學系
Relation: 中外文學=Chung-Wai Literary Monthly 30(8)=356，頁158-182; http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/28684; http://tkuir.lib.tku.edu.tw:8080/dspace/bitstream/987654321/28684/-1/index.html