المؤلفون: Ida Porfido

المصدر: MediAzioni, Vol 35, Pp A91-A106 (2022)

مصطلحات موضوعية: theatrical translation, collaborative translation, contemporary french dramaturgy, olivier cadiot, fairy queen, stylistic analysis, Language. Linguistic theory. Comparative grammar, P101-410, Communication. Mass media, P87-96

وصف الملف: electronic resource

Relation: https://mediazioni.unibo.it/article/view/16028; https://doaj.org/toc/1974-4382

URL الوصول: https://doaj.org/article/15cacea4c1514596a26cfb35fae6ea6e

المؤلفون: Ida Porfido

المصدر: Revue Italienne d'Etudes Françaises, Vol 5 (2015)

مصطلحات موضوعية: Vasset Philippe, littérature française de l’extrême-contemporain, écriture spatiale, enquête périurbaine, texte-performance, géographie parallèle, French literature - Italian literature - Spanish literature - Portuguese literature, PQ1-3999

وصف الملف: electronic resource

Relation: http://journals.openedition.org/rief/1038; https://doaj.org/toc/2240-7456

URL الوصول: https://doaj.org/article/82ea70faadc24f0099d4da39e571623e

المؤلفون: Ida Porfido

المساهمون: ENS Editions

المصدر: Mots 54(1):69-85

URL الوصول: http://www.persee.fr/doc/mots_0243-6450_1998_num_54_1_2328

المؤلفون: Ida Porfido

المساهمون: Henri Meschonnic, Ida Porfido, Porfido, Ida

مصطلحات موضوعية: TRADUTTOLOGIA

Relation: info:eu-repo/semantics/altIdentifier/isbn/979-12-5965-342-0; ispartofbook:Poetica della traduzione; firstpage:7; lastpage:17; numberofpages:11; serie:SGUARDI SULLA MODERNITÀ; alleditors:Ida Porfido; https://hdl.handle.net/11586/477680

الاتاحة: https://hdl.handle.net/11586/477680

المؤلفون: Ida Porfido

المساهمون: Porfido, Ida

مصطلحات موضوعية: TRADUZIONE DAL FRANCESE ALL'ITALIANO, DIDATTICA DELLA TRADUZIONE, LINGUISTICA, TRADUTTOLOGIA

Relation: info:eu-repo/semantics/altIdentifier/isbn/978-88-15-38725-7; firstpage:9; lastpage:216; numberofpages:208; https://hdl.handle.net/11586/518908

الاتاحة: https://hdl.handle.net/11586/518908

المؤلفون: ida porfido

المساهمون: Porfido, Ida

مصطلحات موضوعية: Xavier Bazot, traduzione letteraria

Relation: numberofpages:19; journal:RI.TRA; https://hdl.handle.net/11586/469600

الاتاحة: https://hdl.handle.net/11586/469600

المؤلفون: Ida Porfido

المساهمون: Ida Porfido, Davide Canfora, Nancy De Benedetto, Paola Laskaris, Porfido, Ida

مصطلحات موضوعية: linguaggio inclusivo, Académie française

Relation: info:eu-repo/semantics/altIdentifier/isbn/978-88-7470-985-4; ispartofbook:Ann a pesar de las tinieblas bella, ann a pesar de las estrellas clara Pur nelle tenebre, bella/chiara, pur tra le stelle. Scritti in ricordo di Ines Ravasaini; firstpage:537; lastpage:552; numberofpages:16; alleditors:Davide Canfora, Nancy De Benedetto, Paola Laskaris; https://hdl.handle.net/11586/453821

الاتاحة: https://hdl.handle.net/11586/453821

المؤلفون: ida porfido

المساهمون: Ida Porfido, M. Carli, G. D'Autilia, G.L. Fruci, A. Petrizzo, Porfido, Ida

مصطلحات موضوعية: figura del brigante, storia sociale, rappresentazione nell’immaginario, stampa francese ottocentesca, tipizzazione, Risorgimento italiano

Relation: info:eu-repo/semantics/altIdentifier/isbn/978-88-498-7731-1; ispartofbook:Storia del brigantaggio in 50 oggetti; firstpage:122; lastpage:125; numberofpages:4; alleditors:M. Carli, G. D'Autilia, G.L. Fruci, A. Petrizzo; https://hdl.handle.net/11586/457780

الاتاحة: https://hdl.handle.net/11586/457780

المؤلفون: Ida Porfido

المساهمون: Porfido, Ida

مصطلحات موضوعية: Parole chiave figura del brigante, storia sociale, rappresentazione nell’immaginario, stampa francese ottocentesca, tipizzazione, Risorgimento italiano

Relation: volume:184; firstpage:503; lastpage:531; numberofpages:29; journal:SOCIETÀ E STORIA; https://hdl.handle.net/11586/453820

الاتاحة: https://hdl.handle.net/11586/453820

المؤلفون: Ida Porfido

المساهمون: ENS Editions

المصدر: Mots 36(1):126-127

URL الوصول: http://www.persee.fr/doc/mots_0243-6450_1993_num_36_1_1857

المؤلفون: Ida Porfido

المصدر: Studi Francesi. :278-285

مصطلحات موضوعية: Cultural Studies, History, Literature and Literary Theory, media_common.quotation_subject, Italian language, French, Art, language.human_language, Style (visual arts), Pathos, language, Humanities, Hindsight bias, media_common

URL الوصول: https://explore.openaire.eu/search/publication?articleId=doi_________::29ab7220ff8b61ec75054b7d2575ce43
https://doi.org/10.4000/studifrancesi.12629

المؤلفون: Madina Tlostanova, Giulia Maria Gallotta, Roberto Pellerey, Chiara Olivieri, Patrizia Calefato, Cíntia Sanmartin Fernandes, Micael Herschmann, Marco Modenesi, Claudia Attimonelli, Elena Fusar Poli, Alessia Polatti, Roberto Rossi, Alessandra Ferlito, Mirco Vannoni, Eleonora Chiais, Lorenzo Maida, Maria Giulia Laddago, María Aparisi Galán, Gabriele Forte, Abu Qadim Haqq, Annarita Taronna, Christopher Larkosh-Lenotti, Aminat Emma Badmus, Ida Porfido

المساهمون: Tlostanova, Madina, Maria Gallotta, Giulia, Pellerey, Roberto, Olivieri, Chiara, Calefato, Patrizia, Sanmartin Fernandes, Cíntia, Herschmann, Micael, Modenesi, Marco, Attimonelli, Claudia, Fusar Poli, Elena, Polatti, Alessia, Rossi, Roberto, Ferlito, Alessandra, Vannoni, Mirco, Chiais, Eleonora, Maida, Lorenzo, Giulia Laddago, Maria, Aparisi Galán, María, Forte, Gabriele, Qadim Haqq, Abu, Taronna, Annarita, Larkosh-Lenotti, Christopher, Emma Badmus, Aminat, Porfido, Ida

مصطلحات موضوعية: This paper chronichles a curatorial experience based in Naples: the intercultural workshop of urban photography entitled Crossing Sights, started in November 2019 and still active. Rather than analysing the phases of the laboratory in a punctual and exhaustive fashion, the paper aims at commenting on the criticalities, limits and possibilities I have detected as a co-curator. My “enunciation” is situated in the interiority of an unperfect West (Cazzato 2019) and it employs the concept of curating as a practice of hospitality. In addition, it argues that the “decolonial curating” is an anti-racist practice of “listening” (Bayer, Kazeem-Kamiński, Sternfeld 2018) that is open to the "epistemic diversity" and to the "pluriversality" (Mignolo &, Tlostanova 2006). The premise of my investigation is that we need to move beyond decolonization, towards "decolonialisation" (Borghi 2020). Born into the modern-western thought, curating can reply to this call by proposing itself as an exercise of deconstruction of "whiteness". The goal of curating should be to consider art as something different from modernist notion, therefore trying to work curatorially means to activate such work in terms of contents, opening the colonial archives, epistemics "de-linking" from modernity and “epistemic disobedience”, and ethics, positioning oneself and practicing self-critique. Central to the investigation is the main theme of Crossing Sights: "Neapolitanity", a label which serves the predatory objectives of capitalism and globalization. A trap that the laboratory has tried to criticize by adopting/embracing/employing the point of view of "others", and by shifting the attention from aesthetics to "aesthesis" (Mignolo 2019). Finally, while commenting on the strategy adopted in order to overcome the "coloniality", I suggest curating as a decolonial exercise generating gestures of anti-racist hospitality, that may help to think decolonially

Relation: issue:2; firstpage:130; lastpage:136; numberofpages:7; journal:ECHO; http://hdl.handle.net/11574/208617; https://ojs.cimedoc.uniba.it/index.php/eco/article/view/1216

الاتاحة: http://hdl.handle.net/11574/208617
https://doi.org/10.15162/2704-8659/1216
https://ojs.cimedoc.uniba.it/index.php/eco/article/view/1216

المؤلفون: Madina, Tlostanova, Giulia Maria Gallotta, Roberto, Pellerey, Chiara, Olivieri, Patrizia, Calefato, Cíntia Sanmartin Fernandes, Micael, Herschmann, Marco, Modenesi, Claudia, Attimonelli, Elena Fusar Poli, Alessia, Polatti, Roberto, Rossi, Ferlito, Alessandra, Mirco, Vannoni, Eleonora, Chiais, Lorenzo, Maida, Maria Giulia Laddago, María Aparisi Galán, Gabriele, Forte, Abu Qadim Haqq, Annarita, Taronna, Christopher, Larkosh-Lenotti, Aminat Emma Badmus, Ida, Porfido

مصطلحات موضوعية: opening the colonial archives, limits and possibilities I have detected as a co-curator. My “enunciation” is situated in the interiority of an unperfect West (Cazzato 2019) and it employs the concept of curating as a practice of hospitality. In addition, Tlostanova 2006). The premise of my investigation is that we need to move beyond decolonization, This paper chronichles a curatorial experience based in Naples: the intercultural workshop of urban photography entitled Crossing Sights, started in November 2019 and still active. Rather than analysing the phases of the laboratory in a punctual and exhaustive fashion, the paper aims at commenting on the criticalities, limits and possibilities I have detected as a co-curator. My “enunciation” is situated in the interiority of an unperfect West (Cazzato 2019) and it employs the concept of curating as a practice of hospitality. In addition, it argues that the “decolonial curating” is an anti-racist practice of “listening” (Bayer, Kazeem-Kamiński, Sternfeld 2018) that is open to the "epistemic diversity" and to the "pluriversality" (Mignolo & Tlostanova 2006). The premise of my investigation is that we need to move beyond decolonization, towards "decolonialisation" (Borghi 2020). Born into the modern-western thought, curating can reply to this call by proposing itself as an exercise of deconstruction of "whiteness". The goal of curating should be to consider art as something different from modernist notions, therefore trying to work curatorially means to activate such work in terms of contents, opening the colonial archives, epistemics "de-linking" from modernity and “epistemic disobedience”, and ethics, positioning oneself and practicing self-critique. Central to the investigation is the main theme of Crossing Sights: "Neapolitanity", a label which serves the predatory objectives of capitalism and globalization. A trap that the laboratory has tried to criticize by adopting/embracing/employing the point of view of "others", and by shifting the attention from aesthetics to "aesthesis" (Mignolo 2019). Finally, while commenting on the strategy adopted in order to overcome the "coloniality", I suggest curating as a decolonial exercise generating gestures of anti-racist hospitality, that may help to think decolonially, started in November 2019 and still active. Rather than analysing the phases of the laboratory in a punctual and exhaustive fashion, towards "decolonialisation" (Borghi 2020). Born into the modern-western thought, the paper aims at commenting on the criticalities, curating, coloniality, decolonial, whiteness, Hospitality, anti-racism, curatela, colonialità, decoloniale, bianchezza, ospitalità, anti-razzismo, therefore trying to work curatorially means to activate such work in terms of contents, positioning oneself and practicing self-critique. Central to the investigation is the main theme of Crossing Sights: "Neapolitanity", a label which serves the predatory objectives of capitalism and globalization. A trap that the laboratory has tried to criticize by adopting/embracing/employing the point of view of "others", and ethics, that may help to think decolonially, Sternfeld 2018) that is open to the "epistemic diversity" and to the "pluriversality" (Mignolo &, curating can reply to this call by proposing itself as an exercise of deconstruction of "whiteness". The goal of curating should be to consider art as something different from modernist notions, This paper chronichles a curatorial experience based in Naples: the intercultural workshop of urban photography entitled Crossing Sights, it argues that the “decolonial curating” is an anti-racist practice of “listening” (Bayer, I suggest curating as a decolonial exercise generating gestures of anti-racist hospitality, Kazeem-Kamiński, while commenting on the strategy adopted in order to overcome the "coloniality", and by shifting the attention from aesthetics to "aesthesis" (Mignolo 2019). Finally, epistemics "de-linking" from modernity and “epistemic disobedience”

URL الوصول: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::cfc741eeee703ab84cb27b8e8f258f63
http://hdl.handle.net/11574/208617

المؤلفون: Ida Porfido

المساهمون: Francesca Romana Recchia Luciani, Porfido, Ida

مصطلحات موضوعية: TRADUZIONE FILOSOFICA

Relation: info:eu-repo/semantics/altIdentifier/isbn/9788898367245; ispartofbook:Del sesso; firstpage:11; lastpage:31; numberofpages:21; alleditors:Francesca Romana Recchia Luciani; http://hdl.handle.net/11586/233242

الاتاحة: http://hdl.handle.net/11586/233242

المؤلفون: Ida Porfido

URL الوصول: https://explore.openaire.eu/search/publication?articleId=doi_________::5aa78377bce19999d8edf7868f86e86c
https://doi.org/10.3917/puv.frig.2017.01.0089

المؤلفون: Ida Porfido, Walter Redfern

المصدر: The Modern Language Review. 96:196

مصطلحات موضوعية: Linguistics and Language, Literature and Literary Theory, Language and Linguistics

URL الوصول: https://explore.openaire.eu/search/publication?articleId=doi_________::9b3d6326ac788a96cf5fa70457287700
https://doi.org/10.2307/3735770

المؤلفون: Francesca, Chessa, Porfido, Ida

المساهمون: Chessa, Francesca, Ida, Porfido

مصطلحات موضوعية: Traduzione francese italiano, Funzione, Contesto

Relation: info:eu-repo/semantics/altIdentifier/isbn/978-88-15-38725-7; numberofpages:216; serie:ITINERARI; https://hdl.handle.net/11584/423183

الاتاحة: https://hdl.handle.net/11584/423183

المؤلفون: PORFIDO Ida

المساهمون: Ida Porfido, Michèle Sajous, Michel Delon, Porfido, Ida

مصطلحات موضوعية: Xavier Bazot idiotismi expressions figées

Relation: info:eu-repo/semantics/altIdentifier/isbn/9788867175734; ispartofbook:Calligraphies/Calligrafie per Mimmo D'Oria; firstpage:287; lastpage:294; numberofpages:8; alleditors:Michèle Sajous, Michel Delon; https://hdl.handle.net/11586/374889

الاتاحة: https://hdl.handle.net/11586/374889

المؤلفون: ROCCO, ALESSANDRO

المساهمون: A CURA DI ALFONSINA DE BENEDETTO IDA PORFIDO UGO SERANI, Rocco, Alessandro

Relation: info:eu-repo/semantics/altIdentifier/isbn/978-88-7581-099-3; ispartofbook:Tradurre. Riflessioni e rifrazioni; firstpage:239; lastpage:250; numberofpages:12; https://hdl.handle.net/11386/4897117

الاتاحة: https://hdl.handle.net/11386/4897117

المؤلفون: LEOPIZZI, Marcella

المساهمون: Alfonsina Debenedetto Ida Porfido Ugo Serani, Leopizzi, Marcella

وصف الملف: STAMPA

Relation: info:eu-repo/semantics/altIdentifier/isbn/9788875810993; ispartofbook:Tradurre. Riflessioni e rifrazioni, a cura di Alfonsina Debenedetto, Ida Porfido, Ugo Serani. Collana "Tradurre", vol. 1, a cura del Dipartimento di Lingue e Letterature Romanze e Mediterranee dell'Università di Bari; firstpage:169; lastpage:179; numberofpages:11; alleditors:Alfonsina Debenedetto Ida Porfido Ugo Serani; http://hdl.handle.net/11587/414141

الاتاحة: http://hdl.handle.net/11587/414141