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1Academic Journal
المؤلفون: Henry Hill
مصطلحات موضوعية: 新冠病毒, SARS-COV-2, 终结共产瘟疫, 人类末路, 世界末日, Standardization, Pivot Philanthropism, End Doomsday, 大西洋宪章
Relation: https://doi.org/10.5281/zenodo.4943959; https://doi.org/10.5281/zenodo.4957200; oai:zenodo.org:4957200
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2Academic Journal
المؤلفون: Henry Hill
مصطلحات موضوعية: 新冠病毒, SARS-COV-2, 终结共产瘟疫, 人类末路, 世界末日, Standardization, Pivot Philanthropism, End Doomsday
Relation: https://doi.org/10.5281/zenodo.4944069; https://doi.org/10.5281/zenodo.4944070; oai:zenodo.org:4944070
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3Academic Journal
المؤلفون: Henry Hill
مصطلحات موضوعية: 新冠病毒, SARS-COV-2, 终结共产瘟疫, 人类末路, 世界末日, Standardization, Pivot Philanthropism, End Doomsday, 大西洋宪章
Relation: https://doi.org/10.5281/zenodo.4944069; https://doi.org/10.5281/zenodo.4957179; oai:zenodo.org:4957179
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4Academic Journal
المؤلفون: Henry Hill
مصطلحات موضوعية: 新冠病毒, SARS-COV-2, 终结共产瘟疫, 人类末路, 世界末日, Standardization, Pivot Philanthropism, End Doomsday
Relation: https://doi.org/10.5281/zenodo.4943959; https://doi.org/10.5281/zenodo.4943960; oai:zenodo.org:4943960
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5Dissertation/ Thesis
المساهمون: 陳儒修, Chen, Ru-Shou
مصطلحات موضوعية: 人際關係理論, 相互依賴模式, 《去 X 的世界末日》, 敘事理論, 功能項, Model of Interdependence, Six Stages of Relationship, The End of the F***ing World, Narrative theory, Narrative functions
وصف الملف: 17098421 bytes; application/pdf
Relation: 一、 中文文獻\n(一)中文書\n參考文獻\n呂妮霖(2008)。《好萊塢後現代童話電影的敘事轉向分析》。國立政治大學廣播 電視學系碩士論文。\n胡亞敏(2014)。《敘事學》。臺中市:若水堂。 孫曉雅(2013)。《影響社群網站自我揭露行為之研究》。國立政治大學資訊管理\n研究所碩士論文。\n徐西森、連廷嘉、陳仙子、劉雅瑩(2002)。《人際關係的理論與實務》(初 版)。新北市:心理出版社。\n郭旭琪(2010)。《台灣童話故事的故事結構──以賞善罰惡民間故事為例》。臺 灣師範大學大眾傳播研究所碩士論文。\n陳皎眉(2004)。《人際關係的意義、特性與重要性》。臺北市:雙葉書廊。 程予誠(2019)。《電影敘事影像美學:剪接理論與實證》。臺北市:五南。\n游恒山(2020)。《圖解變態心理學(第二版)》。臺北市:五南。\n趙毅衡(2012)。《符號學》。臺北市:新銳文創。\n蔡文輝(2016)。《社會學理論》。臺北市:三民。\n蘇郁惠(2009)。《遭受關係攻擊與青少年社會心理適應:以社會支持為調節變 項》。國立交通大學教育研究所碩士論文。\n(二)中文譯書\n王慶福、洪光遠、程淑華、王郁茗合譯(2007)。《社會心理學》(初版二刷)。 臺北市:雙葉書廊。(原書 Brehm, S. S., Kassin, S. M., & Fein, S. [2005]. Social Psychology 6th Edition. Boston, MA :Houghton Mifflin College Div.)\n成令方、林鶴玲、吳嘉芬譯(2006)。《見樹又見林》(中文版第二版)。臺北 市:群學。(原書 Allan G. Johnson. [1997]. The Forest and the Trees: Sociology as Life, Practice, and Promise 3rd Ed. Philadelphia, Penn: Temple University Press. )\n呂繼先譯(2019)。《超棒電視影集這樣寫》(初版二刷)。臺北市:鏡文學。(原 書 Douglas, P. [2011]. Writing The TV Drama Series: How to Succeed as a Professional Writer in TV (3rd Edition). San Francisco, CA: Michael Wiese Productions.)\n周海娟、郭盛哲、黃信洋譯(2013)。《社會心理學:歐洲的觀點》。台北市:學 富文化事業有限公司。(原書 Hewstone, M., Stroebe, W., Jonas, K. [2007]. Introduction to Social Psychology: A European Perspective. London, UK: BPS Blackwell)\n易智言等譯(2017)。《電影編劇新論》(最新增訂第四版)。臺北市:遠流。(原 書 Dancyger, K., & Rush, J. [1991]. Alternative Scriptwriting. Burlington, New Jersey: Focal Press.)\n洪光遠主譯、連庭嘉審閱(2021)。《青少年心理學:發展、關係與文化》(第二 版)。臺北市:學富文化事業有限公司。(原書 Dolgin, K. G. [2011]. The Adolescent: Development, Relationships, and Culture (13th Edition.). London, UK: PEARSON.)\n國立編譯館主譯、王文秀、陸洛譯(1995)。《人際行為心理學》。高雄市:巨流 圖書公司。(原書 Argyle, M. [1967]. The psychology. of. interpersonal behavior. London, UK: Penguin.)\n張錦華譯(2002)。《傳播符號學理論》。臺北市:遠流。(原書 Fiske, J. [1995]. Introduction of Communication Studies. Oxfordshire, UK: Routledge.)\n張瓅文譯(2020)。《想清楚,寫明白:好的影視、劇場、小說故事必備的七大 元素》。臺北市:商周出版。(原書 Bork, E. [2018]. The Idea: The Seven Elements of a Viable Story for Screen, Stage or Fiction. Cleveland, Ohio: Overfall Press; Illustrated edition.)\n莊仲黎譯(2020)。《榮格論:自我與無意識》。臺北市:商周出版。(原書 Jung, C. [2019]. Die Beziehungen zwischen dem Ich und dem Unbewussten. Baden- Württemberg, Deutschland: Patmos.)\n陳儒修、郭幼龍譯(2006)。《電影理論解讀》。臺北市:遠流。(原書 Stam, R. [2000]. Film Theory: An Introduction. Hoboken, New Jersey :Wiley- Blackwell.)\n曾偉禎譯(2017)。《電影藝術:形式與風格》(第十版)。臺北市:麥格羅‧希 爾。(原書 Bordwell, D., & Thompson, K. [2013]. Film Art: An Introduction 10th Edition. New York, NY: McGraw-Hill Education.)\n焦雄屏譯(2010)。《認識電影-最新修訂第十版》。臺北市:遠流。(原書 Giannetti, L. [2004]. Understanding Movies (10th Edition.). New York, NY: Pearson College Div.)\n黃婉華譯(2017)。《先讓英雄救貓咪 2》。新北市:雲夢千里。(原書 Snyder, B. [2007]. Save the Cat! Goes to the Movies: The Screenwriter`s Guide to\nEvery Story Ever Told. Los Angeles, California: Michael Wiese Productions.)\n黃鈴媚、江中信、葉蓉慧譯(2007)。《人際關係與溝通》(11 版)。新北市:前 程文化。(原書 Verderber, K. S., Verderber, R. F., & Berryman-Fink, C. [2006]. Inter-Act: Interpersonal Communication Concepts, Skills, and Contexts. Oxford, UK: Oxford University Press.)\n賈放譯(2006)。《故事形態學》。北京市,北京:中華書局。(原書 Propp, V. Y. [1968]. Morphology of the Folktale. Bloomington, IN: Indiana University Research Center in Anthropology, Folklore, and Linguistics.)\n楊智捷譯(2020)。《鏡頭之後:電影攝影的張力、敘事與創意》。(原書 Mercado, G. [2010]. The Filmmaker`s Eye: Learning (and Breaking) the Rules of Cinematic Composition. London, UK: Routledge)\n蔡鵑如譯(2020)。《作家之路──從英雄的旅程學習說一個好故事(全譯本)》 (初版七刷)。臺北市:商周出版。(原書 Vogler, C. [2007]. The Writers Journey:Mythic Structure for Writers. Los Angeles, California: Michael Wiese Productions.)\n戴榕儀譯(2021)。《超實用對白寫作攻略:你的角色不能廢話連篇!好萊塢頂 尖編劇顧問的 12 堂大師寫作課》(初版)。臺北市:創意市集。(原書 Seger, L. & Rainey, J. W. [2020]. You Talkin` to Me?: How to Write Great Dialogue. Los Angeles, California: Michael Wiese Productions.)\n(三)期刊文章\n無名氏、無年代。\nhttps://nccur.lib.nccu.edu.tw/bitstream/140.119/33293/10/55400710.pdf\n梁啟慧(2006)。〈談電影音樂及當代原創配樂大師〉,《藝術欣賞》,2(10): 17-22。\nhttps://tpl.ncl.edu.tw/NclService/JournalContentDetail?SysId=A07006491 黎世珍、譚瓊(2017)。〈電影伴隨文本中的符號學探析〉,《電影評介》,10: 77-\n79。 蔡定昌(2020)。〈以普洛普功能項分析比較〈西山一窟鬼〉與〈牡丹燈記〉之\n故事類型〉,《文學前瞻》,20: 131-150。\n賴玉釵(2016a)。〈跨媒介敘事與擴展「敘事網絡」歷程初探:以國際大獎繪本 之跨媒介轉述為例〉,《新聞學研究》,126: 133-198。 http://dx.doi.org/10.30386/MCR.201601_(126).0004\n賴玉釵(2016b)。〈跨媒介敘事與數位傳散策略:評析《擴散媒介:網絡文化、 創建價值及新義》〉(書評),《新聞學研究》,128: 195-206。\n戴嘉南、鄭照順(1996)。〈高壓力青少年所知覺之家庭、社會支持及其因應效 能之研究〉,《學生輔導雙月刊》,47: 128-142。\n(四)網路資料\n米格兔(2020 年 7 月 14 日)。〈《去 X 的世界末日》:這個破碎的世界〉。【VOCUS 方格子】。取自: https://vocus.cc/article/5f0d1c04fd89780001763d5d\n何晨瑋(2020 年 5 月 18 日)。〈結婚究竟是幸福,還是愛情墳墓?由「社會交 換理論」理解婚姻中的關係〉,《PanSci 泛科學》。取自 https://pansci.asia/archives/185336\n何雅雯(無日期)。敘事與敘事學(Narrative and Narratology)。取自台灣文學館 線上資料平台\nhttps://db.nmtl.gov.tw/site2/dictionary?id=Dictionary00023&searchkey=何雅 雯\n吳承紘(2017)。〈自製專題〈厭世代:低薪、貧窮與看不見的未來〉,《關鍵評 論網》。取自 https://www.thenewslens.com/feature/millenial-angst/67092\n《國家電影及視聽文化中心》(無日期)。取自國家電影及視聽文化中心官網\nhttps://edumovie.culture.tw/activities_info.php?id=391\n《國家電影及視聽文化中心》(無日期)。取自國家電影及視聽文化中心官網\nhttps://edumovie-tfai.org.tw/article/content/466\n斯瑪特之不斯瑪特(2020 月 5 月 15 日)。〈《去 X 的世界末日》-這世界很爛又 怎樣?只要我愛你〉。【VOCUS 方格子】。取自 https://vocus.cc/article/5ebe052ffd89780001507a12\n黃軒(2021 年 6 月 8 日)。〈居家防疫讓壓力鍋爆炸?醫籲當心新冠壓力症候 群〉,《元氣網》。上網日期:2021 年 8 月 29 日。取自 https://health.udn.com/health/story/121947/5516845\n黃國治、盧其宏(2021 年 7 月 29 日)。〈減班人數暴增、失業率創 10 年新高、服務業雪崩式滑落─從數據看疫情對產業衝擊〉,《報導者》。上網日期: 2021 年 8 月 29 日。https://www.twreporter.org/a/covid-19-unemployment- and-economic-impacts-statistics\n網綠 NetGreen(2019 年 3 月 10 日)。〈【NetGreen 聊影集】去 X 的世界末日─ ─燒盡青春,只為換一道燦爛〉。【VOCUS 方格子】。取自 https://vocus.cc/article/5c82ae61fd8978000170bfb6\n\n\n二、 西文文獻\nAron, A., Aron, E. N., Tudor, M., & Nelson, G. (2004). Close Relationships as Including Other in the Self. In H. T. Reis & C. E. Rusbult (Eds.), Close relationships: Key readings (pp. 365–379). London, UK: Taylor & Francis.\nBaudry, J.-L., & Williams, A. (1974). Ideological Effects of the Basic Cinematographic Apparatus. Film Quarterly, 28(2), 39–47. https://doi.org/10.2307/1211632\nBBC. (2019, Nov 1). How The End of the F***ing World became a cult TV phenomenon. Retrieved June 1, 2023, from https://www.bbc.com/culture/article/20191101-how-the-end-of-the-fing- world-became-a-cult-tv-phenomenon\nBerscheid, E., Snyder, M., & Omoto, A. M. (1989). Issues in studying close relationships: Conceptualizing and measuring closeness. Review of Personality and Social Psychology, 10, 63-91.\nBoon, S. D. (1994). Dispelling doubt and uncertainty: Trust in Romantic Relationships. In S. W. Duck (Ed.), Understanding relationship processes: Vol. 4. The dynamics of relationships, 86-111. Newbury Park, CA: Sage.\nCalvisi, D. P. (2016). Story maps : TV drama : the structure of the one-hour television pilot / by Daniel P. Calvisi. (1st edition.). Redondo Beach, CA: Act Four Screenplays.\nCanary, D. J., & Dainton, M. (2003). Maintaining Relationships Trough Communication: Relational, Contextual and Cultural Variations. Lawrence Erlbaum Associates Publishers. https://doi.org/10.4324/9781410606990\nChatman, S. B. (1978). Story and discourse: Narrative structure in fiction and film. Ithaca, NY: Cornell University Press.\nCook, M. (2021). Write to TV : out of your head and onto the screen (Third edition.). 52 Vanderbilt Avenue, NY: Routledge.\nDavies, H. J. (2019, Nov 9). Interview: Alex Lawther on The End of the F***ing World: ‘He’s not a psychopath, he’s just very sad’. The Guardian. Retrieved July 3, 2023, from https://www.theguardian.com/tv-and- radio/2019/nov/09/the-end-of-the-fing-world-alex-lawther-he-is-not-a- psychopath-he-is-just-very-sad\nDeguzman, K. (2020, Aug 3). The Handheld Shot in Film — Definition and Examples. Studiobinder. Retrieved June 20, 2023, from https://www.studiobinder.com/blog/handheld-shot-in-film-definition- examples/\nDeVito, Joseph A. (2019). The Interpersonal Communication Book (15th Edition.). London, UK: PEARSON.\nDiener, E. (2000). Subjective well-being: The science of happiness and a proposal for a national index. American Psychologist, 55(1), 34–43. https://doi.org/10.1037/0003-066X.55.1.34\nFeybesse, C., & Hatfield, E. (2019). Passionate love. In R. J. Sternberg & K. Sternberg (Eds.), The new psychology of love (pp. 183–207). Cambridge, UK: Cambridge University Press.\nFANTAGRAPHICS BLOG. (2018, Jan 11). The End of The F***ing World – Reprinted!. Retrieved December 30, 2021, from https://blog.fantagraphics.com/end-fing-world-reprinted/\nFinkel, E. J., Simpson, J. A., & Eastwick, P. W. (2017). The Psychology of Close Relationships: Fourteen Core Principles. Annual review of psychology, 68, 383–411. https://doi.org/10.1146/annurev-psych-010416-044038\nGenette, G., Lewin, J.E., & Culler, J.D. (1980). Narrative discourse : an essay in method. Comparative Literature, 32, 413. Retrieved March 30, 2022, from https://ia802908.us.archive.org/24/items/NarrativeDiscourseAnEssayInMetho d/NarrativeDiscourse-AnEssayInMethod.pdf\nGottlieb, B. H. (1983). Social support as a focus for integrative research in psychology. American Psychologist, 38(3), 278–287. https://doi.org/10.1037/0003-066X.38.3.278\nGump, B. B., & Kulik, J. A. (1997). Stress, affiliation, and emotional contagion. Journal of Personality and Social Psychology, 72(2), 305–319. https://doi.org/10.1037/0022-3514.72.2.305\nHooley, J. M., Nock, M. K., & Butcher, J. N., (2021). Abnormal Psychology. London, UK: PEARSON.\nIMDb. (Unknown). The End of the F***ing World: Awards. Retrieved June 30. 2023, from https://www.imdb.com/title/tt6257970/awards/\nJenkins, H. (2006). Convergence culture: Where old and new media collide. New York, NY: New York University Press.\nKelley, H. H., Berscheid, E., Christensen, A., Harvey, J. H., Huston, T. L., Levinger, G., McClintock, E., Peplau, L. A., & Peterson, D. R. (1983). Close relationships. New York: Freeman.\nKlinger, E. (1977). Meaning & void: Inner experience and the incentives in people`s lives. Minneapolis, Minnesota: University of Minnesota Press.\nKuhn, A. & Westwell, G. (2020). A Dictionary of Film Studies (2 ed.). Oxford, UK: Oxford University Press.\nLange, P.A., & Balliet, D. (2014). Interdependence Theory. American Psychological Association. DOI:10.4135/9781446201022.n39\nLannom, S.C. (2019, May 13). Shot Reverse Shot: Reaction Shots, Cutaways, and Coverage. Studiobinder. Retrieved June 13, 2023, from https://www.studiobinder.com/blog/shot-reverse-shot-cutaways-coverage/\nLeary, M. R. (2001). Social anxiety as an early warning system: A refinement and extension of the self-presentation theory of social anxiety. In S. G. Hofmann & P. M. DiBartolo (Eds.), From social anxiety to social phobia: Multiple perspectives, 321–334. Boston, MA: Allyn & Bacon.\nLevinger, G. (1980). Toward the Analysis of Close Relationships. Journal of Experimental Social Psychology, 16(6), 510-544. https://doi.org/10.1016/0022-1031(80)90056-6\nLittlejohn, S. W. (2002). Theories of Human Communication. (7th ed.). Belmont, CA: Wadsworth/ Thomson Learning.\nLuft, J. (1984). Group process: An introduction to group dynamics (3rd ed.). Houston, TX: Mayfield Pub Co.\nMarta, L. M. & Manel, J-M & Mònika, M. (2023). Narrative representation of depression, ASD, and ASPD in «Atypical», «My Mad Fat Diary» and «The End of The F***ing World». Communication & Society. 36(1). 17-34. 10. https://doi.org/10.15581/003.36.1.17-34.\nMalo, D. S. (2022, Dec 11). What is a Tragic Hero — Definition, Examples & Characteristics. Studiobinder. Retrieved July 2, 2023, from https://www.studiobinder.com/blog/what-is-a-tragic-hero-definition/\nMcKee, A. (2003). What is textual analysis?. In Textual analysis, 2-33. SAGE Publications Ltd, https://dx.doi.org/10.4135/9780857020017\nMcAdams, D. P. (1989). Intimacy: The need to be close. New York, NY: Doubleday & Co.\nMurstein, B. I., & Azar, J. A. (1986). The relationship of exchange-orientation to friendship intensity, roommate compatibility, anxiety, and friendship. Small Group Behavior, 17(1), 3–17. https://doi.org/10.1177/104649648601700101\nNash, J., & Snyder, B. (2021). Save the Cat! writes for TV : the last book on creating binge-worthy content you’ll ever need. Los Angeles, CA: Save the Cat! Press.\nNicholson, R. (2019, Nov 4). The End of the F***ing World review – coal-black comedy makes a killer return. The Guardian, TV & radio Review. Retrieved June 30, 2023, from https://www.theguardian.com/tv-and- radio/2019/nov/04/the-end-of-the-fing-world-review-coal-black-comedy- makes-a-killer-return\nPerlman, D., & Fehr, B. (1986). Theories of friendship: An analysis of interpersonal attraction. In V.J. Derlega & B. A. Winstead (Eds.), Friendship and social interaction. 9-40. Springer-Verlag. https://doi.org//10.1007%2F978-1-4612- 4880-4_2\nRisk, M. (2020, July 27). How to Use Color in Film: 50+ Examples of Movie Color Palettes. Studiobinder. Retrieved June 8, 2023, from https://www.studiobinder.com/blog/how-to-use-color-in-film-50-examples-of- movie-color-palettes/\nRofé, Y. (1984). Stress and affiliation: A utility theory. Psychological Review, 91(2), 235–250. https://doi.org/10.1037/0033-295X.91.2.235\nSamter, W. (2003). Friendship interaction skills across the life-span. In J. O. Greene & B. R. Burleson (Eds.), Handbook of communication and social interaction skills, 637–684. Mahwah, NJ: Lawrence Erlbaum Associates Publishers.\nSchmitt, D. P., Alcalay, L., Allik, J., Ault, L., Austers, I., Bennett, K. L., Bianchi, G., Boholst, F., Cunen, M. A., Braeckman, J., Brainerd, E. G., Jr, Caral, L. G., Caron, G., Casullo, M. M., Cunningham, M., Daibo, I., De Backer, C., De Souza, E., Diaz-Loving, R., Diniz, G., . International Sexuality Description Project (2003). Universal sex differences in the desire for sexual variety: tests from 52 nations, 6 continents, and 13 islands. Journal of personality and social psychology, 85(1), 85–104. https://doi.org/10.1037/0022-3514.85.1.85\nSchutz, W. C. (1958). FIRO: A three-dimensional theory of interpersonal behavior. New York, NY: Rinehart.\nSchutz, W. (1966). The Interpersonal Underworld. Palo Alto, CA: Science & Behavior Books.\nTwenge, J. M., Catanese, K. R., & Baumeister, R. F. (2003). Social Exclusion and the Deconstructed State: Time Perception, Meaninglessness, Lethargy, Lack of Emotion, and Self-Awareness. Journal of Personality and Social Psychology, 85(3), 409–423. https://doi.org/10.1037/0022-3514.85.3.409\nVan Lange, P., & Rusbult, C. (2012). Interdependence theory. In P. A. Handbook of theories of social psychology: volume 2, 251-272. SAGE Publications Ltd. https://www.doi.org/10.4135/9781446249222.n39\n無名氏、無年代。https://pdfcoffee.com/devito-levinger-pdf-free.html\n\n\n三、 視聽媒體資料\nOgborn, K. (Producer), & Entwistle, J., Tcherniak, L., Forbes, L., & Ekaragha, D. (Director). (2017, 2019). The End of the F***ing World [Television series]. United Kingdom: Clerkenwell Films, & Dominic Buchanan Productions.; G0108464037; https://nccur.lib.nccu.edu.tw//handle/140.119/147108; https://nccur.lib.nccu.edu.tw/bitstream/140.119/147108/1/403701.pdf
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6Academic Journal
المؤلفون: 王丽
المساهمون: 北京大学朗润基金会
المصدر: 知网 ; 万方 ; http://d.g.wanfangdata.com.cn/Periodical_zgzlwlx201610041.aspx
Relation: 中国质量万里行. 2016, 82-85.; 1942035; http://hdl.handle.net/20.500.11897/486654
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7Conference
المؤلفون: 成亚曼
المساهمون: 北京大学国际关系学院
المصدر: 知网
Relation: 北京论坛(2010)文明的和谐与共同繁荣——为了我们共同的家园:责任与行动.; 997810; http://hdl.handle.net/20.500.11897/38751
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8Academic Journal
المؤلفون: 闫俊
المساهمون: 北京大学精神卫生研究所
المصدر: 知网
Relation: 心理与健康.2015,(07),16-17.; 1386868; http://hdl.handle.net/20.500.11897/432191
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9Academic Journal
المؤلفون: 汪丁丁
المساهمون: 北京大学, 浙江大学, 东北财经大学
المصدر: 知网
Relation: IT经理世界.2013,(05),130.; 1109001; http://hdl.handle.net/20.500.11897/184275
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10Academic Journal
المؤلفون: 王育琨
المساهمون: 北京大学民营经济研究院企业家研究中心
المصدر: 知网
Relation: 中外管理.2012,(02),127.; 771921; http://hdl.handle.net/20.500.11897/172923
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11Academic Journal
المؤلفون: 王东东
المساهمون: 北京大学
المصدر: 知网
Relation: 诗林.2012,(05),12-14.; 893339; http://hdl.handle.net/20.500.11897/141290
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12Academic Journal
المؤلفون: 萧贞贞
المساهمون: 北京大学哲学系,北京,100871
المصدر: 万方 ; 知网 ; CSSCI ; http://d.g.wanfangdata.com.cn/Periodical_zjxk201103009.aspx
Relation: 浙江学刊.2011,(3),77-81.; 685641; http://hdl.handle.net/20.500.11897/59805
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13Academic Journal
المؤلفون: 汪丁丁
المساهمون: 北京大学经济研究中心 教授
المصدر: 知网
Relation: IT经理世界.2008,(12),103.; 817672; http://hdl.handle.net/20.500.11897/174619
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14Academic Journal
المؤلفون: 刘涛
المساهمون: 北京大学外国语学院
المصدر: 知网
Relation: 外国文学动态.2001,(06),15-17.; 994117; http://hdl.handle.net/20.500.11897/21831
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15Academic Journal
المؤلفون: 赵德明
المساهمون: 北京大学西语系 教授,博士生导师
المصدر: 知网
Relation: 解放军艺术学院学报.2000,(03),5-10.; 871825; 81-5039/J; http://hdl.handle.net/20.500.11897/21484
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16Academic Journal
المؤلفون: 李思孝
المساهمون: 北京大学中文系
المصدر: 知网
Relation: 社会科学战线.1995,(06),19-23.; 1045362; http://hdl.handle.net/20.500.11897/95404
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17Academic Journal
المؤلفون: 朱德生
المساهمون: 北京大学哲学系
المصدر: 知网
Relation: 哲学研究.1995,(06),46-48+21.; 1042005; http://hdl.handle.net/20.500.11897/63597
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18Academic Journal
المؤلفون: 任光宣
المساهمون: 北京大学俄语系
المصدر: 知网
Relation: 当代外国文学.1995,(04),97-103.; 1045705; http://hdl.handle.net/20.500.11897/22032
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19
المؤلفون: 陳奕潔, Chen, Yi Jie
المساهمون: 淡江大學日本語文學系碩士班, 曾秋桂
مصطلحات موضوعية: 村上春樹, 世界末日與冷酷異境, 平行, 時間, 空間, Murakami Haruki, “Hard-Boiled Wonderland and the End of the World”, parallel, Time, Space, 世界の終りとハードボイルド・ワンダーランド, パラレル, phil, hist
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20
المؤلفون: Yeung, Virginia
مصطلحات موضوعية: 《世界末日與冷酷異境》, 村上春樹, 烏托邦, 文學裡的時間, 當代日本小說, Hard-Boiled Wonderland and the End of the World, Murakami Haruki, utopia, time in literature, contemporary Japanese novels
وصف الملف: 173 bytes; text/html
Relation: Tamkang Review=淡江評論 45(2), pp.47-69; http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/109171; http://tkuir.lib.tku.edu.tw:8080/dspace/bitstream/987654321/109171/2/index.html